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Director: Miles Swain
Writer: Miles Swain
Genre: Drama, Comedy, Romance
Country: USA
Language: English
Duration: 95 min
Year: 2002
Stars: Larry Sullivan, Steve Braun, Ray Baker
By DAVE KEHR
Published: May 9, 2003 - The New York Times
''The Trip,'' a first feature written and directed by Miles Swain, is a gay melodrama with a historical dimension. The title, meant to be taken on a few metaphorical levels, refers first and foremost to the personal journey of Alan Oakley (Larry Sullivan), who begins the film in 1973 as a straight, uptight Young Republican working for an establishment newspaper and who eventually finds happiness as an openly gay man working for a radical homosexual-rights organization called Out Loud.
Published: May 9, 2003 - The New York Times
''The Trip,'' a first feature written and directed by Miles Swain, is a gay melodrama with a historical dimension. The title, meant to be taken on a few metaphorical levels, refers first and foremost to the personal journey of Alan Oakley (Larry Sullivan), who begins the film in 1973 as a straight, uptight Young Republican working for an establishment newspaper and who eventually finds happiness as an openly gay man working for a radical homosexual-rights organization called Out Loud.
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Before you can say ''closet case,'' Alan and Tommy are in bed together, an occasion marked by much forced hilarity when Alan's parents, a retired Army officer (Art Hindle) and a former Las Vegas showgirl (Jill St. John, in a remarkably poised appearance), show up for a visit the morning after.
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Imagine the look of surprise on Tommy's face when one of those annoying ''Live at Five'' reporters points a microphone at him and demands, ''Are you aware that the author of 'The Straight Truth' is your roommate of the last four years?''
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So here begins the literal trip in ''The Trip,'' as the reunited companions try to cross rural Mexico in a beat-up convertible, hoping to take Tommy back to Texas for some treatment. The trip involves committing a couple of major felonies, considered here -- as in so many Hollywood films -- as essential steps on the way to self-actualization (viz. ''Thelma and Louise'').
With its implausible coincidences, inelegant plot twists and minimally characterized characters, ''The Trip,'' which opens today nationwide, doesn't have much going for it apart from its basic sincerity and decency, which are evident. Mr. Swain himself might benefit from some of the loosening up he has prescribed for Alan; his subject may be gay, but his film never departs from the straight-and-narrow technique of a television movie. DAVE KEHR
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