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    When dreams become true





    Dans la décapotable (1996)

    03 November 2009

    Tarik El Hob (2001) aka The Road To Love

    Tarik El Hob (2001)

    Director: Rémi Lange
    Scenario: Rémi Lange, Antoine Parlebas
    Genre: Drama
    Country: France
    Year: 2001
    Duration: 70 min
    Rating: 7.3/10



    Actors: Karim Tarek, Sihem Benamoune, Abdellah Taia, Mustapha Khaddar, Farid Tali, Mehdi Jouhar, Roschdy El Glaoui, Riyad Echahi, Zakariya Gouram







    Description:
    Koliko ste upoznati sa homoseksualizmom u arapskim zemljama? Da li je arapska kultura tolerantna prema homoseksualcima ?
    U nekoliko arapskih zemalja u kojima sam boravio sam primjetio da se muškarci drže za ruku dok hodaju ulicama. Bilo mi je čudno kako tako javno pokazuju privrženost. Privrženost da, ali na njihov način. Kada se dva druga drže za ruku , ne znači da su i pederi. Oni su naprosto prijatelji.
    Inače arapi za sebe vole da kažu da su macho jebači. Kod njih nije sramota ako imaš sex sa muškarcem, al pod uslovom da si ti taj koji jebe. Ako dopustiš da budeš pojeban to je već sramota.

    Iz ovog polu dokumentarnog filma možete otkriti ponešto o pederizmu u arapskom svjetu.
    Karim, student sociologije živi u prijestonici arapa - u Parizu sa djevojkom Sihem.
    Nakon jedne emisije o pederima u Egiptu, Karim odluči da snimi istraživački dokumentarac o pederizmu medju arapima.



    I tako ide od jednog do drugog pedera, intervjuiše ih, bilježi njihove nesuvisle pederske priče, snima sve o njihom načinu života.

    Sve dok ne upozna stjuarta Ferida, kada počinje da mjenja mišljenje o ljubavi medju muškarcima.
    Sa njim odlazi u Maroko, gdje nastavlja sa snimanjima. Zapanjujuća je priča o pederima medju arapima. Jedan šeik je po nekim pričama imao harem muškaraca. (Nadam se da ih nije kastrirao!)
    Trebam li vam reći da je Karim na kraju dobio prsten od Ferida?
    Poučan film , koji će vam razbitii predrasude o arapima! ( ukoliko ih imate!)

    The story of an Arab student in Paris who discovers his homosexuality while working on a video project for his sociology class, Rémi Lange's ''Road to Love'' doesn't add much to the coming-out genre, as it has been established in countless Sundance competition films and made-for-television movies.
    The student, Karim (Karim Tarek), is living in a seventh-floor walk-up with his doting girlfriend, Sihem (Sihem Benamoune), when he decides to make a documentary about homosexuality in the Arab world for his class at the Sorbonne. (Term papers, it seems, are a thing of the past.)
    He tries to track down some gay Muslim men to interview, first by hanging around in front of a gay tea shop, then by placing an advertisement in a newspaper. All of Karim's respondents make advances toward him, provoked by his willowy frame and large, expressive eyes, which Sihem likens to the great, yearning orbs of Vermeer's ''Girl With a Pearl Earring.''


    Karim is disturbed at first, but before long he begins to feel flattered by all the attention. He strikes up a friendship with Farid (Riyad Echahi), a serious young flight attendant who puts him in touch with gay Muslims in Paris and elsewhere, all the while incubating his own crush on Karim. As Karim spends more and more time with Farid, Sihem starts getting anxious, as well she might.

    It's clear where ''The Road to Love'' is headed after its first few minutes, and the feature, crudely shot with what seems to be an amateur video camera, has few stylistic compensations. But some interesting reporting enters on the edges of the familiar story line, as Karim uncovers the complicated and often contradictory attitudes toward homosexuality in Islam.


    Homosexual relationships, he finds, are tolerated in many Muslim cultures as an outlet for pent-up desires that must otherwise wait until marriage. There was even one relatively modern culture, centered in the Siwa oasis in Egypt, where marriage ceremonies between men were performed, though those marriages dissolved when the time for grown-up, reproductive coupling arrived. Only passive homosexuality, Farid explains to Karim, is considered truly shameful. Sex, in other words, is power, in which a sense of domination counts for everything -- not, alas, a notion exclusive to the Arab world.
    But as much as you would like to linger beneath the shady palms of Siwa, the film eventually returns to its well-worn dramatics. ''Maybe,'' Karim says of his documentary project, ''I chose it unconsciously to reveal my preference for men.''
    Under the circumstances, -- Karim is flying off to Marrakesh with Farid for a romantic weekend -- that does look like a distinct possibility.

    video

    See more: cinetemagay.blogspot.com

    02 November 2009

    The Toilers and the Wayfarers (1996)

    The Toilers and the Wayfarers (1996)

    Director: Keith Froelich
    Scenario: Keith Froelich
    Genre: Drama
    Country: USA
    Year: 1996
    Duration: 75 min
    Rating: 6.5/10



    Actors: Matt Klemp, Ralf Schirg, Andrew Woodhouse, Jerome Samuels, Joan Wheeler, Michael Glen, Ralph Jacobus, Douglas Blacks, Anthony C. Paul, Johanna Stucki, Alex Cole, Michael A. Sward, Kevin Burns, Scott Bukowski, James Hulbert





    Description:


    Kako je moguće da jedan momak , vaspitavan u ekstremno konzervativnoj porodici završi na ulici baveći se prostitucijom?
    Ne možemo znati kuda nas život nosi, ali ipak donekle možemo kreirati svoj životni put. Ono što nosimo u sebi , stečeno vaspitanjem, obrazovanjem i iskustvom ipak je nešto što ostaje u nama do kraja života. Vremenom se nadograđujemo i mjenjamo se, što nas čini zrelijim i samopouzdanijim.
    U ovom filmu 16-togodišnji Dieter, otima se od roditeljskih stega i odlazi svojim putem , tražeći sebe u jednom sasvim novom svijetu. U tome mu pomaže rođak Udo , takođe Njemački emigrant, koji mu na jedan njemu poseban način pokazuje kako da bude ono što osijeća i da izgradi identitet.
    Diter ostaje zatečen kada mu njegov najbolji prijatelj prizna da je gay i da je zaljubljen u njega. Kada Philip ode u Minneapolis kako bi se oslobodio stega malog grada Diter ostaje kao u nezavršenoj priči u kojoj mora naći svoje mjesto.
    Dieter i Udo odlaze u Minneapolis da potraže Philipa.
    Vrlo lijepa priča, mada bi sama gluma mogla biti na malo višem nivou.
    Film je rađen u crno-bijeloj tehnici, što mu daje neku dokumentarističku dimenziju. Lično bih više volio da je rađen i u koloru, koristeći crno-bjele sekvence tamo gdje je potrebno naglasiti prošlost.
    Za film bi se moglo reći da je klasična coming out priča, prikazana na jedan dokumentaristički način.


    VARIETY.COM
    By DENNIS HARVEY


    "The Toilers and the Wayfarers" is an engaging indie effort whose gay youth theme will interest relevant fests and, possibly, select theatrical programmers. Haphazard story and character development suggest writer-helmer Keith Froelich bit off more than he could chew with this first feature. But the B&W drama is mostly offbeat enough to avoid telepic tenor latent in its runaways-hit-big-city scenario.


    Handsome Dieter (Matt Klemp) and prankster Phillip (Andrew Woodhouse) are 16 -year-old best friends bored to death in New Ulm, Minn., where German settlers' original language -- and conservative attitudes -- prevail. Wanting companionship, Dieter's ailing aunt sponsors passage abroad for a nephew from the old country. But she doesn't expect somebody like genial, good-timey Udo (Ralf Schirg), a 20-ish layabout content to drink beer and watch TV.
    Chafed by parental restrictions, then mortified when Dieter rebuffs his advances, Phillip runs away to Minneapolis. Dieter, now (falsely) suspected of homosexual involvement with Udo, runs afoul of his own harshly disciplinary dad -- and begins having second thoughts about sexual exploration, too. Meanwhile, Udo's crabby auntie suddenly dies. The hapless emigre blows his inherited money on a convertible, then lets Dieter convince him they should likewise scram to the city.
    In Minneapolis, the trio's reunion yields mixed results. Dieter and Phillip enter a blissful new carnal phase in their relationship, but latter has resorted to hustling, and Dieter (with juvenile authorities already in pursuit) feels pressured to do the same. Promptly robbed of remaining cash, Udo finds he can't hold a job any more than he can hold his liquor.
    Pic ends on an ambiguous note for all that fails to satisfy, and the film has consistent trouble deciding on a central thread or protagonist, though focus does eventually fall on Dieter. (Adding to confused feel, all three leads provide some voiceover narration.) Pacing is perhaps too brisk, leaving numerous odd gaps. We're never certain, for instance, whether Udo is gay; awkward scene transitions often make it unclear how much time has passed, where characters are living, and so on.
    As a result, tale grows more improbable as it settles into the dark side of urban survival, though Froelich doesn't hammer home any rou-tinely cautionary message. Dialogue is uneven, sometimes (as with narration) too authorial-sounding.
    Despite ample flaws, pic does hold interest with its sympathetic, uncondescending view of young adults forced to mature faster than they ought to. Tech aspects are generally above average, lead performances likable if not fully supported by sometimes insightful, sometimes lax writing. German dialogue (about one-third of total) is subtitled.
    Camera (B&W, 16mm), Jim Tittle; editors, Robb Harriss, Froelich; music, Chan Poling; set decoration, Merrill Stringer; costumes, Jeannie Millett, Sally Englehardt; sound, Matt Ehling; associate producers, Rob Borm, Michael Murray; line producer, Manion; assistant director, Michael Tabor; casting, Jessica Nelson. Reviewed at the Roxie Cinema, San Francisco, Dec. 8, 1995. (Also in Sydney Gay & Lesbian Mardi Gras Film Festival; Berlin Film Festival -- market.) Running time: 75 MIN.



    video


    See more on cinetemagay.blogspot.com

    01 November 2009

    Pratch

    pracht

    Pratch

    Director: Natalie Percille
    Scenario:
    Genre: Erotic, Short
    Country: France
    Year: 2004
    Duration: 4 min
    Rating:

     

    Description:

    Da vam poželim dobro jutro! Nekako ovih dana bas i nisam nailazio na dobre gay filmove zato vam na blog stavljam jedan interesantan kratki erotski film.

    Pa onako uz jutarnju kafu , ako ste sami….




    27 October 2009

    Splendor (1999)

    splendor

    Splendor (1999)

    Director: Gregg Araki
    Scenario: Gregg Araki, Jill Cargerman
    Genre: Comedy
    Country: UK, USA
    Year: 1999
    Duration: 93 min
    Rating: 5.2/10




    Actors: Kathleen Robertson, Johnathon Schaech, Matt Keeslar, Kelly Macdonald, Eric Mabius, Dan Gatto, Linda Kim, Audrey Ruttan, Nathan Bexton, Amy Stevens, Adam Carolla, Julie Millett, Jenica Bergere, Paige Dunn, Emile Hamaty





    Description:

    http://img2.timeinc.net/ew/img/review/991008/splendor.jpgTeenage trilogija Greg Arakija (Totally F***ed Up, The Doom Generation, and Nowhere) je već predstavljena na ovom blogu, te sa filmom Mysterious Skin (2004) i The Living End (1992) čini zaokruženu sliku Arakijevog rada.
    Ovaj film se definitivno nemože svrstati u Gay Themed Movie no bez obzira na to na ovom blogu se našao zahvaljujući  "nenamjerno i ničim izazvanom homoerotičnošću " dvojice sjajnih glumaca Jonathan Schaecha i Matt Keeslara.
    Veronika (Kathleen Robertson) na jednoj zabavi povodom noći vještica upoznaje Abela (Jonathan Schaech) koji od nje na jedan šarmantan način uspjeva da izmami broj telefona. Nakon toga upoznaje Zeda (Matt Keeslar) sa kojim polupijano završava u krevet. Ujutro kad se probudila šokirano je gledala u Zedovu jutarnju erekciju i čudila se sama sebi odkud ovaj lik u mom krevetu.

    sple_03

    Iako joj se Zed dopao ženska znatiželja joj nije dozvolila da propusti sasvim drugačijeg a opet seksipilnog Abela (Jonathan Schaech).
    I tako upada u vezu sa dva muškaraca, medjusobno toliko različitih ali dopunjujućih.
    Ništa neobično da Veronika nije odlučila da im sve kaže i upozna ih. I tako nastaje savršena trojka koja ko zna šta sve radi noću u krevetu. Simpatičan mi je bio poljubac između Abela i Zeda.

    sple_11

    Ova romantična komedija će vam zasigurno prijati nakon nedeljnog ručka, alako ne očekujete gomilu seksi scena. Toga u ovom Arakijevom filmu nema.
    Mene je podsjetio na ednu davnu vezu sa jednim momkom i njegovom djevojkom. Ispočetka je ja sam bio samo njegov momak, a ona njegova djevojka. Kad bi se desilo da naš voljeni nije sa njom ili samnom družio sam se sa njom. Ispade da smo se jednima drugima dopali te je u meni probidila jak heteroseksualni nagon. I tako priča je tekla ko u filmu. Radnim danima je moja guza bila "zloupotrebljavana" od mog super momka, a vikendom sam gledao da ugrabim trenutak kako bih ga uvalio u savršenu pičkicu njegove cure.
    Sve je funkcionisalo savršeno dok on nije odlučio da njoj kaže za nas. Imali su seks te subote i nakon toga je dijalog tekao ovako:

    sple_08

    Naš momak: - Ja i on se volimo
    Ona: - I ja ga volim, a znam da on voli i mene i tebe!
    Naš momak: - Ali mi se volimo i onako... znaš
    Ona : Kako ... misliš ... onako
    Naš momak: - Da baš tako

    Pauza 5 minuta  pa onda:

    ona: A ko koga ? Mislim znaš...
    Naš momak laže: Mi to ne radimo, samo pušenje , poljupci i to
    Ona: Moram ti priznati , on super radi i to drugo!
    Naš momak: Misliš vas dvoje ste...
    Ona: Mislim da se mi svi međusobno volimo! Mi smo savršena trojka!

    Nakon što me je sutradan nekako osvetnički izjebao ispričao mi je da joj je rekao i kako je tekao tok razgovora!


    Left to Right: Jonathan Schaech, Kathleen Robertson, and Matt Keeslar in Gregg Araki's Splendor

    23 year old aspiring actress who wears more lipstick than a circus clown goes to punk club and falls in love-at-first-sight with two guys. Soon they all move in together and have three-ways every night--it's a fornicator's dream come true!. . .but the dream turns into a nightmare when the chick gets pregnant (now that's a real surprise plot twist!) and realizes her two bed mates would make less-than-ideal co-fathers. Sure, they are fun to live and fornicate with, but these guys don't even have jobs! What kind of life will her baby have ? Then the chick meets this bland but responsible guy. She doesn't love him, but he's stable and would be a good provider. So she dumps her two lovers and agrees to marry Mr. Bland-But-Dependable (now that's a real surprise plot twist!). But, guess what? Right as the chick is about to say "I do," the two lover boys crash the wedding and rescue the chick from a loveless marriage (now that's a real surprise plot twist!). They all three go back to shacking up and raising the baby (which, in a real surprise plot twist, turns out to be two babies! Twins! Imagine that! How clever!). I guess this was supposed to be some sort of screwball comedy about how complicated young people's lives can become in this so-very-post-modern-world, but. . .it's not funny (though it is boring) and the script isn't fresh (though the acting is terrible). You wonder how the mediocrity who wrote and directed this *movie* ever fooled enough people to pony up the five million or so it took to make this frisbee. . .that con job must have used up all his creative energy. *


    by Scott Tobias April 19, 2002

    Unburdened by the heavy nihilism that dogged his so-called "Teenage Apocalypse Trilogy" (Totally F***ed Up, The Doom Generation, and Nowhere), Gregg Araki's Splendor is his brightest, most tolerable work to date, a day-glo romantic fantasy that sweetly considers the long-term possibilities of a drunken three-way. A camp reworking of Noel Coward's bohemian farce Design For Living, the film stars Beverly Hills 90210's Kathleen Robertson as an aspiring actress and self-described "good girl" drawn to two polar  opposites at a Halloween rave: Johnathon Schaech, a bespectacled (and thus sensitive) freelance rock critic, and Matt Keeslar, a neanderthal drummer for a sub-par punk band. Robertson falls for her [sple_15[4].jpg]

    competing lovers equally, but rather than choose between them, she allows both to move in and share her affections. This sort of premise would normally bring out Araki the obnoxious provocateur, but Splendor instead carries a bubbly, inconsequential tone that marks a surprising and welcome change of pace. While Araki's self-conscious dialogue still pounds with leaden irony, he continues to make great strides as an avant-garde stylist, painting the film's appealing surfaces with bold splashes of primary colors, eye-popping artificial sets, and a hypnotic art-pop sound design. Were he to invest the story with the same conviction, Splendor might have been the blissful, forward-thinking modern romance he intended. But for all his gifts, Araki is paralyzed by cool self-awareness, caught in the impossible position of trying to make this trio emotionally resonate while snickering at the Three's Company phoniness of it all. Love stories require some measure of earnestness and heart, but Araki seems to have deposited his on the beach in The Living End, and hasn't recovered it since.

    15 October 2009

    Tunel Russo (2008)

    russo19396579 Tunel Russo (2008)

    Director: Mau Couti
    Scenario: Mau Couti
    Genre: Short, Drama
    Country: Brazil
    Year: 2008
    Duration: 19 min (theatrical version)
    Rating:

    Actors: Mau Couti, Renan Fragale, Alexandre Hulkinho, Suzana Saldanha, Rick Yates

    Description:

    Iako sam sit svih sranja oko torture pedera, mozda ima jos neko ko je raspoložen za priče na tu temu. Film me je podsjetio na jedan događaj u Subotici prije desetak ili više godina. U ta vremena ko i mnogi ljudi iz Srbije i Crne gore sam švercovao raznu robu iz Mađarske. Jebi ga moralo se od nečega živjeti.
    Na Željezničkoj stanici sam čekao voz za Novi Sad sa punom torbom zvanoj krmača. Zamolim druga da mi pričuva stvari i odem u WC. Pišam , a pored mene policajac. Nisam odolio a da ne spustim pogled na njegovu kitu. Policajac nakon pišanja uredno zapakuje kurac , sačeka da ja završim pa mi reče: Ličnu kartu molim. Ja izvadim ličnu kartu i kažem da baš i nije neko mjesto za kontrolu. A on kaže : očito da jeste za kontrolu mog kurca i gurne me u kabinu za sranje. Sjednem na wc šolju prestravljen, a on govori da ne glumim nego da popušim kurac. Kad se raskopčao, kao uhvatim ga za kitu i naglo ga gurnem. Iskoristim priliku i pobjegnem iz wc-a. Odem kod druga sav crven i uzneveren. Pita me šta je bilo, ja reko da  je pao vodokotlić dok sam srao.
    Kasnije u vozu sam vidio policajca. Prišao mi i rekao da nisam smio onako reagovati te da je sve to bila samo igra. Ako želim možemo se viđeti i popiti piće.
    Nisam ga nikad više vidio, a i nevolim takve igre!

    Eng.


    Film about the police brutality in dealing with homosexual public demonstration of affection. A gay couple is tortured and harassed because they are kissing on the streets of Rio.
    The police's assault on the gay guys culminates in tragedy.

    Tunel Russo (Russian Tunnel) A film by Mau Couti. from Mau Couti on Vimeo.