The Way He Looks (2014)
"Hoje Eu Quero Voltar Sozinho" (original title)
Director: Daniel Ribeiro
Writer: Daniel Ribeiro (script)
Genre: Drama
Country: Brazil
Language: Portuguese
Year: 2014
Duration: 95 min
Stars: Ghilherme Lobo, Fabio Audi, Tess Amorim, Selma Egrei, Eucir de Souza
Leonardo je srednjoškolac, slijep od rođenja, odlično integriran u školsku sredinu iako ponekad zbog svog hendikepa doživljava neugodnosti od školskih drugova. Njegova najbolja prijateljica Giovana brine o njemu pomažući mu na putu od škole do kuće i provodi sa njim vikende u beskrajnim tinedžerskim pričama.
Idiličnu sliku narušava dolazak Gabriela, novog učenika u školi u kojeg se sve cure zagledaju, pa i Giovana.
Gabriel i Leonardo sticajem okolnosti postaju prijatelji ali možda i više od toga.
Ova lijepa školska coming out priča je laka za pogledati i za sobom ostavlja pozitivan osjećaj koji nam na jedan nenamjetljiv način nametne odobravanje na mladalačku gej ljubav i prijateljstvo.
Bilo bi lijepo kada bi naše balkanske TV kuće otkupile ovaj film i prikazale ga široj publici ne samo kao edukativan film o gej ljudima i njihovim emocijama već i kao podstrek da homofobi preispitaju svoj stav prema drugačijima od sebe. U ovom slučaju prema slijepim i gay osobama.
Jay Weissberg on Variety.Com
Everyone will root for the two teen protags in Daniel Ribeiro’s sweet gay coming-of-age debut, “The Way He Looks,” since the boys are so likable and their route to first love has an undeniably touching quality. Centered on a blind high schooler chomping at the bit for independence while discovering his sexuality, the pic has genuine appeal, though in truth the script and direction are little more than average. However, its affirmative stance could be vitally formative for gay teens, and Berlin’s Teddy Award, plus Fipresci’s Panorama nod, should open doors to niche release worldwide.
Ribeiro first floated the story in his short “I Don’t Want to Go Back Alone,” made expressly to raise funding for the feature. Leonardo (Ghilherme Lobo), blind from birth, is largely well integrated into his school in Sao Paulo, though a few bullying kids occasionally make life unpleasant. His wisecracking best friend, Giovana (Tess Amorim), vigilantly looks out for him even though he’s blithely unaware of the torch she carries. Then new kid Gabriel (Fabio Audi) arrives in class, a sudden object of interest for all the girls. Leonardo is intrigued, Gabriel solicitous. Soon they’re hanging out together, much to Giovana’s fury, since she feels shut out, no longer the sole caretaker to her BFF.
Concurrent with the boys’ deepening friendship is Leonardo’s increasing frustration with his overprotective parents; in this, Ribeiro errs by making them behave as if their son’s been blind for just a few years rather than his entire life. Mom (Lucia Romano) in particular is reluctant to let Leonardo remain alone in the house even for an afternoon; Dad (Eucir de Souza), in a nice speech, is more supportive of his son’s interest in study-abroad programs, wanting to be sure his yearning for independence stems from the right reasons.
Most of the dialogue feels recycled from countless teen pics, and were this a film about a blind boy falling in love with a girl, there’d be nothing to make it stand out. 
But this is a gay story, done with tenderness and capturing the hesitancy of expressing affection when rejection can have ugly consequences. Had “The Way He Looks” been made 20 years ago, it would be hard to overestimate the impact it could have had on gay teens desperate for this sort of positive representation; although the field has expanded somewhat recently, this could still be a meaningful catalyst in boosting confidence and self-worth for those struggling to come out.
Ribeiro, who won the Crystal Bear in 2008 with “You, Me and Him,” includes a few visually pleasing setpieces, such as a scene of Gabriel teaching Leonardo to dance. Otherwise, lensing is professional in a standard way, carefully ensuring that the filtered lighting sympathetically bathes everyone in a cool attractive glow. Unexpected musical choices feel just right.
Meet Paul. He’s 16. He’s into theoretical physics. He lives in the middle of nowhere. And he’s gay. Being a scrawny, queer science nerd practically makes him a bully magnet. And as the harassment piles up, Paul contemplates taking his own life. In THE HINTERLANDS, a six-part musical miniseries, Paul struggles to keep his head above water as he confronts intolerance, his sexuality and the rocky path of adolescence.
We wanted to respond to the issue of gay bullying in a way that would help kids like Paul understand that they're incredibly valuable members of our human community and that they are inherently worthy of love and compassion. We decided to do what we do best - write a musical. As storytellers and songwriters, we can ask questions, create empathy and make change. By creating the character of Paul we believe we will be giving young people a person with whom they can relate and empathize. By watching Paul's journey to discover how to cope with the day-to-day bullying he faces, teens can gain strength and be inspired to overcome their own obstacles. Yes, “it gets better” for gay youth who make it through their difficult childhood and teenage years, but The Hinterlands is our attempt to help all bullied young people find and embrace their own innate worthiness NOW, despite the onslaught of hatred they must survive every day. 
A guiding factor in the creation of the Hinterlands as a musical web series – rather than a staged production – was our belief that kids need to be able to access a story like this from the safety of their own laptops, iPads and smart phones. And kids in the real hinterlands are the most in need of a project like this, as some communities are highly intolerant of gay, lesbian, bi-sexual and transgender kids.
