04 September 2008

Mandragora (1997)




Mandragora (1997)

Za ovaj mi je jedan prijatelj rekao da ga obavezno pogledam, sam nedavno našao na netu i doživio totalno razočarenje. Možda ovo filmsko "remek djelo" i nije toliko loše koliko ja nisam bio raspoložen za temuu filma. Radi se prikazu dezorjentisanih tinejdzera koji su upali u Danteov krug droge, prostitucije i u samo dno ljudske zajednice! Izdrogirani tinejdžeri koji upadaju u ruke raznih makroa, sadistički nastrojenih pedofiličara i sličnih maštaju o slavi, novcu i naravno danu kada će izaći iz devetog kruga.

Naravno odatle izlaza nema!

Ono što me je iznerviralo je činjenica da niko na takve stvari ne obraća pažnju, sve dok je u igri veliki novac! Sve je samo velika gluma!

Ko ima želudac za ovu temu preporučujem mu da pogleda ovaj film!



Director: Wiktor Grodecki
Writers: Wiktor Grodecki
David Svec
Release Date: 23 October 1997 (Czech Republic)
Genre: Drama
Plot Keywords: AIDS / Homosexual / Prostitution / Semi Documentary / Youth

Cast
(Cast overview, first billed only)
Miroslav Caslavka ... Marek
David Svec ... David
Pavel Skripal ... Honza
Kostas Zerdolaglu ... Krysa
Miroslav Breu ... Libor
Jirí Kodes ... Father
Karel Polisensky ... Sascha
Richard Toth ... George
Jiri Pachman ... Pan Franta
Pavel Koci ... Rudy
Jitka Smutná ... Krysa's Wife
Runtime: 126 min
Country: Czech Republic
Language: Czech
Color: Color (Kodak)Sound Mix: Dolby SR

A Great Movie From Start to Finish, 4 September 2004, 9/10
Author: Se7en13 from Canada

While as real as it gets The other movie that Director had done was Body without Soul. While not as great as Body without the Soul. Mandragora puts a story and makes it breathtaking from start to finish. The main star Marek runs away and decides to become a prostitute. He gets picked up by a slimy greasy pimp. But later on meets another prostitute, David, both of them start to hustle around and make money to start there own prostitute organization. In the movie you can Tell Marek is attracted to David very much and that he is gay. But things go down hill as Marek starts doing drugs and then finds out he has AIDS, a very powerful story in my opinion.

Most people have said that it's unrealistic and very untrue i find this movie has some great elements while not the best movie ever made and not quite perfect it's a movie about mistakes and paths in life as well as coming of age and the downside of prostitution. The movie ends with one of the saddest I've seen in a while beautifully shot and written if you enjoyed movies like L.I.E. Mandragora is right up there to watch as well.



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01 September 2008

My Wallpapers

My Wallpapers

Prije nekoliko godina kada sam počeo da učim photoshop počeo sam da pravim wallpapere za moj računar. Sinoć sam našao jedan stari cd sa nekim od tih slika , pa evo da vam ih predstavim! Nisu neka remek dijela ali mislim da su jos uvjek zanimljivi za pogledati! Tada mi je pseudonim bio Marko!

Before couple years , when istart to learn about photoshop, I'm maked some wallpapers for some yahoo group. In that time it was very popular. Some of them i found it on one old cd and now you can see it!



29 August 2008

A Very Natural Thing (1974)

A Very Natural Thing (1974)

Director: Christopher Larkin
Writers: Joseph Coencas (screenplay), Joseph Coencas 
Genre: Drama
Country: USA
Language: English
Duration: 80 min
Year: 1974


Stars: Robert McLane, Curt Gareth, Bo White







The film begins as a mini-documentary of New York Citys 1973 Gay Pride parade and rally, with a young lesbian unabashedly declaring, "being gay is a very natural thing." The action cuts to the protagonist, David (Robert Joel), going through the ritual of being released from his vocation as a monk in a monastery. He then is seen as a public school teacher of English Literature in the New York City area, who spends his time off driving into the city to be with his "oldest friend from Schenectady," Alan (Jay Pierce) at a gay bar.

One evening at the bar, David is singled out to dance by Mark (Curt Gareth), who portrays a businessman. They end up spending the night together, which at first seems like a one-night stand until David says hed like to see Mark again, and Mark agrees. Not long after, the pair begin a monogamous relationship, and David moves in with Mark. But when Mark wants to have sex with other men, the relationship starts to break down. He rejects the idea of modeling a gay relationship on heterosexual marriage, and he is irritated that David wants to "keep pushing this romantic thing." Mark would rather have an understanding that either of them can have sex with other men when they feel like it, but this ends up alienating them from each other. Mark refuses to say, "I love you" until David playfully wrestles with him and tells him, "Say it...again...once more for good measure." After a year, though, David realizes that the two of them are just marking time. The two go to Fire Island for a weekend in an attempt to spice up their relationship, and although David tries to please Mark by entering an orgy, he cant go through with it. After a fight, David temporarily moves in with his friend Alan, who gives David an objective perspective on what happened. In a later encounter with Mark at Coney Island, David finally realizes that there cant be a reconciliation, as Mark is more interested in sex than a romantic relationship.


Critical reaction

The film was seen as the gay response to Love Story (1970), the movie famous for the phrase, "Love means never having to say youre sorry." Similarly, Mark tells David, "Love means never having to say youre in love," and a montage of the two men rolling down a leaf-covered hill, quietly lying together at home, and being in love mimics a montage of the heterosexual couple in Love Story. Both movies argued for an unconventional alternative to traditional marriage, despite a commitment. David tells Jason that he is committed to him, but that this commitment is based on wanting to be together, not having to be together. The ending is very optimistic, which was out of the ordinary for gay relationship films until then. Earlier films were dominated by tales of gays and lesbians being outcasts of society, mentally disturbed or committing suicide; later films were sadly dominated by the emergence of AIDS. A Very Natural Thing thus represents a short period in time where gay liberation flourished, and filmmakers could explore relationships in much the same way that films with heterosexual characters did.

The film was one of the first mainstream films to show homosexuality as a valid and normal act of love, i.e. "a very natural thing," as it attempted to explore the options for gay couples in 1973, including footage of an actual Gay Pride celebration. Many heterosexual film critics felt that the films depiction of love between two men as romantic made the film automatically "an argument rather than an entertainment" (New York Post). The film showed a young gay couple going through many of the same rituals and facing many of the same challenges as a straight couple; and, for many heterosexual Americans.

Some gay film critics felt that film was not political enough: that the characters were too apolitical, too middle class and that, by rejecting the philosophy of free love or sexual liberation, the film was rejecting what some gay activists felt was a necessary value of the new gay liberation movement.
Larkin responded to the criticism by saying, "I wanted to say that same-sex relationships are no more problematic but no easier than any other human relationships. They are in many ways the same and in several ways different from heterosexual relationships but in themselves are no less possible or worthwhile". (The Celluloid Closet pg. 208, 1987). Incidentally, Vito Russo, who wrote The Celluloid Closet appears in A Very Natural Thing.
The film was not financially successful, and the director, Christopher Larkin, moved to California, where in 1981 he published the book The Divine Androgyne According to Purusha. Larkin committed suicide on June 21, 1988.

Carícies (1998) aka Caresses (USA)


Carícies (1998) aka Caresses (USA)

Jedva odgledah ovaj film, valjda sam bio previse umoram za ovako čudan film. Film se sastoji od 11 priča u kojima uvjek jedan karakter pređe unarednu priču. Valjda zbog umora ili me već godine stižu, ja sam zapamtio samo 10 priča. pa evo tih 10, a vi ako vas interesuje đe su mi se izgubila jedna odgledajte film kako treba.

1.Film počne sa svadjom jednog bračnog para đe On ošamari Nju, pa ga ona isprebija i naćera da ode kod komšinice da uzme ulje za salatu.

2. Ona priča sa starom majkom koja se žali kako je sama.

3.Stara majka u domu za matorce pleše tango sa drugaricom, koja joj opali žvaku.

4. Ova što joj je opalila žvaku ode kod beskućnika kojemukaže da smrdi.

5. Beskućnik spava na ulici i dolazi klinac da ga opljačka. Klinac mu ispriča priču kako je sa drugarom uzeo drogu i kako su trošili novac i drogirali se sa drugarima ulicama grada.


5. Klinac se kupa u kadi, ulazi mu otac. Počinje priča između njih dvojice pri kojoj klinac svako malo zove oca da uđe u kadu, otac na kraju uđe u kadu, a klinac komentariše kako otac ima veći kurac od njega i kako je dlakaviji.

Find more videos like this on GAY THEMED MOVIE
Story No. 5



6. Otac sreće u jednoj samoposlugi neku ribu i priča joj kako 3 puta dnevno pere kitu i kako prije nego stavi gaće u mašinu za veš obavezno pomiriše. Žena ga ne razumije.
7. Riba iz samoposluge priča sa ocem, koji sprema večeru.
8. Otac koji je spremao većeru odlazi kod nekog mladog pedera, nosi mu ogledalo. Peder mu puši kurac i viče kako ga ovaj matori izluđuje. ( vidi video klip!)
9. Peder priča sa majkom koja mu iz novčanika krade novac. Klinac iz kupatilu sluša svađu iz priče br.1
10.Muž iz priče br. 1 odlazi kod majke od pedera i traži ulje! Ova ga pomazi!
Krug je zatvoren!
Uh jedva otkucah ovo, toliko me je film smorio. Kada budem imao više vremena ponovo ću ga odgledati. Ventura Pons zaista umije da zakomplikuje život na filmskom platnu!


Director: Ventura Pons
Writers: Sergi Belbel (play)
Sergi Belbel (screenplay)

Release Date: 13 February 1998 (Spain)
Genre: Drama

Plot Keywords: Female Frontal Nudity | Female Nudity | Human Relationship | Vignette | City
Awards: 1 win & 2 nominations

Cast
(Complete credited cast)
David Selvas ... Home jove
Laura Conejero ... Dona jove
Julieta Serrano ... Dona gran
Montserrat Salvador ... Dona vella
Agustín González ... Home vell
Naím Thomas ... Nen (as Naďm Thomas)
Sergi López ... Home
Mercč Pons ... Noia
Jordi Dauder ... Home gran
Roger Coma ... Noi
Rosa Maria Sardŕ ... Dona
Jordi Cercos
Sandra Pascual
Guillermo Pardevila


Additional Details
Also Known As:
Carícias (Spain: Castilian title)
Caresses (USA) (video title)
Runtime: 94 min
Country: Spain
Language: Spanish | Catalan
Certification: Argentina:13 | France:U | Spain:13


Scripter Sergi Belbel and director Ventura Pons based this film on Belbel's 1991 play, structured in a fashion similar to Arthur Schnitzler's La Ronde (1900) and Richard Linklater's Slacker (1991): Two character set-ups feature one character from each scene turning up in the next scene, and so on, as a variety of people parade through diverse romantic and sexual situations. Cars careen about via an altered camera speed to provide the linkages between the 11 interlocking scenes. Shown at the 1998 Berlin Film Festival.
Eleven episodes portray different encounters in a large city during the course of a single night towards the end of the millennium. A young man wants to stop living together with a young woman because he believes that they no longer have anything to say to each other. The young woman goes to visit her mother, an elderly woman. She lives with an old lesbian who meets her homeless brother. She asks him to forgive her for having seduced his wife all those years ago, but the brother pretends not to know who she is. A young boy attacks the homeless man. At first he tells him about his wild nights, then he knocks him to the ground and steals the old man's ring. At home the young boy has a bath and asks his father to join him in the tub. The boy's father has a girlfriend, a young woman. He intends to end their relationship... Eleven interlocking scenes that involve two characters, one of whom carries forward into the next scene, until the chain comes full circle.





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