Gefangen (2004) aka Locked Up

Gefangen (2004)
Director: Jörg Andreas
Writers: Jörg Andreas, Peter Oehl
Country: Germany
Genre: Drama, Crime, Adult
Language: German Year: 2004


Stars: Marcel Schlutt, Mike Sale, Ralph Steel, Andreas Bernhardt, Michael Busch, Fred Faurtin, Gil, Chris Holland, Erik Lenn, Marc Lindinger, Lorenz Michel, Daniel Mitic, David Parstein, Mike Power, Goran Rakonjac, Mats Riem, Ulrike Schirm, Pedro Sobisch, Henning von Berg


Mnogi pederi maštaju o tome kako ih siluju u zatvoru! Ne vjerujete mi? Popričajte malo po chatovima i uvjeriće te se!
No , svi mii mamo neke želje koje mogu biti čudne za nekog drugog, tako da moramo biti tolerantni, čak i kada nam se to ne sviđa.
Ovo je priča za baš za one koji imaju fetiš zatvora!
Mladi momak zaglavi u zatvor i tamo se susreće sa svim onim kriminalcima koji žele ili da ga ubace u njihovu grupu ili da im budete "devojčica"
Kako se radi o nekom Njemcu, naravno prvo ga vrbuju nacisti. Momak im baš i nije naklonjen, a dopadne mu se jedan crnac. I tu se rađa zabranjena ljubav! Nije problem u tome što je to ljubav između muškaraca , nego što je to ljbav između crnca i bijelca, uz to i Njemca!
Zanimljivo koncipiran film, mada je meni prilična nepoznanica sva ta priča. Inače u filmu su sve samo porno glumci, koji su iznenađujuće dobro odglumili ne porno scene, a kakvi su u porno scenama možete vidjeti u x-rated verziji.
Film obiluje scenama nasilja, silovanja, muške erotike, a o psihi glavnih karaktera prosudite sami. Da li zaista ljubav može biti toliko jaka da poželite da se vratite u zatvor? Sve je moguće!

Film je napravljen u dvije verzije, x-rated version je porno verzija filma. Ne očekujte u toj verziji priču i emocije koju vam pruža regularna verzija. Ipak je to pornić sastavljen samo od scena sirovog seksa i ništa više! R rated verzija je sofisticiranija i sa prevodom! Šteta što to nisu montirali malo bolje i dobili "pornić sa dušom"

Još nešto: među glumcima se nalazi i čovjek naše gore list Danijel Mitić, al ne znam ništa o njemu! 



In Germany, twenty-something Dennis Tormann is serving a two-year prison sentence for credit card fraud. This term is his first ever behind bars. He is placed in one of the toughest cell blocks ruled by an inmate named Lutz, from who he tries to stay clear. Among other things, Lutz, supported by one of the guards named Muller, deals in drugs. Kevin Letarski, a young, slight inmate who is Lutz's whipping boy, befriends Dennis and tries to show him the ropes of prison life in their block. Although inexperienced with men, Dennis is attracted to Mike, a black American inmate in another cell block who is half way through his fifteen year sentence for murder. The attraction is mutual, and the two begin a relationship. Despite knowing that Muller, Lutz and his thugs do not like this relationship as it keeps Dennis out of their sight, Mike and Dennis, with Kevin's help, do whatever they can to spend time together while staying clear of Lutz's sadistic ways. Ultimately, Dennis has to decide ..



What kind of prison is this? There are voyeuristic gay guards (inspired by Genet's Un Chant D'Amour,) a punk who likes to be spit on and the warden entertain requests for lovers to room together! With plenty of sexual energy between the two leads, their romance develops through motherly visits, drug deals and a nasty prison rape scene. Locked Up is an enjoyably romantic and erotic debut non-adult film from Jörg Andreas

In x-rated version you can not see story with character and emotion like in R rated version! X-rated version is porn in German without subtitles, but do not bother as it is pure sex.

Share (Video 2011)

Share (Video 2011)
Salo (original title)

Director: Miko Jacinto 
Writer: Miko Jacinto 
Genre: Drama 
Country: Philippines 
Year: 2011 
Duration: 95 min


Stars: Paolo Rivero, Kristoffer King and Anita Linda

Miko Jacinto’s “Salo” (Share) is a surprising work. Unlike most pink films, Jacinto engages and dives into his narrative - frame after frame - with hardly a spoken word. In fact, most of the spoken lines are left hanging, i.e. there’s hardly an exchange of words. This eventually creates semblance of mood and nuances. “Salo” also benefits from Romy Suzara’s beautifully composed scenes, giving the impression that this isn’t your hurried, shoddy, one-take production.

But there is a problem where narrative details are concerned. Perla Bautista’s character, for example, bewilders. She’s the coquettish “tita” who “barks” loudly, spewing lines like: “Bumangon ka na. Masaya ang mundo. Naalala mo pa ba, dati sabay tayong nanlalalaki?” You aren’t sure this was meant to be spoken by an elderly matron. In another scene (where she gazes at the driver washing the car), she said: “Type ko siya. Matrona ba, magaling ding maghugas.” When told that Levi’s spoken for, she replied: “Kahit gawin mo pa akong kerida, ok lang!” And as if to seal the real identity – or sexual preference – of the character: “Nakadami ka na ba?” Though I understand that her character was meant to stir vitality to an otherwise dour story, her character is a tad too uncouth to be believable. You only have to see how matronly she dresses to feel this incongruence to her peculiar manner of speaking.

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Frisk (1995)

Frisk (1995)
Director: Todd Verow
Writers: Jim Dwyer, George LaVoo Genre: Drama
Country: USA Language: English
Duration: 88 min
Stars: Michael Gunther, Jaie Laplante, Craig Chester, Parker Posey, Alexis Arquette, James Lyons

Da ljudska mašta nema granica poznato je svima, ali kada je u pitanju seksualna maštarija koja ima za cilj neponovljivo uzbuđenje i neiživljenu strast onda granicu obično limitiramo sa onim što svako od nas smatra prihvatljivim u seksu. Da li je seks sa osobom koju volite na nekom romantičnom mjestu vrhunac zadovoljstva koje možete doživjeti? Većina se ljudi ipak u svojoj mašti ne zadovoljava onim što ima iz dana u dan. Mašta nam dozvoljava da izađemo iz toga i da nam postavljeni limiti budu prekoračeni. S/M maštarija je limitirana razinom boli i poniženjem koje možemo nekome nanijeti ili sami podnjeti.
Frisk je urađen po kontroverznoj noveli  Dennis Coopera iz 1991. godine, u režiji meni nimalo dopadljivog Todd Verowa čiji se filmovi graniče sa pornografijom, i u  osnovi prikazuju život kao mozaik malih i velikih priča o pražnjenju jaja i zadovoljavanje nezajažljivog rastućeg apetita sopstvenog čmara.
Film je priča o mladom pederu koji je opsjednut sadom-mazohističkim seksom koji nam prepričava kroz pisma koja piše svom fuck buddy prijatelju i njegovom bratu. Mala je granica od želje da u nečijim očima vidite neopisivi strah i patnju do čina kojim nepovratno prekidate taj trenutak. Povezivanje S/M igara sa psiho trilerima nije nepoznata tema u filmskoj industriji,a kada je u pitanju gay S/M onda dobijamo nešto od čega većina pedera javno povraća, dok u svojim glavama kriju nebrojene priče o silovanju i prisiljavanju na onakav seks kakav se nikada neće usuditi da imaju.

Podsjetio me je na jednog čovjeka koji je o pederluku imao samo najgore riječi. Kod mene je došao nakon razgovora kako je sve u životu dozvoljeno osim pederluka i pederskog ljigavog ponašanja. Prepoznavajući taj tip ljudi lako sam održao konverzaciju koja je dovela do našeg susreta. Nakon podosta popijenog pića, priča o pičkama i o tome kako su to sve kurve koje treba samo jebati, pederima koji ne zaslužuju ništa drugo nego jebanje dok im se dupe ne raspadne od kurca pustim biseks pornić da izdrkamo prije no odemo na spavanje.
Uredno skinemo farmerice i zavalimo se u fotelje, povremeno se kuckajući čašama punim crnogoske loze. Pričam o tome kako je napaljivo umočiti kitu u lozu i nazdraviti.
Napaljeno gledajući jedan drugog kako drkamo kite on umoči svoju u čapu loze i ponudi mi. Nastavak znate.
Tokom prilično grubog seksa u kojem je neprekidno izgovarao naredbodavne rečenice odlučim da promjenimo uloge. Igrajući se sa njegovim dupetom toliko se napali da je potpun izludjeno zamjenio svoj čmar sa napaljenom pičkom.
Vremenom su se naši susreti pretvorili u rvanje, šamaranje pljuvanje , drsko jebanje, napušavanje itd. A najčudnije od svega toga mi je bilo kada bi prije nego se onako izjeban vrati kod žene u krevet kazao: Sjajan si čovjek, drago mi je da nisi peder!

FRISK-1996 Dir. Todd Verow (USA) by psRanger

By Daniel Mudie Cunningham

When Frisk first screened as the closing night film at the 19th San Francisco International Lesbian and Gay Film Festival in 1996, Todd Verow’s first feature film was greeted with a furious reaction. According to Barry Walters of the San Francisco Examiner, “At least half of Castro Theater’s 1,500 sold-out seats were abandoned as filmgoers left seething with anger, some even screaming at the screen.” On the audio commentary for the new DVD, Verow explains that after first reading Dennis Cooper’s notorious novel of the same name, he threw it across the room, similarly infuriated. But the sexually graphic bloodlust depicted in the book lingered long enough in Verow’s head to convince him to adapt it to film.

The hostile response recalled that for William Friedkin’s Cruising (1980), in which gay s/m practices were depicted as perverse, pathological, and criminal. As the documentary adaptation of The Celluloid Closet (1995) shows, by the time of Cruising‘s release queer audiences were tired of pervasive stereotypes of queers as killers and hairdressers. Hollywood movies repeatedly reinforced heterosexuality at the expense of gay and lesbian characters, whose individual psychoses were related their “pathological” sexuality.

But time and DVD releases tend to heal wounds. Cruising is now a curious piece of queer camp, and Frisk hardly warrants the spanking it got in 1996. To put it into context, Frisk came out during the wave of ‘90s new queer cinema. According to B. Ruby Rich, these “were doing something new, renegotiating subjectivities, annexing whole genres, revising histories in their image.” Like Poison (1991), Swoon (1992), and The Living End (1992), Frisk does not pander to queer viewers’ demands for sexually and politically “appropriate” role models. Instead, it challenges stereotypes that conflate queerness with disorder and death.

Following a group of disaffected queer men involved, to various degrees, in s/m sexuality, the film is set mostly in San Francisco. Frisk unravels in flashbacks from the perspective of Dennis (Michael Gunther), establishing right away that he hungrily consumed a steady diet of gay porn as a teenager. The most memorable imagery he saw was “snuff” photographs, featuring what appeared to be a young dead man, wrapped in plastic.

Much later, Dennis finds a kindred s/m spirit in Julian (Jaie Laplante), who, in turn, meets Henry (Craig Chester) in the bathroom at a fetish party. Henry has just engaged with some rough trade, and his fingers and chest are bleeding from being rubbed with broken glass. Julian takes down Henry’s phone number and agrees to meet later for sex. When Julian and Dennis call on Henry for a threesome, Dennis realizes Henry is the same person who played dead in the porn shots he obsessed over in his youth.

As Julian is tiring of Dennis’ deepening sexual obsessions, he follows a new lover to Paris, leaving Dennis unfettered by a conventional boyfriend. In an attempt to satisfy his fantasies, Dennis rents German gay-for-pay porn star and hustler Uhrs (Michael Stock), then begins writing sexually charged letters to him. The only other person to whom Dennis writes is Julian, though Julian’s younger brother Kevin (Raoul O’Connell) spends more time poring over the descriptions of sexual violence than Julian does.

For a time, Dennis’ addiction to describing such acts in letters appears to prevent him from fulfilling his desire to kill someone: he spends more time detailing the poetics of s/m than he does actually performing such acts. That is, until he teams up with serial killer couple Ferguson (Parker Posey) and Pete (James Lyons). Dennis’ confidence is spurred on in their presence. The threesome picks up a junkie hustler (Alexis Arquette), with whom they all fool around. Dennis wants to fuck him without a condom, and the hustler is too preoccupied with getting high to “give a shit.” In an attempt to arouse Dennis further, the hustler screams, “You’re fucking my dead body!”

It’s not hard to imagine why Frisk might have upset queer audiences. The scene where Dennis fucks the hustler without a rubber, then helps to slash him to red ribbons can be heavy going. But is the knee-jerk reaction we might have to such images the result of political correctness being so inextricably linked to AIDS, as if the depiction of unsafe sex be blamed for furthering the spread of AIDS?

Films about killers are supposed to be disturbing. Is it less disturbing if the killer in question is heterosexual? As soon as he’s gay, alarm bells go off the world over, because the image appears to “equate” homosexuality with criminality and blood. Frisk demonstrates that blood and violence in the age of AIDS represent something more specific than some abstract “evil,” but instead, amoral horrors, like infection and disease, along with perversion and madness.

Dennis narrates, “The detours around AIDS weren’t set up yet. A lot of guys my age were testing positive: sick, dead.” Frisk reveals that the cinematic imagery around AIDS also hadn’t yet been fully set up. And for that reason, the film invokes the crisis without ever really being a movie about AIDS. Unlike Christopher Ashley’s film Jeffrey (1995), Frisk never grants us easy answers as to how sexual practices—especially those fetishizing death—might be modified to eliminate risk. We never even know if any of the characters in Frisk are HIV positive.

The hostility directed at Frisk suggests that gay audiences, at least in 1996, expected gay filmmakers to make “safe” gay films. If this were true, depictions of s/m would become off-limits, because the performance of risk is central to such practices. By invoking the specter of AIDS in relation to s/m, Frisk might still be an uncomfortable experience for some viewers. But it shouldn’t be dismissed simply because of audience expectations, as these have surely changed since 1996. In retrospect, it is easier to acknowledge that the terms are more complicated than “negative” and “positive” portrayals, and that cinematic merit cannot be judged through the blind spots of political correctness.

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Wrecked (I) (2009)

Wrecked (I) (2009)

Directors: Bernard Shumanski, Harry Shumanski 
Writers: Harry Shumanski, Bernard Shumanski 
Genre: Drama 
Country: USA 
Language: English Year: 2009 Duration: 73 min



Stars: Forth Richards, Benji Crisnis and Theo Montgomery

Ryan (Forth Richards, I think, since much of the cast may be working under pseudonym) is a young wannabe actor. He has landed his first part in a play, but his happiness is short-lived as former boyfriend Daniel (Benji Crisnis, I think) shows up. Daniel is a drug addict, but Ryan takes him in (again) anyway, hoping to change him since he won't change himself. Daniel immediately goes back to his old habits, including introducing Taylor (no idea who played him) into the relationship. Ryan's life begins to spiral downward, and the film ends with a scene you could predict before you even popped the disc in the DVD player.

The three leads get nude, often. The Shumanski brothers wallow in Ryan's filthy world; you can almost smell the stale cigarette butts and warm wine in his squalid little house. However, the Shumanskis let their willing cast down. Some of the scenes are obviously improvised, and watching the young cast try to smoke and talk like adults before shedding their underwear is embarrassing to sit through. I began to mistake Ryan's constant naivete for mild mental retardation as Daniel goes through his drug addict and casual sex routine and elicits only tsk-ing and rolled eyes. The direction is sloppy (you can spot a cameraman in a mirror in one scene, and dates on cell phones never jibe), the editing is fair, and the music makes no impression whatsoever. The Shumanskis pad the film with unnecessary shots of the dudes waking up, getting their bearings, and dressing.

Richards plays Ryan like a drag queen channeling Bette Davis. He smokes too much, and swirls his hands, but shows no real emotion beyond mild contempt. I didn't care about him at all. Ryan demands Daniel get a job, yet we never see what Ryan does for a living. Crisnis is bland, never offering any reason why Ryan would fall for Daniel over and over again, despite getting hurt every time.

The only scenes that almost work are Ryan's play rehearsals. The play, as presented to the viewer, is a disaster. The director obviously wants to take Ryan to bed, his chain smoking assistant hates the world, and one of his co-stars is one of those Brando wannabes who must stretch and do annoying preparation for this piece of garbage he is "starring" in. Trust me, I have a theater background, and a lot of this is dead-on. Plus, these scenes provide a break from all the cocaine snorting and gay sex.

"Wrecked" joins the sad list of sexually explicit films that fail because of the script and direction, and not the sex. Move over, "9 Songs," "Shortbus," and almost everything Larry Clark has ever done, "Wrecked" and its truth-in-advertising title is here.

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Wrecked (2009)

• Directors: Bernard Shumanski, Harry Shumanski

• Writers:
  Harry Shumanski
  Bernard Shumanski

• Country:USA

• Genre:Drama

• Runtime:73 minutes

• Actors:
  Taylor

  Forth Richards
  Daniel

  Benji Crisnis
  Ryan

  Theo Montgomery
  Photographer Rodney

  Womack Daryl
  Kevin (as Peter Peterson)

  Peter Petersen
  Herself, Acting Teacher

  Beatrice Carina
  Actress

  Heidi Blissenbach
  Actor

  Garett Dragovitz
  Ryan

  Jake Casey

• Language:English

• Plot:An edgy drama about a gay teen's tumultuous decent into drugs and anonymous sex, Wrecked smashes cinematic taboos while it spins its cautionary tale. Ryan is an earnest 18-year-old trying to develop a career as an actor and getting his life on the right track. This course is quickly threatened with the sudden arrival of his sort-of ex, Daniel, who arrives at Ryan's door wanting a place to stay and offering the promise of a normal, loving relationship. But Daniel's drug addiction and attitude towards casual sex derail any hope for normalcy and soon ensnares Ryan in his own downward spiral. Handheld cameras, a hot young cast and a boldly upfront approach to sex combine to make Wrecked a unique film experience. Written by TLA Releasing

• Also known as:Défoncés (France - DVD title), Wrecked - ...abgef***ed (Germany - DVD title),

• Rating: (185 votes)

Repost - Les Amants Criminels aka Criminal Lovers (1999)

Les Amants Criminels aka Criminal Lovers (1999)

Ovaj repost sam napravio jer nam je naš prijatelj Pannonianman napravio prevod za njega. Na žalost još uvjek nisam našao linkove za verziju filma bez španskog prijevoda ugrađenom u njega. A nesumljam da če mo i to pronaći.

Subtitle na našem jeziku možete skinuti OVDE
Vaš Orvel

Listajući kolekciju filmova, odlučio sam da vam za danas ponudim francuski film, Les Amants Criminels aka Criminal Lovers (1999) u kojem jednu od glavnih uloga igra Miki Manojlović! Bilo mi interesantno vidijeti kako jedan naš glumac igra lika koji obljubljuje ljepuškastog Luca.
U filmu Luc i Alice, nakon što su izvršili ubistvo i pljačku biježe od policije i nailaze na jednu kolibu u nekoj šumi u kojjoj živi šumar (Miki M.)
Šumar ih zatvara u podrum kao da se radi o najobičnijim životinjama. Gadljivo ignoriše Alice, a svu pažnju posvećuje Lucu, sa kojim priča, hrani ga, kupa ga i na kraju obljubljuje.
Pri svemu tome Luc pokušava da oslobodi Alice i pobijegne.
Da ne otkrivam sve , film možete skinuti i pogledati sami! U donjem fajlu će te naći titl na engleskom. Nezgodno je jedino to što je film titlovan na španskom pa ide titl preko titla, ali sve jedno čitljivo je.

Ovaj film se i pored homoerotskih scena između Luca i Šumara , nemože svrstati i gay film!
Inače film je pokupio gomilu nagrada na raznim festivalima. ( L.A. Outfest, Málaga International Week of Fantastic Cinema, Namur International Festival of French-Speaking Film, Sitges - Catalonian International Film Festival )

Director: François Ozon
Writers: François Ozon (dialogue), François Ozon (poem)
Release Date: 18 August 1999 (France) more
Genre: Crime / Drama / Thriller
Plot Keywords: Sexual Awakening / Flashback Sequence / Male Frontal Nudity / School / Trapper
Awards: 3 wins & 2 nominations

Cast

Natacha Régnier ... Alice
Jérémie Renier ... Luc
Miki Manojlovic ... L'homme de fore;t
Salim Kechiouche ... Sad(d
Yasmine Belmadi ... Karim
Bernard Maume ... Le professeur
Jean-Louis Debard ... Le gardien de nuit
Catherine Vierne ... La vendeuse de bijoux
Marielle Coubaillon ... L'hôtesse du supermarché
Olivier Papot ... Le policier
Gil Demurger ... Le GIGN (as Gil de Murger)
Agnc(s Accaria
Ranzi Adjeri
Brigitte Albuquerque
Martihino Albuquerque

Also Known As: Criminal Lovers (Europe: English title)
Runtime: 96 min
Country: France
Language: French

Story of love and death, with some American thriller sparkles and the flavor of Ozon, "Amants criminels" is trip in a dark universe, with strange cages and shadows of fears.

In same aspects, it is a new adaptation of "Dangerous Liaisons". Also, it is a adaptations of brothers Grimm tales. But important are not the images, rabbits or forest man , the murder or the rats. It is only a room of Francois Ozon universe and relevant is the desire of director to discover the limits of a situation. Not the ways but the purpose.

The evil girl for the other is basic object, the homoerotic scenes, the strange land, the race different, the games and the end, the cries and forms of affection are pieces of an interesting puzzle in which the purpose may be the catharsis.

A cruel beautiful film. Cold, aggressive, nostalgic, sad and strange. A film about the ways of escape. And about their fragile substance.

This movie is not gay movie, but some homoerotic scene in François Ozon's way can be interesting!


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2 Minutes Later (2007)

2 Minutes Later (2007)


01.20 h Tek toliko da znate koliko je stai dok ovo kucam. Nećete vjerovati ali ovaj film sam odgledao kao da se radi o vrhunskom remek djelu, a ne o jeftinom petparačkom gay krimiću. Razlog: pa film obuluje nagim muškim thelima, a i sviđa mi se glavni glumac, koji glumi fotografa koji slikava uglavnom muškarce.
Uz to u filmu ima i seksa , pederkog seksa naravno! Ni lezbejke nisu izostavljene, mada se većina pedera gadi lezbijki. Ko da bi im ruka otpala da pipnu malo pičke! Glavna lezbejka je detektivka, koja uz pomoć glavnog glumca pedera traži ubicu njegovog brata. Nasmijao sam se kad sam je vidio kako onako mršava i jadna vadi pištolj i obračunava se sa gnjusnim zločincem.
Nemojte da vas ovo obesrabri, film spada u onu jeftinu low cost klasu, pa mu je sve oprošteno. Bez obzira na sve to film je gledljiv i siguran sam da će te se zabaviti gledajući ga! E da i ne drkajte ga , nego gledajte film!












Director: Robert Gaston
Writer: Robert Gaston (writer)
Release Date: 2007 (USA)
Genre: Adventure | Comedy | Thriller
Plot Keywords: Nude Modeling | Gay Photographer | Lgbtq | Gay Twins | Photos Don't Lie
Awards: 1 win

Cast
(Cast overview, first billed only)

Michael Molina ... Michael / Kyle Dalmar
Jessica Graham ... Abigail Marks
Peter Stickles ... Victor
J. Matthew Miller ... Joey
Jennifer Layne Park ... Monique
Mei-Yann Hwang ... May
Joe Almanza ... Tevin
Grant Barker ... Samuel
Houston Bernard ... Nico
Liz Douglas ... Kimmy
Scott Spragg ... Franz
Kim Blackman ... Kendle Darr
Adam R. Deremer ... Gio
Ben Sander ... Emily Monroe
Greg Ratz ... Conner


Runtime: USA:78 min
Country: USA
Language: English



"2 Minutes Later" is a crime-fighting/comedy film with some flesh and sex (not excessive, but certainly more than necessary). It tried to equal the sex & violence quotient seen in similar 'straight' films. This film's director, who was present the night I attended, got on stage before the film screened, and said that his film was meant just as fun entertainment; nothing more, nothing less. -- and to the person who accompanied me to this screening, that's what it was. To me it was just a gay reworking of many straight suspense films, with a major plot element (spoiler) borrowed from "Blow-Up." It had a fair amount of tepid comedy added into the mix, justifying the director's statement that it could be called 'light entertainment.'

Probably to the chagrin of the filmmaker present (and to the management of the fabulous Tampa Theatre, a splendidly renovated 'atmostpheric,' built in 1926) the film was shown through the wrong lens. What I mean is, it appears to have been a film that may have been produced with an aspect ratio of 1:1.85, but it was shown thru' a 1:1.33 lens. Everyone was just a bit too thin, too tall, --and all the cars were a foot, or so, more compact. I tried to ignore this technical problem (which wasn't easy) and see the film the way it's producer intended me to. It had it's fun moments, some suspense, and I almost enjoyed it, until "The End" credit came on-screen with a question mark (?) added after a few seconds, a la "The Blob."

The leading lady, who was also present in the theater that night --and accompanied the filmmaker on stage before the curtain went up, was the best actor in this film. As improbable as her character was, her lines were better than those of the leading man, --who was likely chosen for his shy boy-next-door 'look' rather than for any acting ability. I'm not knocking him, nor the filmmaker, nor anyone else associated with this production. It was obvious that the budget wasn't big, but neither was the thought put into this. Better films have been made on smaller budgets.

And it seemed to me that it borrowed an awful lot of bits and pieces from many other films, --besides the obvious big 'bit' borrowed from "Blow-Up."

Overall, a mediocre effort. I rated it 5.

Pictures, trailer, description, etc

Shiner (2004)

Shiner (2004)

Posmatrajući parove uočio sam da je jedna strana uvijek podložnija drugoj. Jedna dominira , a druga se trudi da udovolji partneru, vrlo često na svoju štetu.
To je tako , kako kod gay parova , tako i kod str8. Takvi parovi u suštini imaju i najstabilnije veze.
Kada dolazi do kraha? Kada neko iz meni nepoznatih razloga ima naglašenu dominantnu psihu ili pak naglašeno posesivnu.
Kod nekih ljudi se prenaglašena dominantnost i može tolerisati. Takvi su malo grublji u seksu, odlučniji u životu, samozadovoljniji i tvrdoglaviji. One drugi koji imaju blagu dozu mazohima teže je prepoznati, ali ima simptoma kao npr da se trudi da po svaku cjenu ispuni želju svom partneru, zanemaruju prijatelje i sl.
Ovakav odnos u vezama je opisan u mnogim filmovima, a medju njima se nalaze i neki u ovom blogu.

Ono što izlazi iz okvira društveno prihvatljivog ponašanje je kada te karakteristike predju u pshihoze ili manijakalna ponašanja.
Sado-mazohizam nije nikakva nova pojava, a nije ni bolest kako mnogi tumače. Prenaglašena ljudska osobina.
Jeste li kada maštali da vas siluju u zatvoru? ili vi nekoga da popišate nakon seksa?
Nedavno sam imao seks sa jednim vaterpolistom koji je na prvi pogled izgledao normalno. Smuvali smo se i završili u krevet. Navali čovjek na mene, sve viča kako će da me izjebe da ga doživotno pamtim. U očetku mi je bilo popaljivo slušati ga i gledati tako narajcanog. A onda je navalio ko konj i pri tome me je udario i počeo daviti. Otrgao sam se i zapucao ga šakom u glavu da je pao sa kreveta. Tek nakon toga je došao sebi. Sutradan me je zvao i izvinjavao mi se.
Nema potrebe da se izvinjava ali svoje strasti mora da nauči da kontroliše.

Zato pamet u glavu i pokušajte da pravilno procjenite čovijeka prije nego završite u krevet sa njim.

U ovom filmu , koji mi se na momente smučio vidjećete čemu vodi takvo nekontrolisano ponašanje. Mučne scene prebijanja, ranjavanja i manijakalnog ponašanja po meni nemaju ništa zajedničkog sa seksom, ali za neke ipak ima.
Sve u svemu ako imate stomak da gledate takve odvratne scene pogledajte ovaj niskobudžetni film. Šokantne scene prebijanja i mučenja, kako fizički tako i psihički su dominantne u njemu .Prikazuju namračniju ljudsku stranu, nasilnu i krvavu, a sve isprepleteno sa strašću i željom. Ako nemate želudac za ovo zaobiđite ovaj film!

Director: Christian Calson
Writer: Christian Calson (writer)
Genre: Drama
Plot Keywords: Shower Scene | Abusive Boyfriend | Gym | Male Nudity | Masochism

Cast
(Credited cast)

Scott Stepp ... Tony
Derris Nile ... Danny
Nicholas T. King ... Bob
David Zelina ... Tim
Conny Van Dyke ... Bob's Mom
Seth Harrington ... Reg
Carolyn Crotty ... Linda
Ryan Soteres ... Charles
Carl Strecker ... Almost Dead Guy


Also Known As:
Desire Is Relentless (USA)
Runtime: 89 min
Country: USA
Language: English



Author: Weinstein Steve

I can’t remember the last time a direct-to DVD film had as much impact on me as “Shiner.” This is one film about which you can assuredly use the overused adjective “controversial.” Either a Godard-like meditation on the inherent violence of late-capitalist America or beat-off material for “Fight Club” buffs, “Shiner” pulls no punches — or, rather, does nothing but pull punches — in its depiction of a claustrophobic group of Angelenos.

Most people will probably be put off by the relentless violence. But if you can stick it out, you will find yourself asking some Big Picture questions: Why did Bush invade Iraq? Why did al Quaida destroy the World Trade Center? Why do Palestinian teenagers blow themselves up? Why did the Hutus randomly slaughter Tutsis in Rwanda?

Maybe it’s simply because they can. Maybe we’re just hard-wired to do violence upon each other — and ourselves.

Such, anyway, is the worldview presented by director Christian Calson. The two ne’er-do-wells at the center of the action (in every sense) are lovers in everything but fact. They beat each other, force each other into “homo” situations and, in their spare time, gay bash pick-ups. Talk about your anti-heroes!

We also meet a punk boxer, his gay stalker and a straight couple that give new meaning to the song “Love Is a Battlefield.” It helps considerably that the cast is uniformly attractive, in refreshingly ordinary-looking ways. The use of video makes the film look like porn — all the more disconcerting, considering the incessant bloodletting.

Don’t be surprised if Calson joins Gus Van Sant, Ang Lee, Todd Haynes and Todd Solendz in going on to the Hollywood big-time, based on this profoundly disturbing exploration of the darkest side of human nature.

In recent years, gay anthologies have become a subcategory of their own. The latest entry, “Men’s Mix,” lives up to its name.

The seven shorts range from a silent meditation on the life of an Argentinean 10-peso note to a traditional short-form documentary about an old-time barber shop in San Francisco to an all-too ironic look at 1950s sexual repression.

“Gaydar” has a great premise — that a device can detect who’s gay or not. But it devolves into low-brow sitcom situations, too broadly played. “Burl’s” and “Safe Journey” are sensitive explorations into sexuality in hostile cultures.

By far the most successful short is “Touched.” A 53-year-old man leaves his female dinner companion and heads to a gay bar. There he meets a stunning young man who expresses interest. The two go home with some very unexpected consequences.

In the space of only a few minutes, this two-hander manages to explore the issues of aging, urban anomie and existential dread in a way that many more pretentious full-length films never achieve. Philadelphia first-timer Mike Lemon turns in a stunning debut

Two feature films — both reviewed favorably by myself in these pages — also make their debuts. Both are must-sees if you missed them the first time around.

“Latter Days” contains some clichéd moments and too-pat coincidences. But if you can watch the ending without a tear welling up, you’re stronger than I am. A passionate performance by Steve Sandvoss, who plays a conflicted Mormon, anchors the film, as does a compassionate cameo by screen legend Jacqueline Bisset. For those who can’t get enough, Centaur has released the soundtrack on CD (www.centaurmusic.com; 888-9-CENTAUR).

“Bulgarian Lovers” is another little gem from Spain, which has assumed pride of place as the current center of gay cinema. (Who’da thunk it?) Veteran gay director Ely de la Iglesia uses the one-sided relationship between a straight Bulgarian hustler and his mark, an average-Joe Spaniard, as a metaphor for the post-Communist integration of Eastern European countries into the European Union.

This film entertains on so many levels — the personal, political, sexual and dramatic — that you need to see it at least twice to absorb its many meanings. Superior performances all around and a gimlet eye aimed with laser-beam intensity on this crazy thing we call love keeps the mind engaged even as your heart is breaking.

Jeffrey (1995)

Jeffrey (1995)

Kada sam imao oko 20-tak godina sve u meni se vrtilo oko seksa. Kao neki antibiotik konzumirao sam ga 2-3 puta na dan , a kada bi izostao postajao bih bolestan.
Nisam birao, muško ,žensko , samo nek je živo biće i da oće sex. Moj tadašnji najbolji drug mi je jednom rekao da nije nikada vidio nekog toliko ovisnika o seksu kao što sam ja. Ja sam mu rekao, ako oćeš da me pamtiš kao najboljeg prijatelja moramo imati sex - i imali smo ga! Iako sada živi daleko od mene kada god se čujemo prva rečenica mu je : "Đe si moj najbolji prijatelju?" Zato seksajte se ljudi, i ne povezujete to sa pričama o ljubavi. kada se zaljubite imaćete potrebu za seksom samo sa njim, a do tada i poslije toga nek vam sex bude samo obična životna stvar, kao dobra hrana, piće, sport, zabava.
Ni danas nije mnogo bolje situacija, mada nemam potrebe koliko ranije! Sve jedno ne prođe ni jedan dan , a da ga ne izdrkam bar 2 puta.

U ovom filmu zgodni Jeffrey odluči da više ne želi da ima sex. Previše je opasnosti od bolesti, side, i drugih budalaština. Odlučio čovijek da živi u celibatu, jer što bi rizikovao da zaradi AIDS. kada mogu popovi može i on. I naravno to treje ekstremno kratko dok ne sretne gospodina pravog.
Ova komedija ne spada u sam vrh filmske produkcije, ali na jedan simpatičan način nam prikazuje muke i nevolje nesigurnog pedera Jeffreya.



Director: Christopher Ashley
Writers (WGA): Paul Rudnick (play)
Paul Rudnick (screenplay)
Release Date: 18 August 1995 (USA)
Genre: Comedy | Drama
Plot Keywords: AIDS | Homosexual | Gay Friend | Gay Interest | Breaking The Fourth Wall
Awards: 1 win & 4 nominations

Cast
(Cast overview, first billed only)

Steven Weber ... Jeffrey
Peter Jaconson ... Man #1
Tom Cayler ... Man #2
David Thornton ... Man #3
Lee Mark Nelson ... Crying Guy
John Ganun ... Tourist
Michael T. Weiss ... Steve Howard
Joe Dain ... Movie Theatre Guy #1 (as Joseph Dain)
Jeffrey Ross ... Movie Theatre Guy #2
Irma St. Paule ... Mother Teresa
Patrick Stewart ... Sterling
Nicky Paraiso ... Salesman
K. Todd Freeman ... Barney's Waiter
Robert Klein ... Skip Winkley
Patti Ann O'Connell ... Cheryl, the Showgirl

Runtime: 92 min
Country: USA
Language: English


New Yorker Jeffrey loves sex, but he's terrified of AIDS, so he decides to beome celibate. Sex was meant to be fun not fatal. Of course it's inevitable he then meets Mr. Right in the hunky shape of Steve.

Dealing with sex and death through humour often works very effectively, but not with a film that doesn't balance light and dark and never hits its mark. It's very episodic and lacks narrative drive pulling the bits together. The movie's theatrical origins show, with musical numbers and camera asides that don't work on the small screen. I was a bit uncomfortable with stereotypical characters and behaviour.

The main weakness though is lack of chemistry between Jeffrey and Steve, a big disadvantage for a triumph of love story. The actor playing Jeffrey seems awkward in his role, failing to convince me.

It's not all bad. Patrick Stewart has fun with Sterling the camp decorator, and Sigourney Weaver does a turn as a motivational speaker.




Pictures, description, trailer, links...
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Daddy and the Muscle Academy (1991)

Daddy and the Muscle Academy (1991)

Imali i jednog pedera koji nije čuo za Tom of Finland? Njegove slike se danas mogu naći u gotovo svakom gay časopisu, gay publikaciji, na internetu...
U čemu je tajna njegove slave. Gledajući ovaj film shvatićete.
O čemu maštate dok drkate? Imate li kakvih seksualnih maštarija o kojim nebi razgovarali sa svojim dečkom, partnerom ili društvom?
Naravno da imate! Tom of Finland ( Touko Laaksonen ) nam u svojim slikama predočava upravo to! Predimenzionirane želje, prljavu maštu, pornografsku napaljenost, perverzije....
Jeste li kada naleteli na nekog drvosiječu u šumi koji vas je pogledao onako opasno, sa željom da vas posjeduje? Onako znojav vas je zgrabio svojim ogromnim ručardama, strgnuo odjeću sa vas i natjerao da mu popušite ogromnu kurčinu i na kraju vas je silovao dok ste vrištali i zvali u pomoć!
Znam da su mnogi od vas to doživjeli - naravno u mašti. A ako ne onda ste se našli u ulozi zatvorskog čuvara koji je izjebao nekog zgodnog zatvorenika. U najblažem slučaju ste imali ludački sex sa kapetanom u vojsci.
Da ne nabrajam dalje, gay mašta nema granica. Otuda na hiljade slika ovog umjetnika pale maštu miliona ljudi.
Sam Tom of Finland za svoj rad kaže: Smatram da su moj rad pornografija. Pornografija znači stimulisanje ljudskih seksualnih osjećaja i toga sam uvjek bio svjestan. Moji motivi su manje od umjetnosti.
Njegove slike možete pogledati OVDIJE

Director: Ilppo Pohjola
Writer: Ilppo Pohjola (writer)
Release Date:
8 October 1991 (Finland)
Genre: Documentary

Plot Keywords:
Homosexual | Gay Interest | Artist | Leather

Cast
(Credited cast)
Tom of Finland ... Himself

Additional Details
Also Known As:
Daddy and the Muscle Academy: A Documentary on the Art, Life, and Times of Tom of Finland (Finland) (complete title)

Runtime: Finland:58 min | USA:55 min | Canada:55 min
Country: Finland
Language: English | Finnish

The film gives voice to the life and creative impulse of the gay erotic artist known across the gay world as 'Tom of Finland'. Essentially an interview documentary with some very brief 'enactments' inspired by Tom's artwork, this is a long way from fetish pornography but is thought-provoking nonetheless.

Tom describes his early life in the Finnish army, in mundane jobs and, matter-of-factly, how he became inspired to put onto paper his exagerrated masculine fantasies of men in leather, uniforms and workwear.

Most of the interview is shot in the stillness of Tom's apartment/studio, with the film broken into segments centering on themes of his work: depiction of black men and women, technique, use of models and leather as his muse: "I put on a special outfit", he explains, "if I need to be inspired".

The subject is fascinating and likeable, even if the film-making is a little dry in tone. When it comes to the extremely short 'enactment' sessions, featuring shadowy, muscular figures in leather and SM play, there is none of the boldness and exuberance that the drawings, in comparison convey, even as static images.

Putting its arthouse stylistic shortcomings aside, the film is a precious document of this influential artist who died a few years after it was made. The brief commentaries from friend and critics point out just how deeply Tom's fantasies have become the primers for the post-war emergent gay subcultures of Leather/SM, with all their knock-on influence on wider cultural consciousness. While outsiders may not relate to Tom's proclivities, they will be moved by his integrity and skill in realising his fantasies.

Alongside Tove Jansson, the creator of the the Moomin characters, Tom of Finland is the most internationally renowned Finnish graphic artist, but in Finland remained mostly unknown outside the gay subculture during his life.

The exhibitions organised after his death gave him wider audience. Because his art dealt with erotic and even pronographic subject material, Tom did not receive recognition for his work from the Finnish society during his career. As an artist, it is fair to say that Tom of Finland’s work was labelled pronographic much in the same way as Andy Warhol’s work was labelled commercial.

Tom himself was very plain about his work. "Yes, I consider my work pornography. Pornography means to stimulate peoples' sexual feelings, and I'm always very aware of that. My motive is lower than art."

Still Tom’s influence to the gay subculture and eventually to the mainstream culture through the popular adoption of SM and fetish imagery, should not be underestimated.
Even more important than that, Tom’s life’s work offered a new strong gay identity and a positive role model for growing gay men - his characters were not effeminate gigglers or sad weaklins but muscular, butch and full of humour and happiness.

Tom of Finland's real name was Touko Laaksonen. He was born on 8 May 1920, on the south coast of Finland. Tom died in November 7th, 1991.

His pictures you can see HERE



Pictures, description, trailer
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Desertion (The Director´s Cut) (2000)

Desertion (The Director´s Cut) (2000)


Jutros, dok sam pio kafu pogledao sam ovaj soft-erotic film. Nema dialoga, nema scenaria, samo gomila prelijepih muškaraca usred neke pustinje u Južnoj africi.

Uz New Age muziku će te uživati u filmskim fotografijama u kojima je na vrelom pustinjskom suncu izložena sva ljepota muškog tijela.
56 minuta ovog filma će vam brzo proteći dok sami ili u društvu gledate modele u scenama iz neke gay maštarije.

Taman da imate inspiraciju za ljeto, dok se sunčate na nekoj pješčanoj plaži i maštate o mogućoj avanturi sa nekim ko leži blizu vas, a jedva vas primjećuje!






Runtime: 56 min
Country: USA
Actors: Roy Black
Year : 2000

Credited cast:
Vaughan Harris,
Michael Jonker,
Marcos Carmargo,
Storm Killian,
Estefan du Prez,
Johan Odendaal,
Matt Twynam,
Damian Pasqual,

Trapped in the middle of a desert, seven men are met by an elusive (and madly passionate) "Desert Man." This stranger will ultimately aid in each man materializing his deepest, most intimate desires: The soldier in love with his commanding officer; the photographer smitten by his young model; the young men making love for the first time in the ocean. Sirocco climaxes in a sensual finale set in the depths of a raging sea. Director Steve Bulfield has included additional explicit footage (previously unseen) to this director's cut.

Seven men, trapped in a desert of their own passions, are brought together by a mysterious and sensual "desert man". Erotically charged and truly sensual, Sirocco brings together spectacular men in an epic story of scorching passions.




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http://www.megaupload.com/?d=LPDES6O6