Nico and Dani (2000)

Nico and Dani (2000) Krámpack (original title)

Director: Cesc Gay 
Writers: Tomas Aragay, Cesc Gay Genre: Comedy 
Country: Spain 
Duration:91 min 
Year: 2000

Stars: Fernando Ramallo, Jordi Vilches and Marieta Orozco

Neki dan me je jedan momak pitao po čemu vidiš da je neko peder? Ja mu odgovorim to se osjeti, ne možeš to po nečemu vidjet, a ako je očito onda znaj da to nije za tebe. Sa kim je sramota sjesti u kafanu, stim ne liježi u krevet! Momak mi reče da ne ide u kafanu!

Ovaj film nam pokazuje odrastanje dva drugara. Tek je brada počela da im raste, možda počele i dlačice oko kurca da im niču, a željeli bi sve da znaju, da probaju! Sjetite se kada ste vi tek počeli da drkate u društvu sa najboljim drugom pa vam bilo malo čudno što on to ipak radi malo drugačije od vas. Ja npr nisam znao da kažem da sam svršio, nego sam govorio: došlo mi nešto slatko!
I tako Niko i Dani zajedno drkaju i pokušavaju da se domognu djevojčica nebi li okusili čari prvog seksa. I to nebi bilo problem da Dani umjesto djevojčice nije zavolio svog najboljeg drugara Nika. I tudio se jadničak, davao sve od sebe, čak mu je prilikom drkanja pomagao da svrši i rukom i ustima, a kada je jedno veče Niko bio žalostan što nema djevojčica Deni mu je nesebično dao guzu.
Problem je u tome što Niko ipak više voli djevojčicu od Danija.
Eto toliko o najbljem drugaru, baš je nezahvalan, sve mu daš, a on opet ode kod one glupačice!
Ova komedija je zaista prelijepo napravljena, i dirljiva i komična. A svakoga će podsjetiti na one prve dječačke dane kada smo počeli da radimo “ONO”

Author: David (davidals@xxx.xx) from Chapel Hill, NC, USA

I completely missed the boat on this one – KRAMPACK (a.k.a. NICO & DANI) is an excellent film. To temporarily ditch any pretense of objectivity, this was very nostalgic – my adolescence was a good bit more modest, but the experiences and conversations (even the summertime setting) at many points through this film hit close to home. I won’t rehash the plot, which is well-covered by previous reviewers here, but I will say that the film really gets the mix of unease and anticipation right in depicting the evolving relationship between Nico & Dani. On this front, it’s a five-star gay-themed drama.

The performances are quite expressive and naturalistic – no movie-of-the-week feelgood speeches appear here, and none are needed. The slightest changes in expression (contrast Nico’s responses to Dani through the first 2/3 of the film, to his responses during the last 20 minutes or so) convey great warmth and understanding, giving him the ability to reaffirm his friendship with Dani (in a ‘positive’ statement greater than any speech) even as they both understand by film’s end that the dynamic of their friendship won’t ever be quite the same.

On this note the film does have something to offer anyone – it’s universal without getting saccharine, and deeply committed to the humanity of its’ characters. There aren’t any complex philosophical or political undercurrents here, but none are needed – the respect and graceful treatment afforded to two ultimately different characters are more than adequate. A fine flick.

Coming of age, on a Barcelona beach, during an eventful week: Nico arrives at Dani’s for part of the summer. Dani’s parents are away, Nico is keen to lose his virginity, and Dani, who’s been Nico’s friend since grammar school, wants time only with Nico. Dani’s plans to hunt and fish are waylaid when Nico catches the eye of Elena and her cousin Berta. He wants to go to the beach with the girls, cook them dinner, and make love to at least one of them. Dani wants social and physical contact with Nico. Watching from a short distance are Sonia, Dani’s tutor, and Julian, a gay writer, who picks up Dani’s vibes. Can Nico and Dani sort out friendship as well as their mixed desires?

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Our Lady of the Assassins (2000)

Our Lady of the Assassins (2000)
La virgen de los sicarios (original title)
Director: Barbet Schroeder
Writers: Fernando Vallejo (novel), Fernando Vallejo (screenplay) 
Genre: Drama
Country: Spain, France, Colombia Language: Spanish 
Year: 2000 
Duration: 101 min

Stars: Germán Jaramillo, Anderson Ballesteros and Juan David Restrepo

Ovaj film reditelja Barbet Schroedera je rađen po autobiografskoj noveli Kolumbijskog pisca Fernanda Valleja.
Fernando se vraća u Kolumbijijski grad Medellin u kojem je rođen i proveo djetinjstvo u vremenu kada trgovina drogom nije bio dominantan biznis u tom gradu. Namjera mi je da to provede svoje poslednje dane. Upoznaje 16-godišnjeg Aleksisa kojega dovodi u svoj stan i sa njim doživljava pravu romansu. Neću sada govoriti o moralnim i etičkim aspektima romanse između jednog 60-godišnjeg geja i tinejdžera od 16 godina jer se time ne bavi ni ova filmska priča.
Alexis je odrastao u siromašnoj četvrti u kojoj se razne bande svakodnevno međusobno ubijaju za šaku dolara i gdje dijete već u pubertetu uči kako se puca iz pištolja i ubija. Ove "vaspitne mjere" su uobičajene u Medellinu u kojem je ubiti čovjeka isto kao otići u prodavnicu i kupiti hljeb. Čak se i priroda štiti na način da se postavljaju table sa natpisom: "Zabranjeno bacanje leševa". Naravno i Aleksis sa sobom uvjek nosi pištolj i sa lakoćom ubije svakoga ko mu stane na putu. Kuriozitet je da kada god neka pošiljka droge uspješno bude isporučena u Ameriku u gradu se to označi vatrometom.
Fernando koji je u sve to upao iz nekog sasvim drugog svjeta to traumatično preživljava. Alesis koji ga voli i kao ljubavnika i kao saputnika, pomaže mu da shvati surovu stvarnost koja je zadesila taj grad. Zajedno obilaze brojne crkve koje nijemo posmatraju patnju posjetilaca moleći se da prežive još jedan dan ili umru brzo.
Nebih da vam završim priču do kraja pa ću samo primjetiti da se i u tom svjetu njihova romantična ljubav i odnos ne prihvata blagonaklono, ali koga je briga? Ne treba se previše buniti i uznemiravati nekoga ko pištolj sa lakoćom upotrebljava, zar ne?!

After an absence of thirty years, writer Fernando Vallejo returns to Medellín, the city where he was born and raised. Little remains of what he had left behind. His parents are dead and so are his siblings and most of his friends.Half the city has been destroyed to make room for an elevated subway. The cocaine Mafia - the Medellín Cartel - sows terror with gangs of assassins: boys from the city’s poor neighborhoods employed as hired killers who are often doomed to die at the hands of rival gangmembers.
One of these boys is Alexis, a sixteen-year-old who despite his youth already has a few murders on his conscience. Fernando has just gotten into town when
he is introduced to Alexis by a childhood friend in a male brothel. Fernando and Alexis fall in love. In this city ruled by horror, chaos and hate, where blood-debts are passed on
from brother to brother and from one friend to another, as if the fate of the living were in the hands of the dead.In this city where the only oases of peace are the churches... they fall in love.

A hopeless love, destined to fail through no fault of their own, but for the circumstances they are caught up in. A stereo Fernando buys Alexis is the motive for a first squabble, as the latter has the habit of leaving dance music on at a deafening volume at all hours of the day and night. But soon they are at odds over a greater issue as Alexis murders anyone who happens to cross their path or bother Fernando. At the slightest provocation, Alexis, like a new Exterminating Angel, unhesitatingly whips out his gun and fires. Condemned by the emptiness of their lives, they go aimlessly from church to church and murder to murder, a more confident love growing between them, until one day Alexis is killed in a drive-by shooting. Wrought with grief, Fernando goes to the barrio slums of Santo Domingo Savio to meet Alexis’s mother, a poor woman with several children. She tells him that her son was killed by a boy from the neighboring barrio of La Francia. She only knows the murderer’s strange nickname: « The Blue Lagoon ».

Walking alone and losing himself in the noisy and violent streets that once witnessed his transient moments of happiness, Fernando bumps into someone he at first mistakes for Alexis, as if the boy were still alive. Or as if the horror of life had induced a grotesque hallucination. The boy in question isWílmar.He resembles Alexis on more than one count: he’s the same age, wears a similar jacket, is just as devoted to Our Lady Help of Christians, whose scapularies - tied around his neck, right wrist and left ankle - he never doffs. But the most poignant similarity of all is the gun he always carries with him. So the series of murders Alexis had started continues with Wílmar, while Fernando begins a new love affair. It seems that the world of Medellín has gone insane, going around in circles and creating live replicas of the dead.

With multisub.

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Come Undone (2000)

Come Undone (2000)
Presque rien (original title)

Director: Sébastien Lifshitz
Writers: Stéphane Bouquet (writer), Sébastien Lifshitz Genre: Drama, Romance Country: France Year: 2000 Duration: 100 min Language: French with english subtitle



Stars: Jérémie Elkaim, Stéphane Rideau and Dominique Reymond

Presque rien ili Come Undone je film o prvoj mladenačkoj ljubavi. Osamnaestogodišnji Mathieu dolazi na ljetovanje sa depresivnom majkom i sestrom.
I tu upoznaje Cedrica , lokalnog momka koji i ne krije previše da je gay. Nastaje prava ljubavna romansa. Prva ljubav se zauvijek pamti, zar ne.
Nastavak možda već znate iz vlastitog iskustva. Iza svake prve ljubavi dolazi druga, pa treća i tako dok ne naiđete na onu koja traje čitav život.
Ovaj film nam priča priču o onoj prvoj, o dilemama , strepnji, strahu, o želji da vam se svaki trenutak koji provedete sa njim produži.
Interesantan film koji se ne može svrstati u stereotipne gay coming out filmove. Depresivna majka prihvata sina onakvim kakav jeste,  sestra takođe iako ponekad zlobno, Cedericov otac koji pita Mathieua: “Jesi i ti momak od mog sina” čine da ovaj film nema onu tragičnost odbacivanja koje srećemo u sličnim filmovima.
Toplo Vam preporučujem da pogledate ovu romansu.

Presque rien (meaning Almost Nothing, which is also the UK release title; the U.S. title is Come Undone) is a 2000 French film directed by Sebastien Lifshitz, depicting a stormy romance between two 18-year-olds (One who is upper middle class and another who is working class) set in Brittany and what remains of that relationship eighteen months later.
Mathieu (Jérémie Elkaďm), is spending his summer vacation at the sea before starting to attend college in the fall to become an architect. His mother is deeply depressed because of the death of his baby brother from cancer, and he and his snotty younger sister cannot get along.

Then he meets Cedric at the beach (Stéphane Rideau, also the object of gay desires in several films, including Les roseaux sauvages), who is attractive and obviously looking for a boyfriend.

After the first shy kisses and embraces, the two boys begin a steamy affair, and Lifshitz does not hesitate to show that with realism.

A parallel plotline focuses on Mathieu eighteen months later, as he is recovering from the shock of their separation. Mathieu having tried to commit suicide, his psychiatrist sends him back to the small seaside town to learn to deal with what happened. While Lifshitz does not explicitly say why their relationship failed, the impression is conveyed that their characters are simply too different.

The film ends on a hopeful note, when Mathieu meets Pierre (Nils Ohlund), another former boyfriend of Cedric’s, and finally gets the feeling he has found someone who understands him.

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Kampvuur (2000)

Kampvuur (2000)

Director: Bavo Defurne
Writer: Bavo Defurne
Genre: Short movie
Country: Belgium
Language: Dutch
Year:2000

Stars: Joram Schurmans, Koen Van Heule and Circé Lethem

Short about a camping trip for scouts where a boy falls in love with his best friend and causes tension in the scouting group.

 

Kampvuur - Campfire(1999) Kratki film o skautima ( izviđačima) na kampovanju u kojem se lijepi TIJL, zaljubljuje u najboljeg druga Wouta.

Nakon jedne prelijepe noći provedene u šatoru, Woutovo ponašanje se potpuno mijenja i njegov odnos prema Tijlu nije više kao prije.

Campfire is basically a coming out story, but essentially it summarizes many itches of love and relations. Settings, sound, music are all economically used, but without being minimal and boring. Cinematography is brilliant, and so is acting. All in this is a short but not small, powerful but not cliché film. Simply beautiful.

 

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Just a Question of Love (2000)

Juste une question d'amour (2000) aka Just a Question of Love

Mislio sam da sam ovaj film ranije stavio na blog, al danas sam ga tražio i nema ga! A film je vrijedno pogledati, posebno za ove mlade pedere koji razmisljaju da li da svojima kažu sve o sebi ili ne! Nekako roditelji zadnji saznaju da im je sin peder! Mnogi i kada saznaju, prave se kao da ne znaju to, jer ne mogu da prihvate takvu činjenicu! Zaista, oni i nemaju mogućnost da izaberu hoće li da saznaju da im je sin peder ili ne, to ipak u većini slučajeva biraju sinovi!

 

Director: Christian Faure

Country: France, Belgium
Year: 2000
Genre: Drama

Actors: Cyrille Thouvenin, Stéphan Guérin-Tillié, Eva Darlan, Daniele Denie, Idwig Stephane, Caroline Veyt, Laurence César, Jean-Pierre Valere, Raphaëlle Lubansu, Jean-Baptiste Lefevre, Aurélie Godichal, Jonathan Fox, Marcel Dossogne, Bruno Georis, Diego Vanhoute 

Moja generacija uključujući i mene je u većini slučajeva birala da to ipak sakrije od svijeta! Lijepo se oženiš, zaposliš i živiš kako drugi oće i kako je to zapisano u knjigama "Narodni običaji" I miran si, napreduješ na poslu, poštovan si u društvu i sve funkcioniše savršeno! A da li je tako? Kako se podnosi ta silna laž koju si sam ispleo oko sebe? Kako sakriti kada se zaljubiš? Kako ukrasti trenutak i pobijeći u mrak gdje ćeš zadovoljiti svoje drugo ja! I što više pokušavaš da se snađeš, sve si prazniji. Poneko i nadje srodnu dušu i onda broji dane kada će je vidjeti, doživjeti....
Pričam vam iz ličnog iskustva. Sve moje ljubavi sam uklapao u svoj način života kako sam znao i umio, da sve izgleda normalno spolja, a da samo on i ja znamo pravu istinu! Da li je to moguće to će te morati saznati sami!

Današnji klinci me plaše jer ne razmišljaju kao ja! Drugačiji su! Brzopleti, naivni, slušaju svoje srce pa srljaju u pustolovinu zvanu coming-out! Nema bezbolnog outovanja! A društvo nam se nije toliko promijenilo da sve prihvata slakoćom!
Uostalom pogledajte ovaj film! I da li je to samo pitanje ljubavi ili pitanje načina na koji će te živjeti svoju sudbinu!

Film pogledajte OVDJE


"Juste une question d'amour" (Just a Question of Love), directed and cowritten by Christian Fauré (Un amour ŕ taire) aired on French television in 2000. It is a coming-out (as gay) story that focuses as much on the parents as on the young men who are in love with each other.

Parents sometimes surprise their gay and lesbian offspring by accepting them. But sometimes the children are right to fear the reactions of their parents. Laurent (Cyrille Thouvenin, "La confusion des genres") loves his parents(Daničlle Denie) and Pierre (Idwig Stéphane), who run a mom-and-pop pharmacy in Paris and is very afraid that they will reject him if they find that he is gay. This is unlikely to happen while he is having sex with men, but not in love with anyone. Moreover, he has the cover (a "beard") of a female room-mate (it seems that rather a lot of young gay men in recent French movies are living with straight women, but I vaguely remember that so was I between my long-term lovers). Laurent's parents dote on Carole (Caroline Veyt). Visions of grandchildren dance in their heads, though Carole is growing weary of having the name (Laurent's partner) without having the game.

Laurent does not have to guess about what will happen, because it pretty much already has happened—to a cousin with whom he was very close. Marc's parents (Laurent's mother's sister and her husband) cut off all communication with Marc, when they learned he was gay. Laurent's parents refused to take Marc in, and when Marc's parents heard that Marc was dying, they proclaimed that AIDS was a just punishment for him (though Marc was dying of acute hepatitis picked up in Vietnam rather than AIDS).

The status quo of Laurent and Carole pretending to be a couple has been destabilized by Laurent's failures (in agricultural school) since Marc's terminal illness. Laurent is dispatched to a field station near Lille in which Cédric (Stéphan Guérin-Tillié) is experimenting on developing vegetables resistant to (((ever-increasing) pollution. Cédric is an intense, bearded hunk. He and Laurent quickly fall into each other's arms.

Cédric took over the family business (a nursery along with the field station) when his father died, which Laurent's father finds exemplary (he is displeased that Laurent has not studied to become a pharmacist) and Laurent's mother likes the Cédric lives with his mother (Emma, played by Eva Darla (Une histoire simple). Emma realized she could accept that Cédric was gay or lose him—immediately after having lost her husband.

Cédric does not want to live the lie of just being Laurent's boss and participate in the Laurent/Jeanne charade. He pushes Laurent, though Emma tells him he should not expect Laurent to move faster than Cédric himself had. She is very maternal to Laurent. Laurent wishes that his mother was like Emma,,, but knows she is not.

Then the melodrama kicks in and most everyone is furious with everyone else (except Cédric and Carole, both of whom push Laurent to come out, and Marc's lover, who is sympathetic to everyone). I do not want to spoil what surprised me in detonating the explosions—which is to say that the trajectory is at least somewhat unpredictable even for someone who has heard and seen many coming-out stories. (I might note that neither Cédric nor Laurent has any connection to politicized gay identity: the message they articulate is "I love him and he loves me and we are going to be together.")

The cast is uniformly excellent, with Eva Darla particularly standing out. The cinematography, music, and editing are unobtrusively effective. Thouvenin and Guerin-Tillie have a palpable chemistry. They can be playful with each other, but both are passionate, not only in love, but in quarrels. (Both can also sulk, too.)

Unlike the other French coming-of-age movies I've seen in the last few years, there is no frontal male nudity (drat!), no bared female breasts, and no simulated coitus (there's kissing and post-coital bed scenes).

There are trailers for eight other French movies, but no bonus features about this one. The (widescreen) visual and audio transfers are excellent, the subtitles legible and devoid of peculiar grammmatical constructions.

 

Although not breaking new cinematic ground, I can't think of any way the story of these characters, none of whom is one-dimensional, could have been shown. What it is showing parents also seems very valuable, t, though those who most would most gain from watching it are the least likely to undertake a subtitled French tv movie with two young men in love with each other, neither of whom wants to lose his parents.

Watch this movie Here

Watch Over Me (2010)

Watch Over Me (2010)

 

Director: Mysh
Writer: Mysh
Genre: Short movie, Horror 
Country: Israel
Year: 2010
Duration: 14 min

Original title: Shmor Alai (2010)

Stars: Zvika Forman, Davidi Hoffman and Guy Kapulnik

 

 

Ovaj Izraelski kratki horor film nam priča priču o gay vojniku Eitanu, koji je upravo završio specijalnu obuku za tajnu vojnu jedinicu. Nakon završetka obuke sa svojim drugarima izlazi u grad. Po čemu je on poseban pogledajte u ovom filmu.

    

Watch Over Me is a short Israeli film about a gay solider, Eitan, who has just completed his final training in a secret army unit. He's given a night off and taken out by his mates from the unit, to be initiated by his comrades. The two others in his unit are egging him on to deal with a gay man who came into the bar while they were drinking. Hoping to protect the guy, Eitan seeks him out, but when they get to the beach and become passionate the new Eitan emerges. All the descriptions of the film are vague and only allude to the soliders being special. 

See my site about Gay Themed Movies HERE

"Queer as Folk" (2000)

"Queer as Folk" (2000)

Director: Michael DeCarlo, John Fawcett
Scenario: Doug Guinan, Richard Kramer
Genre: Drama
Country: USA, Canada
Year: 2000
Duration: 55 min (83 episodes)
Rating: 8.4/10

Actors: Michelle Clunie, Thea Gill, Gale Harold, Randy Harrison, Scott Lowell, Peter Paige, Hal Sparks, Sharon Gless, Robert Gant, Jack Wetherall

 

 

 

Description:

Poslijednjih nekoliko dana nisam našao neki film za koji bih bio posebno zainteresova.! Možda zbog povećanog stresa na poslu, ne znam tačno, ali ni do seksa mi nije bilo! Znači li to da volim da gledam filmove samo ako mi je i do seksa? Nadam se da nisam baš toliko mnogo prolupao! Sve u svemu neka dobra komedija ili neka srceparajuća španska drama bi mi dobro došla! Izgleda da sam upao u " Žensku fazu"! Nadam se da ću ubrzo opet postati muško!
Dok sam lutao po netu tražeći nešto, a ni sam neznam šta je to, naiđem na nove linkove za Queer as folk. Pošto sam pogledao 1,2,3 i 5. sezonu skinem 4. i Bacim se na gledanje. Malo sam eksperimentisao da vidim kako google prevodi sa engleskog na naš jezik i slatko sam se nasmijao! Nekoliko fraza prevodi na poseban googleovski način. Na primjer:
- would you like to suck my dick? - želite sisati moj kurac?
- how yes no - kako da ne
itd
Nisam znao da se pušenje kaže sisanje. U suštini ispravnije posisati nego popušiti, zar ne?
Četvrta sezona  Queer as Folka je prošla kao tubro folk. Vic je nakon kratkog vremena provedenog sa partnerom svog života umro od posledice srčanog udara. Debi je zaprošena od policajca. Michael i njegov partner Ben razmišljaju kako da davaju savjete svom usvojenom sinu koji je počeo da se zabavlja sa curom, kada nemaju baš iskustva sa ženama. Brian je operisao jedno jaje jer su mu ustanovili da ima rak! Da nebi bio jednojajni, ugradili su mu umjetno jaje , koje izgleda skoro kao pravo. Naravno nikome nije rekao da ide na operaciju. Svi su mislili da ide u Španiju na Ibizu. Čak i Justin.  Lezbijski pad dobija još jednu bebu! (umjetna oplodnja) , a Linda koja glumi tatu oprobava kitu jednog slikara.

Ted prolazi kroz psiho fazu jer je na terapiji odvikavanja od droge. A Emet se upetljao u seks avanturu sa likom koji je naravno str8, a ubadanje u Emetovu guzu smatra zabavom. Ništa strašno da se Emet nije zaljubio u ubadača.
Naravno sve te priče su u ovoj sezoni ispričane sa puno misaonih imenica, dilema i životnih situacija koje su svakodnevnica prosječnog, gay, bi ili lezbijsko orijentirane osobe. Trebam li vam napomenuti da je sex u svim varijantama obavezan u svakoj epizodi?
Ostao mi je upečatljiv lik koji je str8 fudbaler, poznati igrač, omiljem među ženama koji je redovno ubadao Emeta kao dio zabave za njega i njegovu guzu. Lik ima super tijelo, jako dupe, jake noge, simpatičan je, al problem je što nemože da izgovori riječ sa H ( homo ) ili gay. Pa ko bi za njega uopšte rekao da može biti peder?! Uostalom nije se ljubio sa Emetom, samo ga je jebao!
Lik kao da je u seriju upao direkt sa balkana. Takvih sam podosta imao. Jedina greška kod pisca ove serije je što nije znao da kad "STR8" lik prvi put osjeti čari muškog seksa, emotivno potpuno poblentavi i u 99 % slučajeva se zaljubi. U 80% posto slučajeva zavoli da bude i pasivan ili bar to povremeno "proba". Nakon raskida sa prvim, redovno nastavlja da se viđa po parkovima u koje uleti sa kapom na glavi povata se neđe u grmlju i biježi natrag kod žene. Danas je redovan posjetilac internet DATE sajtova.
A Emetova jedina greška je što je otišao na utakmicu da vidi svog miljenika kakav je na terenu! Čim se ugrozi diskrecija na bilo koji način, prekida se svaka romansa. Tako je to na balkanu, nevidim zašto je drugačije i bilo đe drugo!

 

 

The last few days I haven't found any movie what be interesting for me. Perhaps due to the increased stress at work, I do not know exactly, but neither the sex I was not! Does this mean that I like to watch movies only if I'm in the mood for sex? I hope I'm not case for psihiatric hospitay yet! A good comedy or  heartbreaking Spanish drama for  me are welcome! It seems that I', in "woman" mood. I hope I'll be in "MAN" mood again.
During research "something" on the net and even I do not know what it is, I found new links for  Queer as Folk. As I looked at 1st,2nd,3rd and 5th seassons I decided watch  4th season.

The fourth seasson of Queer as Folk went as tubro folk. Vic, Debbie's brother, after short time spent with he's life partner died from the consequences of a heart attack. Policeman ask Debbie for marry. Michael and his partner Ben think  how advice his adopted son who began to play with a girl, they have not  experience with women. Brian has operated one ball because one sucker has found cancer! To avoid to be oneball man, doctors built him an artificial , which looks almost like natural. Of course no one has know for hes surgery. They thought he were tin Spain on islan Ibiza, Justin too.

Ted is going on teraphy group for drug rehabilitation. Emet has sex adventure with  "str8 man"! He's "STR8" becouse sex with Emet is only for fun.
Of course all these stories are told in this season with a lot of dilemmas and life situations for any gay, bi or Lesbian-oriented person. Do you need to mention that the sex of all sizes required in each episode?

One character what I  "like"  is str8 footballer, famous players, loved among women who sometimes fuck Emets ass only for the fun, becouse Hes str8.  The character has a great body, great ass, strong legs, but the problem is that it can't say word with letter  H (homo) or gay. And who would say that he can be a homosexual?  He just fuck Emet, not make love!
This character is in Queer as folk sdirectly from the Balkan. The only fault of the writer of this series is that he didn't  know when "str8" man had first sex with other man and feel the magic of the male touch, in 99% he being in love,  In 80% ,after some time like to be to be bottom, or do that only for "test", After breaking with first love,  regularly continues to be seen in gay parks in the dark, after sex he escape in womans bed. Today is a regular visitor on DATE internet sites.
Emet make one mistake. He went to the game to see hes favorite player is on the ground! As soon as they threaten the discretion in any way, all romance gonne. So this is the Balkans way , not different in any other country.

 

En malas compañías (2000) aka Doors Cut Down

En malas compañías (2000) aka Doors Cut Down

Director: Antonio Hens
Scenario: Antonio Hens
Genre: Comedy, Short
Country: Spain
Year: 2000
Duration: 17 min
Rating: 7.5/10

Actors: Israel Rodríguez, Pablo Puyol, Antonio Álamo, Juan Carlos Rubio, Juanma Lara, Concha Galán, Miguel Zurita, José Manuel Seda, Aníbal Soto, Juan Carlos Villanueva, Manuel Salas, Cuca Escribano, Rafael Salazar, Virginia Pérez, Julio San Juan

Description:

Dobro jutro, odavno nisam ništa pisao po blogu. Razlog nije taj da sam napstio blog nego jednostavno nemam vremena. Kako se primiče ljeto sve više posla imam, a sve manje vremena da gledam filmove. Sa druge strane ništa novo što bi bilo vrijedno komentirati nisam gledao. Zato sam malo vrtio stare filmove koje imam i listao druge blogove i sajtove u potrazi za nečim zanimljivim. Da budem iskren sve sam već ili gledao ili jednostavno ne znam zašto bi neki film stavljao na blog. Mnogi od njih jednostavno nisu gay tematike iako se nalaze po gay tematskim sajtovima.

Za jutros sam vam odabrao jedan kratki film od nekih 17-tak minuta. Film je iz kolekcije Boy Briefs 2 i zanimljiv je za pogledati. Govori o jednom tinejdžeru i njegovom pogledom na ljude oko sebe. On jednostavno zna šta oće, a često uradi i ponešto što neče! Sjećate li se tih vremena, kada ste uvijek gladni seksa i ljubavi trčali od jednog do drugog lika? Najčešća i uobičajena tinejdđerska pojava.
Svestan svog izgleda i privlačnosti vješto manipuliše ljudima oko sebe, sve dok nije nagazio na minu i to u jednom tržnom centru u wc-u. Da bi sve bilo začinjeno o njegovim seksualnim afinitetima saznaju i njegovi roditelji i to od policije. Ipak krv nije voda, koliko god teško bilo prihvatićemo tu realnost i nakon svih ppočetnih muka pokušati da pomognemo rođenom djetetu, zar ne. A ljubavi dodju i prodju, sve dok ne nađemo neku koja nam se uvuče u svaki dio tijela i zauvjek ostane sa nama! Film ima titl na engleskom. Skinite ga OĐE ( baš mi je simpatično napisti to OĐE )

Doors Cut Down (one of the shorts on Boys Briefs 2) is about the adventures of Guillermo, a gay high school slut boy, in the mens room of the Shopping Mall in his neighborhood. Under Today's Laws for Films For and By Abused Homos, Doors Cut Down would end with Guillermo either dying of AIDs or him being beaten to death in a violent gang gay bashing. Fortunately, Doors Cut Down wasn't made by an American Homo, Doors Cut Down ends with Guillermo alive, healthy and happy roller blading through his neighborhood.

Doors Cut Down is one of the few GAY FILMS I've seen that presents a young gay guy as happy and having fun being gay. Guillermo is clearly a slut and a tad irresponsible, however, what young guy, gay or straight, isn't a slut and a tad irresponsible.

There is something very familiar looking about the actor who plays Guillermo, Israel Rodriguez. Israel appears to have done a lot of acting work.

There is a scene in the movie that reminds me of something one of the Bel Ami directors said about making gay adult movies, the directors said that Gay Guys are always harder to work with.

When Guillermo narrates how he picks up men, he says that the Gay Guys are always more difficult. There is a scene of Guillermo and an older Gay Guy and the guy is going on and on about how he doesn't hang out in mens rooms and about how he is looking for a relationship, this scene takes place in a stall in the mens room. Obviously, the Gay Guy comes off looking a tad silly saying that he is looking for a relationship when he is in a toilet stall with a high school kid.

The actor who plays Guillermo is very good, he has a perfect way of conveying being on the prowl without it looking sinister. There is a shot of Guillermo kissing his older boyfriend while simultaneously eying another guy to have sex with that is just too cute for words.

English subtitle Here

Gouttes d'eau sur pierres brûlantes (2000) Aka Water Drops on Burning Rocks

Gouttes d'eau sur pierres brûlantes (2000) Aka Water Drops on Burning Rocks

Director: François Ozon
Scenario: Rainer Werner Fassbinder, François Ozon
Genre: Drama
Country: France
Year: 2000
Duration: 82 min (video version)
Rating: 7.5/10

Actors: Bernard Giraudeau, Malik Zidi, Ludivine Sagnier, Anna Levine

Description:
Moj bivši komšija je stariji čovijek, razveden i ima dvije udate ćerke! Svi u mojoj zgradi su ga voljeli, pa tako i ja! Obožavao sam sa njim da idem na ribanje ili da ujutro trčimo kroz obližnju šumu! Vazda je govorio trčanje održava ne samo tijelo nego i um!
Jednom je došao kod nas doma i reko mi da navijem sat, rano izjutra idemo da vadimo parangale koje je bio ostavio predhodni dan!
Sa razočarenjem sam to jutro vadio parangale, ništa na njima, kao da ih je stavio u kadu, a ne u more. Al dešava se i to!

Kako je kasnije ugrijalo otišli smo na obližnje izletište i tu popili nekoliko piva. Kasnije opet u baraku pa na more. Nakon što smo se okupali ležali smo i liješkarili. Gledao sam ga krišom i divio se kako se čovijek dobro drži. Zategnutog mišićavog tijela izgledao mije privlačnije od mojih vršnjaka! Godine su mu odavale jedino ruke i bore oko očiju! U jednom trenutku se okrenuo na leđa i primjetio sam da mu se kurac digao pa sam se nasmijao! Mrtav ladan ga je uzeo u ruku i pitao me je koliko često ga drkam! rekao sam mu najmanje dva puta na dan! Da ne mogu da zaspem ako ga ne izdrkam! Nasmijao sei rekao kada dodješ u moje godine biće ti dovoljno jednom dnevno!
I sada se nesmijem kada se toga sjetim! Nakon toa smo se ućutali i uživali na suncu. On je i dalje povremeno Mučio svoj onako podeblji kurac ali ja sam se trudio da se pravim da to ne primjećujem!
Prekinuo je tišinu pitajući me jesam li ikada imao seks sa nekim mojim vršnjakom? ja se malo zbunih al mu rekoh da nisam. On reče kada sam bio mlađi često sam sa jednim drugom imao seks! Ja kao zaprepašten rekoh kako bih i ja volio ali da nebih volio da neko pomisli da sam peder!
Ustao je, prišao mi i bez reči me uhvatio za kitu, prvo sledeće što je uradio je da mi je gurnuo kitu u usta! Taman sam počeo da uživam u pušenju, a on me prekine i reče: Ovo ćemo nastaviti neki drugi put! Nikad neznaš kada neko može da naiđe i vidi nas!
Danima sam drkao maštajući da imam seks sa njim, ali mi se nikada više nije ukazala ta prilika! Nedugo zatim je dobio infarkt i više vremena je provodio kod ćerke nego doma! Posjećivao sam ga redovno, a onda sam otišao na fakultet.

Odnos između starijeg muškarca i mlađih ljudi zaista može da bude nešto posebno. Iako najčešće takav odnos ne uključuje seks, vjerujem da ako se to i desi da je to zaista nešto jako, emotivno i strastveno!

Odnos između mladića i sredovječnog muškarca je opisao i Francois Ozon u Water Drops on Burning Rocks 2000. godine. Očito da je i Francois Ozon na neki način pripadnik Fassbinderove škole, ako ni počemu drugome ono po kontroverznosti svojih filmova! Ovaj film je adaptacija Fassbinderovog rukopisa koji je prvenstveno bio namjenjen za pozorišne predstave .

Iako nam film priča o odnosu između mladog i starijeg muškarca, u cjelu priču se ubacuju i dvije žene, takođe znatne generacijske razlike.
Zanimljivo je mi je bilo gledati dijaloge medju njima i vidjti koliko godine i iskustvo utiču na ponašanje ljudi i omogučavaju kompletnu kontrolu nad sopstvenim emocijama! POnekad i nad tuđim!

Inače slatko sam se nasmijao gledajući jednu scenu kada stari jebe jednu tek stasalu ribicu i ispituje je kako je, voli li svoj posao, kako se snalazi u njeu i slično. Ona jaše na njega i odgovara mu na pitanja.
Podsjetilo me na jednog isto starijeg lika koji me ispitivao šta ću da radim za vikend? kako mi je brat i kada ću da idemkod njega i slično, pri čemu nije prestajao da me jebe, sve dok u jednom momentu nisam više mogao izgovoriti ništa više od nekoliko samoglasnika!

By DAVID STRATTON

A Fidelite Prods./Les Films Alain Sarde production, in association with Euro Sage. (International sales: Roissy Films-Celluloid Dreams, Paris.) Produced by Marc Missonier. Co-producer, Kenzo Horikoshi. Directed, written by Francois Ozon, based on the play "Tropfen auf heisse Steine" by Rainer Werner Fassbinder.

Leopold ..... Bernard Giraudeau
Franz ..... Malick Zidi
Anna ..... Ludivine Sagnier
Vera ..... Anna Thompson

With his third feature, after "Sitcom" (1998) and "Criminal Lovers" (1999), Francois Ozon enters fascinating territory. This adaptation of a play written by German auteur Rainer Werner Fassbinder when he was 19 years old, never performed in his lifetime and never filmed till now, represents a haunting return to the themes and concerns of one of the most influential film and theater directors of the '70s. Specialized theatrical distribution is likely for this perverse study in sexual game-playing, with plenty of ancillary action as well.

Fassbinder fans will especially be delighted with Ozon's tribute to the director (who died in 1982); "Water Drops on Burning Rocks" is directed much like a middle-period Fassbinder film, with the action confined to the apartment of the central character (not a single exterior shot) and the camera unblinkingly recording the action head-on. The deadpan humor, also typical of Fassbinder, has been faithfully reproduced here, the only minor incongruity being the casting of French actors as these quintessential German characters.

The scene-setting opening credits are printed over delightfully cheesy, garishly colored picture postcard images of German cities in the early '70s. Ozon has kept to a theatrical structure, dividing the film into four acts, the first of which begins with the arrival of Leopold (Bernard Giraudeau), a 50-ish insurance salesman, and his pickup, 20-year-old Franz (Malick Zidi) at Leopold's apartment. Franz, who is naive but not that naive, was on his way to meet his fiancee, Anna, when he allowed himself to be picked up by the older man. The getting-to-know-you scene that follows is beautifully written and acted, and ends with Leopold instructing the young man to disrobe and wait for him in the bedroom.

Act two takes up the story six months later, with Franz now completely at home in his lover's apartment, where he's lived ever since their meeting. But the sensitive young man, who is interested in literature and other arts, is increasingly at odds with the mercurial, demanding Leopold, who goes away on long trips and, upon return, is often irritable to the point of being impossible. Still, the relationship endures, at least for the time being.

In act three, the abandoned Anna (Ludivine Sagnier) shows up while Leopold is away; beautiful, assertive and determined, she soon has Franz in bed with her and is delighted to experience the new techniques he's learned from Leopold. When Leopold returns unexpectedly, and then Vera (Anna Thompson), Leopold's transsexual ex-lover, also turns up, the stage is set for some complex power-shifting and sexual game-playing --- all of which is amusing for a while but which concludes tragically.

One of the most fascinating elements here is the teenage Fassbinder's astuteness about sexual one-upmanship and the shifting of power from one partner to another. One may speculate why the play was never performed during his lifetime; perhaps the character of Franz was too close to that of the author.

It goes without saying that the material wouldn't work without a strong cast, and here Ozon's casting comes up trumps. Giraudeau is perfect as the jaded, urbane, fatally charming Leopold, while Zidi, in only his second film, conveys both the innocence and the tenacity of young Franz with considerable assurance. Another relative newcomer, Sagnier is a knockout as the beautiful, seemingly innocent Anna, who learns a powerful lesson about the importance of good sex. In an off-the-wall but successful piece of casting, Yank Thompson provides a strong presence in the strange role of Vera, who is the focus of attention at pic's climax.

Ozon's direction respects the theatrical nature of the piece but is sufficiently cinematic to lift the film from its stage origins. A highlight in the mostly funny fourth act is a scene in which all four protagonists suddenly launch into an impromptu dance ensemble. Technical credits are all first-rate.

Camera (color), Jeanne Lapoirie; editor, Laurence Bawedin; production designer, Arnaud de Moleron; costume designer, Pascaline Chavanne; sound (Dolby digital/DTS), Eric Devulder; assistant director , Hubert Bardin. Reviewed at Berlin Film Festival (competing), Feb. 13, 2000. Running time: 85 MIN.