I Kissed a Girl (2015)
"Toute premiere fois" (original title)
Directors: Maxime Govare, Noémie Saglio
Writers: Maxime Govare (screenplay), Noémie Saglio (screenplay)
Genre: Comedy
Country: France
Language: French
Duration: 98 min
Year: 2015
Stars: Pio Marmai, Franck Gastambide, Adrianna Gradzie, Lannick Gautry, Camille Cottin
Mladić imenom Jeremie jednoga se jutra budi pokraj zgodne šveđanke, zbunjen i u nevjerici, jer mu se tako nešto prvi puta dogodilo...
Jeremie naizgled ima sve u životu, lijepog i zgodnog budućeg supruga Antoinea, najboljeg prijatelja sa kojim radi u zajedničkoj firmi i porodicu koja ga podržava. Ali nakon jednog zbunjujućeg seksa u njegov život ulazi i prelijepa djevojka po imenu Adna (Adrianna Gradziel).
Kako nju uklopiti u svu tu priču i šta će se dalje dogoditi pogledajte u ovoj smješnoj komediji koja ide u suprotnom smjeru od onoga na šta smo inače naviknuli.
Nije rijedak slučaj da gej zaluta u krevet sa nekom ženom. To su obično trenuci kojih se ponosni gej nerado sjeća. Ali šta ako vam se to dopadne? Još ako se i zaljubite u curu na koju vam se tak savršeno diže kita, onda je to zabrinjavajuća stvar.
Naravno za potrebe ove priče dešavaju se stvari koje u svakodnevnom životu baš i nisu realne. Ako ste u desetogosišnjoj vezi sa muškarcem i pri tome nikada u životu niste imali seks sa ženom, skoro je nemoguće da se nakon jednog slučajnog seksa sa prelijepom curom zaljubite do te mjere da vas muškarci više ne privlače. Ali ako zanemarimo ovu glupost siguran sam da će te se nasmijati gledajući ovu komediju.
Waking up in an unknown apartment, next to a beautiful and charming Swedish woman could be the beginning of a perfect love story.
But maybe not for Jérémie (Pio Marmai, A Happy Event), who thought his life was already perfect, and was even about to get married—to his boyfriend.
Jérémie seems to have everything in life, a loving relationship of ten years, a caring and supportive family, and a crazy ladies-man best friend.
Yet his spontaneous meeting with the honest and funny Adna (newcomer Adrianna Gradziel) turns everything upside down. Charming Pio Marmai gives an endearing interpretation of a man upset in his certainties, and co-directors and scriptwriters Noémie Saglio and Maxime Govare show off their talent for comic situations and biting dialogue in their debut feature. In this light and sentimental comedy, the question of “coming back in” when you already thought you came out sets the scene for a hilarious mixing of clichés.
The film is a journey of two brothers, Danny (16 years old) and Odysseus (18 years old), who want to find their father. On their journey, the audiences will find the beauty of crystal clear love between brothers who just have a common goal of protecting each other, the always-seemed-to-appear-at-the-end love of human when contexts just make them stick together, and the undeniable power of time which reveals any truth as always implied in the saying: "what you sow you shall reap". However, the film does not push into that extreme but gives the audience a relaxed with smiling faces in some moments, not because it is pure humour, but because the pure truthful contents makes them smile satisfactorily.
Danny is a gay and kind of a naughty boy. But he is not naughty in a criminal and spoiled way. He is just childish and want to follow his dream, the dream of seeing his father who abandoned him and his brother long time ago. When his mother died, Danny is more motivated to find Odysseus and pushes him to seek the truth he has always wanted to. Doubtless, their journey is like an adventurous trip when they have little money and hardly any one to count on. Even if they do, things are just not easy for them because the nature of Danny is free and curious when Odysseus has his own dreams and determined. However, the love of Odysseus is a big love of brotherhood, and that makes Danny mature and this character evolves his action in a miraculous way.
In the end, Danny and Odysseus indeed finds their father. However, at that time, what is important? Or more exactly, what will be more imporant when their only purpose has been obtained? In an ironic but marvellous way, finding their father turns out to be a phrase in which audiences see as a theme for the developing pure love between brothers. Their father, as Odysseus said: "Maybe", is a reason, a motivation through which the boys have to take risks to see what their life is going to be…
Tom at the Farm (2013) 
From the beginning of the film, viewers will witness a man named Tom who came to the funeral of someone. Bit by bit we understand that was the funeral of a man named Guillaume who Tom had a vauge relationship with. Things are more weird when one night Tom was threatened by Guillaume's brother, Francis, and viewers became more and more irritated and curious to find out what roles of Francis and Tom are exactly and why Guillaume and Francis' mother seems to be such an incomprehensible woman.
Watching the film, viewers will be thrilled by the paradox and obstacle of one life in his own thought. Life is full of lies. People often define them as white lies to make things less serious and repairable, but do they know they are just 'darker', more dangerous to others and even themselves when they cannot escape from their tragedy of having to keep something that they think they should. The film is an objective reflection of what humans may seem to be and what they really are. However, the film also sheds light on the long-lasting truth that there is no pure evil and complete kindness. The question lies in how much evilness one may turn to and in what aspects may one find the goodness in others.
In a thousand times they ask what they should do. In a million times they think and answer that they do not know. In the film, Tom does not ask but he acts. He does think but his action reveals to us that there is always a paradox of emotions, feelings and people often use force to suppress their loneliness, just to make things harder and more painful. 
Throughout the film, every character is so real, so truthful, so artistic, not in the words they say but in the eyes the audiences may observe. Their actions are the directs results of a very long battle of their mind and their heart, of what they should do and can do, of what choices they think they have in such a sarcastic situation. The film builds an objective reflection of truth and lies, of happiness and sorrow, of violence and tenderness, both in a physcial and emotional way.
OVO (2012)
A Little Comfort (2004) 
All you romantics out there can take your own little comfort in this great short feature. It's one that can make us all feel young again (oh, gosh, do we really want that?).
A Song of Love (1950)
Director: Jean Genet
Writer: Jean Genet
Genre: Short movie
Country: France
Year: 1950
Duration: 26 min
Stars: André Reybaz, Java, Coco Le Martiniquais
Un chant d'amour ("Ljubavna pjesma") jedini je film francuskog pisca Jeana Geneta, a on ga je režirao 1950. godine. Film je smatran kontroverznim zbog eksplicitnog prikazivanja homoseksualnosti te ga se sam Genet "odrekao".
Radnja je smještena u francuski zatvor, gdje jedan čuvar uživa promatrajući zatvorenike. U jednoj je ćeliji čovjek koji izgleda kao prosječni Alžirac, a u susjednoj neočit mladić od otprilike 20 godina. Stariji je muškarac zaljubljen u mladića, što pokazuje dijeleći dim cigarete s njim kroz slamku.
Nakon što čuvar to primijeti, on ulazi u ćeliju "Alžirca" i istuče ga, a nakon toga natjera "Alžirca" da stavi njegov pištolj u svoja usta.
"My favorite movie male-on-male love scene is one in which the male couple are separated by a cell wall but brought together by a straw and a shared lungful of smoke. Is this is a bad sign? Jean Genet's Un Chant D'Amour, his only movie, is set, of course, in a prison. A middle-aged prisoner knocks on his cell wall, frantically trying to attract the attention of his younger neighbor, who is dancing with himself in a dirty vest with a face as tender as it is tough. The old lag lights a cigarette, inserts a straw through a tiny hole, and blows smoke through it into the next cell. After studiously feigning disinterest, the young brute finally kneels at the wall, closed-eyed and open-mouthed, and receives the billowingn white smoke. It's a great, exquisitely poetic representation of the impossibility of romance—and even desire itself. To paraphrase Joni Mitchell, I've looked at glory holes from both sides now, from blower and inhaler, from younger and older, and still it's glory holes' illusions I recall."
— Mark Simpson, writer, Metrosexy
SPASIBO (2012)
SPASIBO is a short-film made in reaction to the homophobic law in Russia, which came into force the 17 of march 2012 in Saint Petersbourg. Today, the law is extended on the entire Russia. 
Holiday Camp (2010) "En colo" (original title)
Even with a nugget of a plot that runs also like a well-tuned mechanism of clichés, this short strikes home. It's summer, it's camping, it's adolescence playing "Truth or Dare?" As everybody remembers the perennial dare and kiss a same-sexed (uneasy) friend is acted-out. Some insistence on the kiss attracts the expected stupid comments of adolescence starting out. But with the intervention of the superintendent more than three and in less than six minutes admit their sexuality, as summer heads back home. This little short, intended as part of a collection against homophobia, addresses mostly adolescents, and with the axis put upon the mostly effeminate image one expects from gayness, to the detriment, actually, of "virile" boys at a loss to admit their feelings. Thankfully, in this short the boy that expresses his not-so-repressed feelings, does not pass through an ugly scene of the usual bullying. This role is quasi-reserved for a girl; but instead of exemplifying any sense of misogyny, Vincent, the director, shows with a keen sense the antagonism between adolescents in just three strokes, an antagonism more fully depicted to excellent results in his sulfurous pastoral "Give me your hand".
Men For Sale (2008)
Nothing New (2008– ) 
A victory for Syred Pictures:
Stranger by the Lake (2013)"L'inconnu du lac" (original title)
Stranac pored jezera ( Stranger by lake) je francuski thriler u režiji Alain Guiraudie koji je na Kanskom festivalu 2013 dobio nagradu za režiju. Film je osvojio i Queer Palm nagradu, a takođe je prikazivan i na Toronto International Film Festivalu 2013. god.
Nemojte se samo sunčati i kupati nego malo prošetajte okolo plaže, a posebno predlažem da obiđete zaklonjenija mjesta, šumarke, udaljene uvalice i slično. 
Svaki dan uredno polaže svoj bijeli peškir na plaži osmatrajući koga sve ima u okolici i pažljivo odmjeravajući one malobrojne sa kojima nije imao seks.Upoznaje Henrija, sredovječnog polu geja koji se nikada ne skida i uvjek je udaljen od ostalih nudista. Henri ga uvjek zove na piće ili na večeru ali Frenku izgleda nije do druženja sa nekim ko ga seksualno ne privlači. 
Takođe upoznaje i Mišela, zgodnog muškarca srednjih godina koji djeluje baš onako muški i pomalo opasno. Naravno to je samo maska jer univerzalni Mišel obožava da se nabija na kurac kako bi povremeno razradio mušku dlakavu pičkicu.
Mišel na plaži ima i sex partnera tj. dečka sa kojim se redovno prca u okolnoj šumi.
Sledeći dan Frank se susreće sa Mišelom na plaži i pravi se da ne zna šta se desilo predhodni dan. Nakon kratog razgovora završe u šumici iznad plaže gdje su uredno napunili jedan drugome guzice dok ih je jedan drkadžija posmatrao. Rodila se naravno ljubav jer seks je bio savršen. ( kod pedera seks je glavni pokazatelj zaljubljenosti:) U ovom slučaju Frenk je taj koji zove na piće i večeru, a Mišel kako to pederska pravila zahtjevaju odbija.
Šalim se naravno oko ove zaljubljenosti ali definitivno je kod promiskuitetnih pedera pravilo da sa osobom koja služi za seksualne igrice nikada ne idu na piće i da se ujutro nikada ne probude pored upotrebljenog kurca. Kod gejeva je to ipak malo drugačije, ali u suštini ponašanje je slično. 
Mene je ovaj film podsjetio na jedan događaj na nudističkoj plaži na Crvenoj Glavici. Bio je jedan čiča koji je tamo svakodnevno dolazio i kupao se na dijelu plaže na kom se ne kupaju pederi. Neke postarije gospođe su mu ponekad pravile društvo ali uglavnom je bio sam. Kako sam se početkom ljeta kupao baš na tom mjestu, a vikende provodio u obližnjem kampu mogao sam ga krišom posmatrati. Bio mi je zanimljiv način na koji komunicira sa ostalim ljudima na plaži i kako je potpuno opušten i prirodan. Iako je imao skoro 60 godina bio mi je privlačan. 
During the summer, on the edge of a lake surrounded by hills and forests and far from any houses, several male bathers, mostly naturists and gay, come to sunbathe. The woods behind the beach are a place where fleeting sexual encounters take place in a promiscuous atmosphere. Each day, Franck lays his towel on the white stony beach where he gets to know Henri (whose wife has just left him) and also Michel, a good-looking man to whom he is immediately attracted. But Michel is a murderer as Franck soon finds out when one evening, from the woods which overlook the lake, he spots him drowning Pascal, his current partner. Upset and afraid but also completely under the spell of the murderer, Franck keeps what he has seen a secret, becoming an accomplice to the man he desires. He soon gives in to his advances and falls passionately in love with him, yet all the while hiding his fear in case his lover should realise that he knows exactly what he did.
Two days later, the body of the drowned man is discovered and identified. His death is considered suspicious bringing a police inspector to the scene who interrogates Franck and Michel shortly after. Franck continues to protect Michel by stating that he didn't see anything unusual on the evening the man drowned. As the inspector continues his investigation, Franck and Michel's relationship progresses, even as Franck becomes increasingly frustrated by Michel's refusal to meet him anywhere other than at the beach. Henri, with whom Franck has built up an entirely platonic relationship so far, has an intuitive understanding of what has happened over the past few days, and warns Franck about Michel: "In your shoes, I would be very scared!" Franck is afraid of course, but when his psychopathic lover arrives during the discussion, he leaves Henri for Michel and sits down next to him further along the beach.
Later on, Franck goes swimming far from shore. Henri, making the most of Franck's absence, goes to see Michel and tells him he's convinced that the recent drowning wasn't an accident, that he has realised that Michel was the killer, and that the inspector will identify the murderer sooner or later. He looks at Michel knowingly and mockingly, then stands up and says he's going to go for a walk in the woods. As he enters the woods, he casts a glance back at Michel.
Franck who is still swimming in the lake, turns around suddenly towards the beach: Michel has disappeared and Henri too. Elsewhere the beach is now deserted. Overcome with a bad feeling, Franck swims back to the beach and hastens into the woods. He sees Michel leaving a leafy bush behind which he finds Henri dying and covered in blood: Michel has slit his throat. Franck takes off his tee-shirt and tries to stop the bleeding but Henri makes him understand that it's too late and that he got what he was looking for. With Henri dead, Franck is terrified and runs off into the woods to hide. Michel follows him and chances upon the inspector, who he hits violently and stabs in the stomach with a knife. Night falls and Franck remains crouched behind a bush from where he can see the killer walk past time and again just a few yards away from him, looking for him and calling for him to show himself and saying that he needs him, needs his love and that he wants to spend the night with him. Finally, Michel goes away to look for him further in the woods: the danger seems to have passed, so Franck finally stands up and calls his lover's name, with no reply. He waits in the darkness, overcome with fear and his heart beating fast, looking into the woods and the silence.
Far West (2003)
Director: Pascal-Alex Vincent
Writers: Paul Raoux, Pascal-Alex Vincent
Genre: Short movie
Country: France
Language: French ( with english subtitle)
Duration: 17 min
Year: 2003
Stars: Julien Gauthier, Jean Haas and Gilles Guillain
Eric je momak koji radije živi u gradu gdje otvoreno može iskazati svoju seksualnost, nego na selu iz kojeg je otišao sa majkom nakon osnovne škole.
Ne rado odlazi na selo da obiđe đeda na sedam dana, po majčinoj želji. Po dolasku se pokušava prilagoditi seoskom imidžu farmera. Đed ga sumljičavo gleda kao gradskog mekušca, dok farmer koji tu radi samo ćuti.
Medjutim stvari se rapidno mjenjaju kada njegovi prijatelji nenajavljeno dođu u posjetu.
Erik is used to living the city life where he can express his sexuality openly. However he’s sent to stay with his grandfather, with a couple of his camp friends tagging along. Erik’s granddad doesn’t seem impressed with his ‘soft’ grandson, and merely look at his friends with bemusement. However as time passes both sides show that by opening up there’s more to both of them than meets the eye. While a little bit silly at times and occasionally needlessly oblique (but then, it is French), it can’t hide the film’s relatively simple but strong central message. There is a slight condescension towards rural people though, that the film unfortunately never really deals with.
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