Showing posts with label Xavier Dolan. Show all posts
Showing posts with label Xavier Dolan. Show all posts

01 July 2015

Tom at the Farm (2013)

Tom at the Farm (2013)
"Tom a la ferme" (original title)


Director: Xavier Dolan
Writer: Xavier Dolan, Michel Marc Bouchard
Genre: Drama, Thriller
Country: Canada, France
Language: French
Duration: 102 min
Year: 2013

Site: Facebook


Stars: Xavier Dolan, Pierre-Yves Cardinal, Lise Roy





It has been a long time since I watched such an intense film like this. Actually, to me, it is the most thrilling gay film until now I have ever watched.
From the beginning of the film, viewers will witness a man named Tom who came to the funeral of someone. Bit by bit we understand that was the funeral of a man named Guillaume who Tom had a vauge relationship with. Things are more weird when one night Tom was threatened by Guillaume's brother, Francis, and viewers became more and more irritated and curious to find out what roles of Francis and Tom are exactly and why Guillaume and Francis' mother seems to be such an incomprehensible woman.
 
Watching the film, viewers will be thrilled by the paradox and obstacle of one life in his own thought. Life is full of lies. People often define them as white lies to make things less serious and repairable, but do they know they are just 'darker', more dangerous to others and even themselves when they cannot escape from their tragedy of having to keep something that they think they should. The film is an objective reflection of what humans may seem to be and what they really are. However, the film also sheds light on the long-lasting truth that there is no pure evil and complete kindness. The question lies in how much evilness one may turn to and in what aspects may one find the goodness in others.

In the end, when acceptance no longer exists and even tolerance does not remain any more, people have to take steps, but those steps, again in an ironical way, may or may not lead to what they forecast.

In a thousand times they ask what they should do. In a million times they think and answer that they do not know. In the film, Tom does not ask but he acts. He does think but his action reveals to us that there is always a paradox of emotions, feelings and people often use force to suppress their loneliness, just to make things harder and more painful.

Throughout the film, every character is so real, so truthful, so artistic, not in the words they say but in the eyes the audiences may observe. Their actions are the directs results of a very long battle of their mind and their heart, of what they should do and can do, of what choices they think they have in such a sarcastic situation. The film builds an objective reflection of truth and lies, of happiness and sorrow, of violence and tenderness, both in a physcial and emotional way.
In my own opinion, those who have experieced similar contexts will find their own thoughts in the characters', and those who want to love and treasure the love towards human and life, they should watch this film, just to understand the paradox of human life, both in their actions and thinking.

Review by feliht on Orvel.me









06 January 2013

Laurence Anyways (2012)


Laurence Anyways (2012)


Director: Xavier Dolan
Writer: Xavier Dolan 
Genre: Drama, Romance 
Country: Canada, France 
Language: French ( with eng. and spanish subs) 
Duration: 168 min 
Year: 2012

Stars: Melvil Poupaud, Suzanne Clément and Nathalie Baye





Xavier Dolan, Anyways!, 4 December 2012


Author: Zahraa Ahmed from Saudi ( IMDB)
 
Fist of all, I should tell ya that I never been excited to watch a movie for a really long time; you know that excitement when you watch the trailer over 10 times in a row. yeah, I got excited this much to watch Laurence Anyways. and as a Xavier Dolan's huge fan that makes me know for sure that this movie is gonna be a pure art. and I don't even really care that much about directors. but DAMN! Xavier Dolan is the perfect man. No, I really mean it. he's gorgeous and talented in so many ways. Although all of the films he directs are about homosexuality, but what the heck! sometimes I hesitate to recommend any of his films to people I know cause I fear they might be narrow minded about all of the homosexuality stuff. Personally, I wouldn't mind watching a Xavier Dolan's film everyday and I'd still enjoy it as if it was the first time I watch it. I killed my mother, heartbeats, and now laurence anyways.
Laurence Anyways is almost 3hrs long. I thought I'd be bored. but somehow, something kept me watching. maybe it's wanting to know how the story ends. or maybe it's the great soundtrack, or the scenes that feed your soul visually. I mean really, why bother going to a photo gallery or a concert or whatsoever when you can simply watch Laurence Anyways or any film of Dolan's, and you'll find everything you love combined together beautifully. maybe I'm just exaggerating but that's because I'm this amazed.
At first, I thought Laurence and his girlfriend weren't' good looking enough, but anyone who watches this film will absolutely fall in love with every single character in the film. and somehow you'll find them extremely beautiful because you just feel their passion and stuff.

When I posted on twitter that I'm so excited to watch it. my friend replied saying, "it's a bold movie." well, I don't know how dirty films like the hangover are okay to watch and a masterpiece like this is "bold"! One thing I noticed about Xavier's Dolan films, is that he tries not to show us nude scenes, cause it ain't pretty. nobody wants to see butts or whatsoever, well, maybe perverts want to, but that's not the point. that is to say, even sex scenes are somehow beautiful and amazing, like the sex scene in 'I killed my mother' with all the painting and the sad sex desperate sex scenes in 'heartbeats'. you can clearly understand what Dolan is implying. In Laurence Anyways, Dolan portrays the relationship between Laurence and his girlfriend as a happy couple who are madly in love with each other, before they gradually collapse. What I'm truing to say here is that Dolan never fails at impressing his audience.
The soundtrack was painfully amazing, as always. the film stats with a song by 'fever ray' which made me realize that Dolan is a fan of this band. yeah? you remember the scene in the woods in 'heartbeats'? No? Okay. I swear if I had to steal one thing from Xavie Dolan it'd be his ipod or iphone or whatsoever. the man has an amazing taste in music.
When I done watching this film, I realized that 3 hours weren't enough. I wouldn't mind if it was 10 hours long or a series with a thousand seasons. it's just pure perfection. you know when you watch a perfect film that is so perfect to the extent that you wouldn't mind if it ends after only 5 minutes or in the middle of it because it's so perfect, and whatever the end is it'd still be great and perfect. yeah, Laurence Anyways is one of those films. and I'm still happy and impressed with the ending scene. the song was oh-my-god amazing. it's like it came into my soul and said hi and settled there. I can never get bored watching the ending scene; so simple yet perfect.


And before I forget, I love the almost 5 seconds Xavier appeared in the party scene. yeah keep it up babes.
In short, Laurence Anyways is 3 hours long, BUT, it's 3 hours of love, joy, regrets, tears, emotions, passion, and XAVIER DOLAN'S PERFECTION. Go watch it! and if you watch it and hate it then I'll hate you back.



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22 September 2012

Heartbeats (2010)

coverHeartbeats (2010)
Les amours imaginaires (original title)


Director: Xavier Dolan
Writer: Xavier Dolan (scenario & dialogue)
Genre: Drama, Romance Country: Canada Language: French ( with multi - Subs) Year: 2010
Duration: 95 min
Stars: Xavier Dolan, Monia Chokri and Niels Schneider






Oceni.RS
2Ovo ostvarenje je zimus (2010.) otvorilo FAF (Festival Autorskog Filma) - ne bez razloga. Film ˝Umišljene ljubavi mladog francuskog režisera Xavier Dolana, koji i glumi u istom, a ima samo 20 godina, je zaista remek delo o zabludama i iluzijama koje sami gradimo o eventualno romantičnom odnosu neke posebne osobe prema nama. I to bez njenog direktnog involviranja ili uticaja činjenica iz spoljašnjeg sveta koje prete da tu izgradjenu kulu iluzija sruše… A sve u interesu da se teorija (kako nam osoba koju mislimo da volimo uzvraca bespostednu ljubav) odrzi.

5On je homoseksualac dok je ona heteroseksualna. Najbolji su prijatelji i zaljubljuju se u istog momka izuzetne lepote, Mikelanđelovog ˝Davida˝, vedrog i opuštenog dečka koji samo želi da se druži. U jednom trenutku dolazi do neminovnog konflikta između dotadasnjih prijatelja, tacnije- tuče pred njihovom muzom i predmetom obožavanja…
Film odlično oslikava izmenjenu svest čoveka koji je zaljubljen i njegove subjektivnosti i idealizaciju objekta u koji je zaljubljen, kao i stanja u kome se ljudsko biće nađe kada shvati da je kula koju je izgradio - od peska, jer nema temelja u realnosti…
Muzika iz filma je odlična i savršeno prati trenutna osećanja u kojima se akteri filma nalaze. Jednostavno kao da ste otišli na veče savršene poezije, ovo je dokaz da je film i u 21. veku sedma umetnost˝!
Ukoliko neko ne voli umetnički film i filmove u kojima se nalaze homoseksualno orijentisani pojedinci možda će mu to zasmetati.
Film ima i naš titl  odabirom na dugme CC!


VARIETY.COM 
By ROB NELSON
8Aiming to be a Quebecois "Jules and Jim" by way of Wong Kar Wai, Xavier Dolan's gorgeous, mushy "Heartbeats" is instead simply a classic example of style over substance. But as looks can often be a heartbreaker's chief attribute, Dolan's googly-eyed two-guys-and-a-girl romantic comedy (the follow-up to his precocious fest hit "I Killed My Mother") does prove an alluring companion for most of its running time. Splashy colors, oddball framing, super-cool threads and cranked-up retro music supply the pic's bizarre love triangle with a dance-club atmosphere that'll seduce young auds of most any orientation. Distributors, too, shall swoon.
Less boldly eccentric and more familiar than "Mother," "Heartbeats" finds writer-director-actor Dolan overcoming the sophomore slump by courting a wider audience. At regular intervals throughout his tale of two friends in love with the same cruelly elusive guy, Dolan drops in faux-documentary interviews with other pretty young things holding forth on the modern universals of heartbreak -- thwarted desire, missed connections, agonizing e-mail breakups, etc.
7Following an introductory batch of such comically pained testimonies, Dolan, with great visual economy and flair, establishes that Nicolas (Niels Schneider), newly arrived in Montreal from parts unknown (perhaps a fashion shoot), is drop-dead beautiful, and that Marie (Monia Chokri) and Francis (Dolan) will be the ones doing the dropping. Instantly and bitchily competitive with one another for Nic's scant attention, the pals separately scramble to make use of rare intel on their crush's likes and dislikes, with his rating on the Kinsey scale accepted by both as malleable.
For his part, the director hardly makes a secret of his own preferences. An early bedroom scene between bored Marie and an unfulfilling male partner is bathed in red light a la Godard's "Contempt." Periodically, Dolan's camera trails behind Marie in a form-fitting dress as she sashays in slo-mo to the beat of a violin-heavy version of "Bang Bang," the thick Wong-ian influence falling somewhere between plagiarism and homage.
22As in "Mother," Dolan takes a playful approach to pained relationships until such time as pain wins out. For more than an hour, neither Francis nor Marie seems much ahead in the race to unzip Nic's fly, which threatens to turn the object of desire -- if not "Heartbeats" itself -- into an unforgivable tease. Eventually, the trio's ill-advised camping trip shifts the romantic weight in a way that allows Dolan to bring his movie over the finish line, but not before several tacked-on endings.
The three leads don't often have much to do besides look hot and hopelessly romantic, but they do it well (Dolan sporting a perpetual frown and an Elvis-esque do, Chokri making like Maggie Cheung in "In the Mood for Love" and Schneider with curly blond bangs that flop over his eyes, the better to characterize Nic as inscrutable).
In his second film, Dolan continues to flaunt a fabulously tactile sense of color, shape and texture; one feels the director is trying to make every shot as vivid and engrossing as possible. Indeed, in purely technical terms, "Heartbeats" -- edited, art-directed, and costume designed by Dolan himself -- is no small triumph, particularly given the production's tiny scale.

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