The Sea In Your Eyes (2006)
Director: Aaron Salles Torres (as Aaron Sallfertorr)
Writer: Aaron Salles Torres (as Aaron Sallfertorr)
Genre: Short movie
Country: USA
Language: English
Duration: 27 min
Year: 2006
Stars: Kathleen Lawlor, Brekk Bailey, Brandon Anthony
Full short film by Aaron Salles Torres. The Sea In Your Eyes is the story of a mother-son relationship damaged by the loss of the father figure. Ella is unhappy. She has lost a husband years ago and is not satisfied with her present life. She has a son from her first marriage, Brian, and for years she unconsciously hoped he would replace her deceased companion. Brian always tried to please his mother and to be as much like her idealized memories of his father as he could. Something mysterious has happened, however, and Ella and Brian have not exchanged a word for years. But they still meet on one yearly occasion, the dinner party Ella gives to commemorate her birthday. This years dinner party is special because it is centered on a pivotal argument that will reveal the foundations of Brian and Ella's relationship.
The Sea In Your Eyes (2006) from Aaron Salles Torres on Vimeo.
Into It (2006)
(105 votes)
Angora Ranch (2006)
First off, it seems that Tim Jones, the executive producer and a actor in this film, passed away in August of 2006. May he rest in peace, and thank you for having made the film. Critiques are fine, but I also want to point out that, regardless of constructive criticism, that these people made the film at ALL puts them a far sight ahead of most people. Congrats and cudos to the entire cast & crew! 
Boy Culture is a 2006 LGBT film adaptation of the 1995 novel by Matthew Rettenmund. It made its world premiere in the United Kingdom at the London Lesbian and Gay Film Festival on April 1, 2006, and made its debut in the United States at the Tribeca Film Festival on April 26, 2006. It subsequently received a theatrical release in France on January 31, 2007, a very limited theatrical release in the United States on March 23, 2007, and in Spain on June 8, 2007. It was released on DVD-Video on August 14, 2007.
The story remains the same as the novel, about a man (Derek Magyar) who goes by only the letter "X" to maintain his anonymity and relationships between his two roommates (Stephens and Trent) - one of whom he's in love with - and an enigmatic older client (Patrick Bauchau) who challenges him to find his heart before he will consent to sex.
Cut Sleeve Boys (2006)
Ovaj prilicno stupidno napravljen film jedva da bi ubacio na englesku verziju bloga da nije i pored lošeg scenarija i par redateljskih reklo bi se amaterskih grešaka na neki način ipak poučan za današnju Cut and Out omladinu koja se posvetila životnoj šetnji iz jednog u drugi krevet. Na stranu ću za sada staviti potrebu mladih gay-ovaca za seksualnim pražnjenjem. Predpstaviću i da svi danas koriste kondome bez razmišljanja o tome da li to treba ili ne. Ono što mene lično čudi je to da kada na kraju zatvore krug i teško mogu da pronađu nečiji krevet u koji nisu uskočili i dalje grozničavo traže nekog novog "tipa" 
razbili tremu brzo smo se opustili i dopuštali sebi stvari koje nikad prije nismo! Ljubili se sa nekim likovima po ćoškovima kafića, prepipkavali gayovce gdje smo god stigli i smijali se ko budale. 
Cut Sleeve BoysCut Sleeve Boys, directed by Ray Yeung, begins with a title explaining the origin of the term “cut sleeve boys” from the time when a bisexual emperor wanted to get out of bed without disturbing his cuddling male concubine, so he cut the sleeve of the latter’s garment in order to rise from bed, leaving his boyfriend still asleep. The term, in other words, is equivalent to “gay.” The first scenes portray the death of a good-looking Chinese guy, Gavin Chan (played by Mark Hampton), presumably from ejaculating immediately after ingesting amyl nitrate, and the funeral, where the two principal characters are introduced. Ashley Wang (played by Chowee Leow) and Mel Shu 
(played by Steven Lim) are good-looking twentysomething Chinese residents of London afflicted with “bitchy queen” attitudes because they have not found love, having moved to England from Asia to advance their careers as well as to find fulfillment in the arms of British gays. Ashley regularly swishes and, at home, wears feminine clothes. Mel has built a wall around himself so that he can only have tricks, not love, and reverts to a catty demeanor while with Ashley. Both are obsessed with what they wear and what they look like; their personalities are hollow. One day, Todd Charrington (played by Gareth Rhys Davis) knocks on Mel’s door, having left home in Wales. Mel had promised to put him up if he ever left home, so Todd expects to be greeted accordingly. However, Mel is quite cold 
to him, though he relents and allows Todd to stay a few days. Meanwhile, Mel insists on the virtues of an open relationship, but fails to attract anyone at the gym, while Todd gets attention, goes out with a muscular guy, and returns to lie that there was an orgy instead of one-to-one sex, believing that his lie will ease any pain for Mel. In a sex scene, Mel blindfolds Todd, who has never experienced kinky sex before; after Mel holds his arms behind his back, he orders him to beg to be fucked, and Todd complies. 
Ashley is calling and requests help to crossdress. Todd gets up, disappointed. Mel even gets Todd a job and then tells him that the time has come to move out. Todd has a crush on Mel, but the latter’s brusque demeanor has deterred him from revealing his emotions until he is ordered out. and eventually leaves after declaring his love, which Mel rejects. Ashley, having decided to reinvent himself, goes to a bar for “trannies” and their admirers, meets a war vet, and has a wonderful time, but is reluctant to go forward with the relationship, fearing that he could not revert to his masculine identity most of the time. Mel, now having rebuffed an admirer, decides to reinvent himself as well, trying to botox wrinkles that are scarcely noticeable. Earlier, Mel has decried the fact that he is doomed to attract only “rice queens,” but he now he invites Todd, now corrupted by life amid the fashionable gay life of London, to a lunch. He evidently hopes to rekindle Todd’s love, since Ashley appears to be headed for a stable, 
happy relationship that will leave him friendless. The film ends with Ashley and Todd getting what filmviewers will expect that they deserve. Credits indicate the future states of affairs of the various characters one year hence, albeit superficially. The commentary on how the Londoners cope with gay life is doubtless intended to teach many lessons. One obvious observation is that all the characters are so interested in how they look and feel that they do not realize how empty headed they are; apart from their narcissistic hedonism, they have no purpose in life, no cause to advance, no connection with the world beyond themselves. The pastor who presides at the initial memorial service is the only one who appears to have a broader vision, but he abandons the ministry after receiving ?500,000 in the dead man’s will and instead partakes of gay life without wearing the cloth any more. MH 
