The Imitation Game (2014)

The Imitation Game (2014)

Director: Morten Tyldum
Writers: Andrew Hodges (book), Graham Moore (screenplay)
Genre: Drama, Biography, Thriller, War
Country: UK
Language: English, German
Duration: 114 min
Year: 2014
Also Known As: Igra kodova

Official site: http://theimitationgamemovie.com/

Stars: Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory   Kinnear, Allen Leech, Matthew Beard, Charles Dance, Mark Strong

 

The Imitation Game ( Igra kodova) je dirljiva biografska priča o Alanu Turingu, jednom od najvećih umova 20. vijeka, čovjeku koji je spasio milione ljudskih života u II svjetskom ratu tako što dešifrovao njemačke komunikacije kriptovane uz pomoć skoro neprobojne mašine za kodiranje pod tajnim nazivom "ENIGMA".
Britanci su kao i mnoge druge zemlje pritisnute Hitlerovom razarujećom ratnom mašinerijom pokušavali dešifrovati njemačke vojne poruke kako bi stekli prednost u ratu. Bilo je potrebno naći način da se na vrijeme saznaju svi Njemački ratni planovi, ali Enigmu nisu mogli razbiti sve dok se nije pojavio matematičar Alan Touring koji je svojom genijalnošću uspio napraviti mašinu koja je provaljivala njemačke kodove.
Alan Touring je svoju strast prema rješavanju matematičkih problema stavio ispred sopstvene seksualnosti koja je uz to bila kažnjiva prema Britanskim zakonima.

Nakon završetka rata Britanska vlada je odlučila zadržati sve u tajnosti i uništila je svaki trag o postojanju Turingove mašine koja je razbila Njemačku "Enigmu", čime je onemogućeno da se njenom genijalnom tvorcu oda zasluženo istorijsko priznanje.
Priča je izašla u javnosti kada je Alan Touring 1952. godine uhapšen zbog homoseksualnosti i osuđen na hemijsku kastraciju, koja je na kraju dovela do samoubistva ovog genijalnog matematičara i heroja u jednom od najrazornijih ratova evropskog kontinenta.
Alan Touring ni nakon smrti nije doživio javnu rehabilitaciju i počast barem na nivou nacionalnog junaka, ako već ne na nivou mislioca koji je zadužio čovječanstvo. Homofobija britanskog društva tog doba ga je otrgnula od stvaralaštva i gurnula u beskrajnu tišinu, koja je prekinuta tek 2009. godine. Tadašnji britanski premijer Gordon Brown službeno se javno izvinuo za sve užasne nepravde učinjene Alanu Turingu.
Alan Touring bi zauvjek ostao pominjan samo u naučnim krugovima kao začetnik modernog računarstva i digitalne tehnologije bez koje bi danas skoro nemoguće bilo zamisliti napredak ljudske civilizacije, bez ikakvog priznanja za svoj rad koji je spasio milione života da sticajem okolnosti nije postao žrtva jednog od najokrutnijeg anti gay zakona iz 1885. godine po kojem je bilo moguće kazniti čovjeka samo zato što je homoseksualac. Po tom zakonu je stradalo 49000 ljudi u Velikoj Britaniji. Biti gej u to doba značilo je biti kažnjavanjan zatvorom, javnim sramoćenjem, oduzimanjem svih ljudskih i građanskih prava ili prisiljavanjem na hemijsku kastraciju.
Zakon je ukinut 1963. godine ali do današnjeg dana nije ukinita presuda Alanu Turinu za zločin protiv javnog morala.
Alan Turing je zato postao upisan u istorijske knjige kao primjer zašto je potrebna borba za ljudska prava.

U mnogim državama pa i ovim našim balkanskim homofobija društva tjera homoseksualce na ćutnju. Iako smo svjesni da su oko nas mnogi važnji ljudi, doktori, umjetnici, naučnici, političari ili naprosto naše prve komšije i prijatelji homoseksualci društvena homofobija je u stanju da ih zauvjek ušutka i obespravi na svaki pomen o seksualnoj orjentaciji.

Upoznao sam čovjeka kojeg je strah od odbacivanja i sramoćenja natjerao da odustane od životne karijere i povuče se u svoj skriveni svjet. Pričao mi je kako je na poslovne sastanke išao sa strahom da će ako mu se otkrije da je gej doživjeti porugu, odbacivanje i psihičku torturu. Iako je bio uspješan u poslu i poštovan kao čovjek, sopstveni strah ga je natjerao da se povuče.
Razlog za taj strah, koliko god mnogima zvučao bezrazložno, leži u sudbini Alana Turinga, ali i sudbini mnogih ljudi koji su zbog svoje seksualnosti doživjeli slično poniženje.
Zato bi svako društvo u svojim školskim knjigama trebalo da ima upisano njegovo ime kao opomenu koliko je lako osuditi nekoga samo zato što je drugačiji iako vrlo često biti drugačiji znači biti sposoban vidjeti svjet oko nas na poseban način i time omogućiti mnoga mala i velika djela ljudske civilizacije.

From Huffingtonpost By Geoffrey R. Stone

The other day I had the privilege of attending an advance screening of the forthcoming movie The Imitation Game, starring Benedict Cumberbatch and Keira Knightley. I am not a movie reviewer, so I will not offer an evaluation of the movie -- other than to say that it is superb.

What particularly interests me is the story itself and the extraordinary range of deeply important issues it poses. The Imitation Game traces the real-life tale of Alan Turing, the brilliant and highly idiosyncratic British scientist and philosopher whose secret contributions during World War II saved the lives of an estimated 14 million individuals by enabling the Allies to win the war much sooner than would otherwise have been possible.

Still in his twenties, Turing led a small cohort of odd-ball cryptographers in a top secret effort to discover the secret of the Nazis' Enigma machine. It was through the use of this machine that the Nazis were able to send encrypted messages to their forces throughout the world. It was, at the time, the most effective and unbreakable code ever invented.

Operating out of Hut 8 in Bletchley Park, Turing's genius and persistence enabled him to invent what was essentially the world's first computer, which finally broke the secrets of the Enigma machine. Although other Allied nations were trying with dogged determination to achieve this outcome, only Turing succeeded.

But that was only the beginning. Even after breaking the Nazi code, the question arose of what to do with this secret knowledge. The goal was not just to break the code, but to use the information gained in order to thwart the Nazi war effort. This had to be done carefully and selectively, because if the Nazis realized that the English had penetrated their code they would simply stop using the Enigma machine.

Thus, to use their knowledge to best effect, the English had to exercise restraint. They could use the decoded information only in carefully selected circumstances. Frequently, they would have to forego its use and permit the Nazis to succeed in battles in order to protect what was now their secret weapon. Turing and his crew played a central role in figuring out how to use the information without giving away their secret.

With end of the war, the British decided to keep secret the fact that they had broken the Nazi code. This was strategic. Other nations, thinking that the Enigma machine was unbreakable, used it themselves for decades after World War II, without realizing that the British could decode their messages. Turning's extraordinary achievement therefore remained locked away in the national security closet in order to leave the British with this advantage.

Alan Turing was in the closet in another way, as well. He was a homosexual. A few years after World War II ended, he was arrested for gross indecency -- otherwise known as homosexual conduct. Although perhaps the greatest hero of World War II, Turing could not reveal the secret of his contribution. He was convicted and, rather than spend two years in prison, accepted the penalty chemical castration, a common punish for homosexuals under British law. The belief at the time was that homosexuality was a mental illness that could be "treated" in this manner.

Suffering from the ill effects of this barbarous medication, Alan Turing committed suicide in 1952, with his contributions to Western civilization still unknown. It remained so for almost half-a-century. In 2009, British Prime Minister Gordon Brown finally issued a public apology for the "appalling" treatment of the man who, according to Winston Churchill, had made "the single biggest contribution to Allied victory in the war against Nazi Germany."

This is a deeply moving and powerful story. The Imitation Game , which opens in theaters in December, is a stunning movie.

Yossi & Jagger (2002)

Yossi & Jagger (2002)


Director: Eytan Fox
Writer: Avner Bernheimer 
Genre: Drama, Romance, War Country: Israel 
Year: 2002 
Duration: 65 min




Stars: Ohad Knoller, Yehuda Levi and Assi Cohen

"Dont ask, dont tell" je neka prešutna formula koja važi za većinu vojski i policija u evropi pa i na balkanu. Ako se  prekrši to načelo, počinioci uvjek budu kažnjeni. Medjutim Eytan Fox nam sliku o zabranjenim ljubavima u vojsci prikazuje na jedan malo drugačiji način. Romantičan, komičan i na kraju jako tužan.
Odnosi medju drugovima u sredinama kakva je vojnička su nevjerovatno kompleksni, a zasnivaju se na iskrenosti i uzajamnoj želji za drugarskom podrškom da se istraje i opstane.
Granica koju postavljamo u toj iskrenosti kao i svudgje drugo ipak zavisi od toga ko stoji ispred nas i koliko povjerenje imamo u nekoga. Yossi i Jagger nam pokazuju kako ljubav može biti lijepa i teška u isto vrijeme. Tvrd vojnički stav i pravilo da je pokazivanje emocija znak slabosti je nešto sa čime se njih dvojica nose tokom cjelog filma. Medjutim postoje trenuci kada zaboravimo na sve oko sebe i požalimo što nismo ponekad jasno rekli najljepše riječi na svijetu.

Film me je podsjetio na mnogo momenata iz mog života. Jedan od njih je moj odlazak sa Splitske željezničke stanice. Pratio me je najbolji drug, noseći mi jedan ogroman kofer. Ćutali smo dok smo išli prema stanici. Tek kada je voz stigao na peron rekao je: " Neke stvari naprosto znamo i ne treba o njima govoriti, pazi se!"
I kod većine nas koji "znamo", a o tome ne govorimo ponekad se nametne pitanje: - Jesam li trebao reći?

Film sa titlom pogledajte OVDJE

"Yossi and Jagger" compounds the hell of war with the agony of having to keep one's sexuality a secret. The movie is also surprisingly lighthearted, thanks to Israeli director Eytan Fox's deft touch with comedy and old- fashioned romance.
Based on a true story and written for the screen by Avner Bernheimer, "Yossi and Jagger" captures the camaraderie and nervous energy of young soldiers at war. At a snowy outpost on the Israel-Lebanon border, the quarters are cramped, danger lurks around every corner, and sexual high jinks and general silliness take precedence over preparing for battle.
Spirits run high despite the troops' exhaustion. "It's biological warfare! " an army cook cries upon discovering the food in the camp fridge has spoiled. Two soldiers, crouched and ready to take on the enemy, kill time with a game of "who's better": "Popeye or Brutus?" "Michelle Pfeiffer or Sharon Stone?"
Secret lovers Yossi and Jagger (Ohad Knoller and Yehudi Levi), desperate for time alone, embark on a "mission" into the wilderness, and director Fox exploits the winter backdrop for a lustrous, truly romantic love scene. Much of the scene's power comes from seeing Knoller's Yossi, the butch company commander, melt in the presence of his beau. Yossi's affectionate glances turn to flickers of shame once the pair are back at camp, in front of others.
Levi brings an impish charm to Jagger, but the character (nicknamed after the rock star) is more described than he is played. His fellow soldiers talk about how great he is, but he doesn't talk much himself, and when he does, it's mostly to berate Yossi about being closeted. Levi is a big soap star in Israel, so maybe his character's charms could be assumed when the film played in his home country.
Another soldier fancies a female colleague, but she's got a big crush on Jagger. Assi Cohen makes palpable this fellow's sexual frustration and his anger at having to compete with "sensitive" Jagger. The Betty Grable of the outfit, a saucy radio operator named Goldie, is shtupping the unit's married colonel -- an affair conducted practically in the open. Illicit heterosexuality, apparently, is far preferable to committed homosexuality in the Israeli military.
-- Advisory: This film contains raw language, violence, sexual situations.
-- Carla Meyer

My Little Boy (2007)

My Little Boy (2007)

Kao što već znate, sav moj trud oko ning sajta je pao u vodu! Naime ning je odlucio da ukine sajt zbog narusavanja autorskih prava! Ono što me je totalno izludilo je da mi nisu dozvolili ni da napravim backup postova i blogova, a tamo je bilo oko 500 filmova!
Izgleda da im je to bila samo isprika jer nisu ni imali namjeru da podrze bilo sta sto ima veze sa gay tematikom!
Al nastavljamo sa blogom tamo gdje smo i stali.
Za vrijeme drugog svjetskog rata nacisti su pedere i druge seksualno "izopačene" likove trpali u koncentracione logore ili su ih ubijali onako kako to možete vidjeti u ovom kratkom gay filmu!

Još sam pod utiskom predatorskog ning načina na koji su ukinuli social network koji se bavio filmovima sa gay tematikom, otuda ovaj post, prvi nakon tog njihovog fašističkog čina.
:(


Year: 2007
Genre: Short, Drama
Director: Matthias Vom Schemm
Duration: 19 min
Country Germany
Actors: André Röhner, Dominik Glaubitz, Hildegard Vom Schemm, Katia Kandziora, Markus Klauk, Tom Wlaschiha, Volker Büdt

Description:
With a harsh political context, this period drama packs a strong punch. It's about Erich (Rohner), a photographer in 1934 Germany who's in love with a stormtrooper, Wolfgang (Wlaschiha). They meet secretly in Erich's photography studio, since a new edict has decreed that homosexuality is illegal -- and punishible by death. This is especially a problem as stormtroopers are enforcing this law, and Wolfgang's colleagues might not be too far away. So it's unsurprising that Erich wants to emigrate. But Wolfgang wants to serve his country. This serious conflict between two men gives the film a meaty centre that transcends the political and historical issues, especially since they're so well played, and their interaction has a strongly sensual tone. While recreating the period with an attention to detail, filmmaker Von Schemm also captures a vivid sense of sadness, as Erich earlier photographs his friend Karl (Glaubitz), who's also being forced out of his social circle by the increasingly oppressive regime. In just 20 minutes, it's tricky to develop much character depth, but the situation is bracingly well-defined, and a closing caption adds the stark historical reality. Thie would definitely be worth expanding into a feature, and Von Schemm proves here that he has the skills to do it.
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Bent (1997)

Bent ( 1997 )


Dugo sam odlagao gledanje ovog filma. Čitao sam o njemu ranije i nisam se htio opterećivati scenama nacističke torture. Dovoljno me terorišu na poslu!
Bent je priča o sudbini homoseksualaca u vrijeme holokausta nacističkih vremena. Jednako uništavani kao i jevreji bili su meta Hitlerovih slijedbenika.
Max je berlinski homoseksualac uhvaćen koji je do odvođenja u logor živio raskalašnim životom, predavajući se seksu , piću, drogi, obilazeći
svako poznato gay mjesto tog vremena.
Nakon što ga uhvate u šumi sa njegovim partnerom Rudyjem odvode ga u nacistički logor Dachau. Na putu do logora užasa strah od sigurne smrti ga prisiljava da negira svako poznanstvo sa Rudyjem kojeg ubijaju, kao i da izvrši seksualni odnos sa lešom mrtve djevočice. Sva sreća te tu scenu nisu prikazali u flmu inače bih momentalno prekinuo gledanje. Film je dovoljno jeziv i bez toga.
Max u logoru nosi židovsku zvjezdu misleći da če bolje proći nego ako nosi pederski crveni znak. Tu sa pederom Horstom provodi dane prenoseći kamenje sa jednog kraja na drugi pa nazad.
U tom tantalovom poslu na jedan specifičan način stvara odnos sa Horstom.
Ovaj film je dokument o tome kuda vodi generalizcija, mržnja, svirepost i diskriminacija. Na žalost ta vremena nisu za nama. Učimo se toleranciji, a Bent neka nas opominje kuda vodi sebičnost i samozadovoljnost!


Director: Sean Mathias
Writers: Martin Sherman (play)
Martin Sherman (screenplay)
Release Date: 26 November 1997 (USA)
Genre: Drama | Romance | War
Plot Keywords: Germany | Gay Holocaust | Train | Gay | Love
Awards: 4 wins & 2 nominations


Cast
(Cast overview, first billed only)

Clive Owen ... Max
Lothaire Bluteau ... Horst
Ian McKellen ... Uncle Freddie
Nikolaj Coster-Waldau ... Wolf (as Nikolaj Waldau)
Mick Jagger ... Greta / George
Brian Webber ... Rudy
Jude Law ... Stormtrooper
Gresby Nash ... Waiter
Suzanne Bertish ... Half-woman, half-man
David Meyer ... Gestapo man
Stefan Marling ... SS Captain
Richard Laing ... SS guard
Crispian Belfrage ... SS guard
Johanna Kirby ... Muttering woman
David Phelan ... Fluff in park

Additional Details
MPAA: Rated NC-17 for a strong scene of graphic sexuality.

Runtime: 105 min
Country: UK | Japan
Language: English

Certification:
Canada:18 (Nova Scotia) | Canada:AA (Ontario) | Canada:R (Manitoba) | Canada:13+ (Quebec) | Finland:K-18 | Canada:14A (British Columbia) | Canada:18A (Alberta) | Brazil:14 | Germany:16 | Sweden:15 | UK:18 | USA:NC-17 | USA:R (cut) | Portugal:M/16



BY ROGER EBERT / November 26, 1997

"Bent" tells a heartrending love story, set against the backdrop of the Holocaust. I could describe the film in solemn pieties, but that would be too easy. The more deeply it descends into horror, the more alarming its agenda becomes, until finally I'd had enough: The material is not worthy of its setting.

The story involves a Berlin homosexual named Max (Clive Owen), who is swept up in the Nazi madness, forced to kill his lover, sent to a prison camp, and there finds true love with another man. Max has lied to qualify for a yellow star (signifying he is Jewish) instead of a pink one (homosexual). By the end he is proud to wear the pink star, but his decision is staged as a crowd-pleaser.

"Bent" is a movie very much about entertaining its audience (I have not seen the stage play by Martin Sherman, who wrote the screenplay). It opens with a gay orgy, hosted by the transvestite Greta (Mick Jagger), where bodies are strewn about in sexual congress. Some of the revelers are either Nazis, or wear Nazi uniforms as a form of erotic enhancement.

Max goes home with a handsome young Nazi, and has sex with him, to the dismay of Max's lover, Rudy (Brian Webber). It is the time of the purge of gay Nazis; storm troopers burst in to slit the Nazi's throat. Max and Rudy escape, hide in the woods, and are captured after a thrilling action scene. The scene exists for its own sake; the drama is suspended, so the audience can thrill to the formula of pursuit.

On a train to prison camp, Max is forced to commit unspeakable acts and betray his friend. The underlying message is, it's every man for himself; the film will refute that. In the camp, Max is assigned to shift rocks from one pile to another. He's joined by Horst (Lothaire Bluteau), who he met on the train. "Friendship lasts about 12 hours in this place," Horst tells him.

But soon, in the midst of dread and a bitter winter, they find erotic desire stirring, and there is a scene where they stand side by side, with no eye contact, and by describing their feelings verbally are able to arrive at simultaneous orgasm. This scene works like the chase scene: It drops out of the drama to stand alone as entertainment--as eroticism. A better film would have found a way to absorb the sexuality into the underlying theme; both scenes are crowd-pleasers, and so is a closing sequence which seems staged more as a noble tableaux than as drama at all.

Max's personal victory we of course applaud, but does the film, with its methods, deserve the sentiment it requests? Sherman's stage version of "Bent" is, I am told, a moving experience. During the film, there was scarcely a moment when I wasn't aware of its gears cleverly turning.

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NaPolA (2004), Before the Fall

NaPolA (2004), Before the Fall


Iako se ovaj film nemože svrstati u neki gay film, stavio sam ga u ovaj blog. Film je nabijen energijom , čvrstinom , snagom, emocijama..
Smješten u vrijeme trećeg rajha, 1942, godine u vrijeme kada su nacisti vladali Njemačkom, ovaj film nam približava sav fanatizam tog doba.
NaPoIA je elitna nacistička škola u kojoj se surovo obučavaju novi naci-ratnici, disciplonovane, nesalomljive ubice. Kroz tu školi je do 1945. godine prošlo oko 15.000 studenata, fanatizovanih robotizovanih ratnika.
Film obrađuje priču o prijateljstvu i ljubavi između dva učenika te škole. Friedrich je tinejđer iz niže klase tadašnjeg Njemačkog društva, ali je talentovani boxer. U jednom meču zapazi ga jedan od direktora škole NaPolA i predloži mu da podnese aplikaciju za upis u najelitniju školu tog vremena. Friedrich je oduševljen ponudom, a odlazak u tu školu vidi i kao bijeg iz siromaštva svoje porodice.
Na toj akademiji upoznaje Albrechta, sina direktora škole, sa kojim stvara neobično jako prijateljstvo ko je u uslovima u kakvim su se našli i nesmije biti iskazivano sa previše emocija.

Prolaze kroz neviđenu torturu koju im naće škola, učeći vojne tehnike, borilačke vještine, oružje i sve što je nephodno kako bi ih jednog dana poslali na front.
Albrecht je slabiji i fizički i emotivno od Friedricha , ali uz njegovu pomoć uspijeva nekako da seodrži u školi. Uz to njegov otac je toliki fanatik da nema samilosti čak ni prema sopstvenom sinu.

Film je nagrađivan na mnogim festivalima, kao što su:

* Best Direction, Bavarian Film Awards, 2005
* Best international film, Hamptons International Film Festival, 2004
* Best Actor, Max Riemelt, Karlovy Vary International Film Festival, 2004
* Best film, Viareggio EuropaCinema, 2004

U fajlu koji sam postavio za download, će te naći slike, trailer, linkove za download filma i opis. Film je na njemačkom jeziku, ali će te naći subtitle na engleskom jeziku. na našem ga nisam uspio naći.
Director: Dennis Gansel
Writers: Dennis Gansel , Maggie Peren
Release Date:25 December 2004 (Finland)
Genre: Drama / War
Tagline: Men Make History. We Make The Men.
Plot Keywords: Nazi Uniform / War Crime / Underwater Scene / Swastika / Instructor
Awards: 6 wins & 3 nominations

Cast
(Cast overview, first billed only)
Max Riemelt ... Friedrich Weimer
Tom Schilling ... Albrecht Stein
Jonas Jägermeyr ... Christoph Schneider
Leon A. Kersten ... Tjaden (as Leon Alexander Kersten)
Thomas Drechsel ... Hefe

Martin Goeres ... Siegfried 'Siggi' Gladen
Florian Stetter ... Justus von Jaucher
Devid Striesow ... Heinrich Vogler
Joachim Bissmeier ... Dr. Karl Klein 'Karl der Große' / Anstaltsleiter
Michael Schenk ... Josef Peiner 'Peiniger' / Sportlehrer
Justus von Dohnanyi ... Gauleiter Heinrich Stein (as Justus von Dohnŕny and Justus von Dohnányi)
Claudia Michelsen ... Frau Stein
Julie Engelbrecht ... Katharina
Johannes Zirner ... Torben Send
Gerald Alexander Held ... Herr Weimer (as Alexander Held)


Also Known As: Before the Fall (International: English title)
Before the Fall (Napola) (USA)
Junge Wölfe - Elite für den Führer (Germany)
NaPolA (Germany) (closing credits title)
Napola (Germany)
Napola - Elite für den Führer (Germany) (promotional title)
Napola: Hitler's Elite (Singapore: English title) (poster title)


Runtime: 117 min / USA:110 min / Czech Republic:110 min (Karlovy Vary Film Festival) / Argentina:110 min (Mar del Plata Film Festival)
Country: Germany
Language: German

English:

As Hitler launches the first major military aggressions of World War II, the strongest and smartest German young men enter exclusive schools known as "Napolas" to train as future leaders of the Third Reich. In 1942, a recruiter from one such Napola sets his sights on Friedrich, a talented adolescent boxer, who sees the training and prestige offered by the Napola as his ticket out of an impoverished family unit run by his anti-Nazi father.
In the Napola, Friedrich learns to fight without pity, becoming a formidable killing machine. Propagandistic classes reinforce a hardened worldview of his Aryan superiority.
Meanwhile, Friedrich forms a bond with fellow cadet Albrecht Stein, an aspiring writer and son of the local Nazi governor. Governor Stein dotes on Friedrich, barely masking his contempt for his own son’s sensitivity. But Friedrich admires and empathizes with his friend, even though Albrecht criticizes Friedrich’s brutality in the ring.
As the war escalates, the school's military training also intensifies. Unscrupulous trainers humiliate the more vulnerable cadets in front of their peers and send the others out on dubious war game exercises. In one such nightmarish event, they instruct Friedrich and Albrecht to shoot escaping POW’s who turn out to be unarmed Russian civilians. Tormented with guilt, Albrecht rebels, and Friedrich must choose between his sworn allegiance to the Fuehrer and his best friend’s moral. imperative.


In downlad file you will find pictures, links for download movie, trailer, description and English subtitle.



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