16 February 2013

Abrupt Decision (2011)

Abrupt Decision (2011)

Director: Paul Bright
Writer: Paul Bright
Genre: Drama
Country: USA
Year: 2011
Duration: 95 min

Stars: Steve Callahan, David LaDuca, Cynthia Schiebel

Denis jedno jutro ostaje bez posla na kojem je proveo punih 11 godina. U trenutku se njegov život promjenio i upada u krizu srednjih godina. Kojim putem da nastavi. Iako ga njegov partner pordzava u njegovim naporima da stabilizuje život, Denis se nekako osjeća pogubljeno sve dok u jednom parku ne ugledana napuštenog psa. Iako je bez novaca i uslova da zadrži psa odluči da se pobrine o njemu.

Film je mogao da ima lijepu priču ali na žalost kao i u mnogim slučajevima niskobudžetnih poluamatarksih filmova loša gluma, uzasno napisan scenario i pogubljeni režiser su učinili da prosječan gledaoc ima osjećaj da je uzaludno potrošio sat i po vremena.

Umjesto da nam prikaze jednu lijepu intimnu priču sredovječnog čovjeka koji se našao na raskrsnici životnoh puteva menlaholični i ponekad vrlo patetični dijalozi nam odvračaju pažnju od suštine da ono što mislimo da najbolje radimo možda i nije ono u čemu ćemo najbolje iskazati sebe.

Sad kada sam ovaj film ovako loše opisao pitate se zašto sam ga uopšte stavljao na sajt? Osim što sam ga odgledao do kraja napaljen na prezgodnog Denisovog partnera podsjetio me je na period života kada sam izgubio posao i bio prisiljen da potpuno promjenim način življenja, odrekavši se mnogih stvari za koje sam mislio da predstavljau dio mene. Upornošću sam uspio da se prilagodim novoj sredini, novim ljudima, steknem nove prijatelje, kupim nove stvari i naravno dobijem novi posao. Da li je vrijedilo da zbog svega novoga odbacim ono staro? Za razliku od Denisa koji je uspio da zadrži i partnera i prijatelje život ponekad bude mnogo suroviji.

 

 

Puppy Love

31 January 2012 | by TBROUGH (United States) – IMDB

Denis is having a rotten week. He just lost his job of 11 years. His relationship is gone stale, and rocky. His Mother, a sweet and overbearing woman, is seriously ill. With all the turmoil going on around him, what does Mom suggest? "Get a dog." But when Dennis goes to the pound and can't decide which dog he wants, the one he finally chooses is gone when he goes back. When he finds out why, Dennis decides exactly what his modern mid-life crisis needs.

He makes his "Abrupt Decision" (the fifth feature from filmmaker Paul Bright) when he realizes that his creative collapse mirrors that of the dogs' dangerous lives. With some inspiration from his Mom (Cynthia Schiebel) and the reluctant support of his partner, Milosz (David LaDuca), Denis (Steve Callahan) decides that saving the lives of animals and educating people on their care is his way into a meaningful second act. You know how the saying goes, if you don't want to be upstaged in a movie, stay away from children and dogs? Despite the superb job by Steve and David, the pups are "Abrupt Decision's" scene stealers. But beware. Even with the cute pooches running amuck, this is a very emotionally striking movie.

In the new economy, where men like Denis can find their lives upended and discover that your expertise vaporized after 50, there are many among us who will relate to the impact of "Abrupt Decision's" story. As Denis struggles to find the right decisions in matters of utmost importance, you may put down the doggy treats and reach for the hankies. I'll certainly say that the film is a must-see for pet-lovers, but it also carries an intimate, personal life story.

12 February 2013

The In-Between (2010)

 

The In-Between (2010)

Director: Alain Hain
Writers: Jason Mills (story), Jason Mills
Genre: Short movie
Country: USA
Duration: 10 min
Year: 2010

Stars: Sharon Batten, Danny Bernardy, Brian Patacca

 

Ovaj kratki fim iz trilogije filmova Alain Hainsa nam priča o emocijama koje su sastavni dio svake veze, a to osim ljubavi uključuje i ljubomoru, varanje, želju za promjenom i slično. Kada ste dugo u vezi sa nekim normalno je da osjetite potrebu za nečim novim i nedoživljenim. Često se ta želja pretvori u neki seksualni izlet koji ne uključuje partnera. Mora li da bude baš tako? Ukoliko ima iskrenog odnosa u kojem nema straha od nerazumjevanja onda se povremeni flert uglavnom i završi bezazlenim samodokazivanjem.
Partneri koji medjusobno imaju dobru komunikaciju često u svom krevetu podijele neki osmjehom ulovljeni plijen.

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Alain Hain’s films are kind of fascinating.  Like Curious Thing, it’s real audio interviews with gay men, complimented and contrasted to visuals that tell a fictional story of love and relationships. This one concentrates on monogamy and the problems of cheating. Various people talk about being in relationships where they discovered the other person was playing away (or they had cheated themselves), looking at why people overlook it or are oblivious to it, and what the consequences can be.  The visuals tell a similar story, commenting on and challenging the audio with the story of a relationship being town to bits by infidelity. It’s a great idea, and while The In-Between doesn’t work quite as well as Curious Thing, it’s still very involving.

 

10 February 2013

A Lack of Gravity (2010)

A Lack of Gravity (2010)

Director: Alain Hain
Writer: Jason Mills
Genre: Short movie
Country: USA
Year: 2010
Duration: 13 min

Stars: Danny Bernardy, Timmy Cassese, Daiva Deupree

Jared i Christian su gay par koji živi mirnom predgrađu. Vole se i žive zajedno i pokušavaju da svoju sreću podjele sa drugima. Međutim da li svi prijatelji jednako prihvataju njihovu vezu? Ako ih ne smatraju ravnim sebi onda to i nisu pravi prijatelji. Smiju li javno pokazati svoju ljubav ili te emocije mogu ispoljiti samo u četiri zida? Kada Christian doživi napad homofoba stvari postaju mnogo jasnije.
Priče o zaljubljenim gej parovima u Americi su naizgled iste kao i ove naše na balkanu. Na žalost kod nas je durštvo mnogo surovije i netolerantnije pa živjeti open gej život može biti ne samo teže, nego i opasno.

Moje dosadašnje veze sa muškarcima su bile skrivene od očiju javnosti. Često sam se zapitao kako to da mojim prijateljima , porodici i komšijama nije sumljivo da uvjek imam najboljeg prijatelja. Prođe nekoliko godina , a ja ih upoznam sa novim prijateljem, a stari ne više ne pojavljuje. I tako prolaze godine. Ljudi obično ne vide ono što ne žele da vide kod osoba koje poštujui vole na neki način, a možda i pretjerujemo u strahu koji nas svremena na vrijeme uhvati i poremeti nam život

 

With a new partner and a quiet life in the suburbs, Jared finds himself tackling new obstacles. How does he live his life as a dignified gay man in a society that does not consider him equal? And how will he handle his partner's constant need to censor any public affection? One horrific event forces them both to figure it out. The finale piece in this trilogy of short films, 'A Lack of Gravity' explores homophobia, activism and gay rights in America. Continuing in the series' format, documentary audio of gay men discussing their experiences with homophobia acts as the film's narration.

 

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09 February 2013

Ecce Homo (Behold the Man) (1989)

 

Director: Jerry Tartaglia
Genre: Short movie, Adult
Country: USA
Language: English
Year: 1989
Duration: 7 min

An inquiry into what is pornographic. This film features images form Jean Genet's masterpiece, Un Chant d'Amour along with images from gay male sex films in order to question what is "pornographic".

Jerry Tartaglia
16mm Film - 1989
Ecce Homo (Behold the Man) interweaves images form Jean Genet’s masterpiece, Un Chant d’Amour with images from gay male sex films. It forces the viewer to question the point of view in looking at “pornographic” images. A.I.D.S. hysteria portrays gay sex as pornographic, politically incorrect, sinful, or, at best, a public health hazard. Ecce Homo asks whether the taboo is against gay sex or against seeing gay sex.
“Each of my films portrays some aspect of gay consciousness, sexual representation, or self-identity. At the same time, each film utilizes the medium’s unique potential as visual metaphor. I am not very interested in creating narrative forms, which generally are used to show how gay people are supposed to become lavender carbon copies of straight people. Instead, I work with short, personal, experimental forms which explore and celebrate another kind of conscious human identity.” - Jerry Tartaglia, NYC 1995
I am watching a segment of Genet’s film in which the guard is watching the men and when he removes the gun from inside his jacket he puts the gun in the mouth of one of the men and then I am watching two men kissing each other on the mouth and when I am watching homosex and I am seeing men having homosex and watching the guard having the gun having sex and watching the film with the homosex, I see the men and I watch how they have homosex in the porno film which the cop said was Genet’s film and the cop with the gun was porno and they said when Stonewall was with the cops and the gun, and the film was porno and they said Stonewall was porno and they said the men were not men and the women were not women, and the men with the women were not porno, and the film with the men kissing men on the lips was porno and the cop who was watching the film was a doctor who was watching the porno which was in the film that I was watching with a cop who was not a cop in the film, who was a doctor who was watching the film which was not safe porno because it was not safe to be watching a film with a doctor who was a cop in a film of the men having sex which was porno when they said Stonewall was porno which was not the film they desired to watch when the film of desire was the film of men having homosex in a film with the men, and this man and this man and their desire which was burning in the film of the cop who was watching the police who have the power and the doctors, who are the men with the women, which is not porno, which is what they said was Stonewall which was the film with the women and the men who were not the men with the women, which was not porno, when Stonewall was power which was personal and not porno when it was never really safe for porno which was in the film in which a cop was watching with a gun when the men were having sex with the men and when personal desire is power when it Is unsafe to be watching porno wioth a doctor who is not Stonewall and a cop who is not porno who is watching men having sex with men which is not safe if personal desire is power and the doctor with the power watches the cop in the film by Genet, which was not porno and the doctor watches the power which is unsafe and the porno which is the cop watching with the gun which is in the film which is Genet who was Stonewall which was not safe when desire is power and the doctor and the power are watching us watch the film with the men and the homosex and the personal desire which is power in the film with the Stonewqall homosex which is not the doctor and the cop, which is not porno, in the film with the strength of the person and the sex and the power of the Stonewall and the watching to control the desire, and the fear which is safe asnd the sex which is power in the film which is unsafe when the doctor is power and the person with the sex when the men and the men have homosex and desire the love of the men with desire, who love men who desire the love which is in the film which was Stonewall which was not safe which was power which was in the film which was not safe to watch, when the doctor id the power with the cop and the film which is not porno is safe, which is not Stonewall and the men who love the men who desire in the film which is power, which is Stonewall, are the men who are alive which is power which is not safe when desire is not asfe, which is the doctor who is power with the cop, in the film which is Stonewall which was not safe; which is power!
Epilogue:
Personal desire is power. Collective desire is power. Reclaim our desire! Reclaim our power!
şenol erdogan: JEAN GENET, TARTAGLIA ve PORNO-POLITIK
cyberzenarchy.wordpress.com/2009/07/23/jean-genet-tartaglia-ve-porno-politik/

 

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