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29 March 2012

Eating Out: The Open Weekend (2011)

EatingOut-open-weekend-poster


Eating Out: The Open Weekend (2011)


Director: Q. Allan Brocka
Writers: Phillip J. Bartell, Q. Allan Brocka
Genre: Comedy
Country: USA
Year: 2011

Stars: Chris Salvatore, Daniel Skelton and Aaron Milo









0Serijal filmova Eating Out postao je nekako bledunjav i anemičan. Iako je koncept filma da u nekim duhovitim situacijama prikaže što više muških tijela, nekako je sve predvidljivo. Scene u filmu su postavljene kao u nekim jeftinim reklamama.
Ipak neki djelovi filma će vas sigurno nasmijati.

Zack i njegov novi dečko odluče da idu u nekakav gay kamp, gdje se razni gejevi jebi dje stignu. Cilj im je da se zabavljaju i naravno da se mogu jebavati do mile volje tokom tog vikenda i to sakim god oće. Bez nekih pravila.
Kada stignu tamo Zack vidi svog bivšeg dečka, kojeg potajno još uvjek voli i tako počinju razna dešavanja u kojima su svi polugoli, sa običnim, oralnim, grupnim i ostalim vrstama seksa u kojima se ništa ne vidi osim u par scena golo dupe.
Pa ako vam je sve ovo dovoljno da potrošite sat i po vremena onda film pogledajte OVDJE.

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201162_1Uh oh, sounds like trouble! Gay movie franchise, “Eating Out” is back with it’s fifth instalment, titled “Eating Out: The Open Weekend” I’m sure you can decipher from the title what the scenario is for this film, but I’ll explain exactly how this goes down.
Zach (hottie Chris Salvatore) and his new boyfriend Benji (Aaron Milo) are heading off on vacation to an all-male resort in Palm Springs with their friend Lily (Harmony Santana). Since they’re away at a place with so many hot men that they’ll never see again,

Eating-OutBenji proposes to Zach… (no, no… not that kind of propose)… that they have an “open relationship” for the weekend. Zach isn’t too keen on the idea, but wants to make Benji (who isn’t ready to limit himself sexually) happy.
To complicate things, Zach’s ex Casey (Daniel Skelton) shows up at the same resort with his friend Penny, only to learn that Zach is there. Going into panic mode, he decides to get a guy (Michael Varato) pretend to be his boyfriend to make it appear that he had no trouble moving on. A recipe for disaster, it looks like this tropical getaway isn’t what they all had expected it to be. Most importantly, there’s a lot of eye candy, so feast your eyes on the trailer below.

Watch HERE

Al buio (2005)

Al-buio-fi

Al buio (In the Dark)

Al buio (2005)

Director: Fabio Mollo
Writers: Iosella Porto (screenplay), Fabio Mollo (screenplay) Genre: Short movie
Year:2005
Country: Italy
Runtime: 11 min


Stars: GiuseppeForli, Daniele Grassetti




Dva cimera, iako se vole na neki njima svojstven način pokušavaju da žive normalan život. Jedan od njih ima dejt sa curom iz škole, a drugi totalni gay postane ljubomoran i opsesivan do granice devijantnosti.
Nekad naprosto nismo ni svjesni koliko smo vezani za nekoga do trenutka kada ili treba nastavimo život bez njega ili da ga povrijedimo.
Ovaj kratki film me je podsjetio na jednu scenu pred raskid sa jednim zadrtim podgoričaninom. Sada mi je to sve smješno, ali u onom ludilu kada je nastalo prepucavanje i svađanje u nekom momentu sam mu rekao: Uostalom i seks nam je katastrofa, uvjek se jebemo na isti način.
Sada se tome smijem i nejasno mi je kako sam to uopšte mogao reči.


Sometimes eroticism lays hidden in that moment suspended within the space that separates two bodies which cannot touch each other.

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27 March 2012

Une Sensation de Vide

Une Sensation de Vide c
Une Sensation de Vide (2011)

Director: Juanma Carillo
Genre: Short movie Country: Spain
Year: 2011


Cast: Saida Benzal, Luis Tausía, Ander Gaztelu,Juan Gómez,Jose Lecto, Leandro Andrea Huerto,Alvaro Pastor, Goyo Ramos, Alva Moreno, Elena Simón, Gabi González, Julieta Rua, David Luis Fernández, Domingo Fernández


Project From The LOOP festival in Barcelone in The private space gallery about The subject Jour de Fe^te, refers to the idea of festivity and celebration, both widely understood. This concept invites explore the social and collective expression of the celebration from many possible points of view, the symbols of power related to social rituals, the construction of a collective identity, as well as the family environment and the concept of tradition and ceremony.

USDV from EP on Vimeo.

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25 March 2012

Signage (2007)

Signage (2007)

Signage (2007)

 

Director: Rick Hammerly
Writer: Rick Hammerly
Genre: Short movie
Country: USA
Year: 2007
Runtime: 12 min

 

Stars: Rick Hammerly, Jason Wittig and Jeffery Johnson




 

e4094bdb6fGay ljudi su najosjetljiviji kada je u pitanju tolerancija i diskriminacija. Međutim malo ko od njih razmišlja o tome koliko večina od njih vremenom postane zatvorena u svoj svjet. Da li su sposobni da prihvate sve izvan tog svjeta? Gay prijatelji, gay izlasci, gay sajtovi, gay, gay gay , tek poneki str8 i naravno porodica.
Nisu im ni svi gayevi prihvatljivi, neki su pederi, neki su kurve, neki su ružni, neki umišljeni, većina je glupa.....Često slušam razne žalopojke kako ne mogu naći druga, društvo, ljubavnika. Pa kako i mogu kada su netolerantni i diskriminišu tako mnogo ljudi. A očekuju da sami budu uvaženi.

Ovaj kratki film nam priča o dva lika koji  žive u svojim svijetovima, jedan je gluv i druži se uglavnom sa gluvonijemima, a drugi koji je tolerantniji pokušava da razvije neki ljudski odnos sa njim. Doživljava razočarenje kada mu gluvi kaže da su oni previše različiti i da ne vjeruje u odnos gluvog i onog koji čuje.
Nevjerovatno je da se nije zapitao treba li dati šansu drugačijem od sebe?

From Imdb:
Author: joshua_skye from United States

This is one of my very favorite short films ever! I first saw it on Logo a while back and finally just happened across it on a DVD I just rented. I love everything about it. Lex and Jonathan are good looking, which is always nice. The acting is beyond the scope of most short films. I mean, you can really tell what's going on with Lex. The guy's eyes emote more emotion than most Hollywood big wigs could even dream of. The performance is amazing. The writing is top notch and the direction is fantastic. This is a high quality production and a lot of love went into it. I wish that this would be turned into a full length feature film but only with the same cast. How about a sequel!!! That would be great too.



Rick-HammerlyVisit  Orvel.Me

24 March 2012

Relaciones Peligrosas (TV Series 2012) ( Alejandro and Diego)

relaciones-poligrosas-fi

Relaciones Peligrosas (TV Series 2012)
Stars: Sandra Echeverría, Ana Layevska and Gonzalo Garcia Vivanco

720px-Relaciones_peligrosas Ako ste normalan peder koji ne voli nedeljom da gleda utakmice, kopa baštu, krpi mreže za ribanje ili se bavi tim glupim stvarima, a vaš dragi voli upravo baš sve to, onda vam ne preostaje ništa drugo nego da nakon što pristavite ručak i pošaljete đecu da se igraju vanka, pozovete najbolju prijateljicu i da gledajući američko/španske sapunice ogovarate susjedu koja ima veliku kitu, a nizašta joj ne treba jer se jebe svako veće sa drugim, ko kakva kurva. Još je strašnije što se u nju zaljubio najzgodniji momak u gradu.
E sad koju sapunicu da izaberemo? Evo jedne tinejdžerske, tako da i vaša đeca mogu da pogledaju ovu naučnu literaturu koja se tiče baš njihovih godina. Da paze u koga će se zaljubiti i sa kim će izgubiti nevinost.

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Seriju pogledajte OVDJE

391520_317160781678515_100001537884382_846381_1372989074_nSerija se zove Relaciones Peligrosas ( Opasne veze) i upravo se emituje na čuvenoj američkoj televiziji Telemundo i ide na oba jezika, Španskom kao većinskim i engleskim kao jezikom nacionalnih manjina u SAD. A u centru priče su Alejandro i Diego. Dva prelijepa mladića koja muku muče kako da se više sastave i napokon pojebu. Upadaju u razne nevolje i svi se nadamo da ćemo napokon vidjeti taj poljubac. Zlobnici kažu da se neće poljubiti prije 1656 epizode. Pogledajte seriju koju sam samo za vas stavio na moju play listu.



Relaciones Peligrosas (Dangerous Affairs) originally known as Fisico o Quimica (Physical or Chemistry), is a Spanish-language telenovela to be produced by United States-based television network Telemundo Studios, Miami; this is a free adaptation of the Spanish television series Física o Química. As of January 24, 2012, Telemundo is airing the serial weeknights during the 2012 season, replacing La Casa de al Lado.[3] As with most of its other telenovelas, the network broadcasts English subtitles as closed captions on CC3.

Watch this TV Series Here

Contact (2002)

contact

Contact (2002)

Director: Kieran Galvin
Genre: Short movie
Country: Australia
Year: 2002

Stars: Michael Teulon, Beejan Olfat and Jill McKay

C1Nakon smrti svog partnera, Paul se vraća u Queensland poslije višegodišnjeg izbivanja od kuće. Sa porodicom ne može podjeliti svoju tugu i vrijeme provodi sa malim bratovljevim sinom.
Svakodnevno ide na plažu i susreće se sa homofobnom zajednicom lokalnih surfera koji na neki način zaziru od njega, oćito ne usuđujući se da ispolje bilo kakvu agresivnu reakciju, a ako bi i pokušali Paul koji je odrastao u tom kraju, nedvosmisleno muškim stavom ih u trenu obeshrabri.
U obližnjem javnom WC-u grafiti pokazuju homofobičnost onih koji su ih pisali, ali jedan stavlja do znanja da ima i onih koji traže srodnu dušu.
Na taj način Pul upoznaje lokalnog momka, ali u filmu se priča ne završava, ostavljajući nam da je sami završimo.
Ipak Paul je svjestan da razlika u godinama ne daje neku nadu u odnosu sa lokalnim momkom.

 

GayCelluloid.com [David Hall]

C2Like his bittersweet short The Burning Boy, here writer and director Kieran Galvin again takes delight in charting the emotions of love, loss and longing.

Only this time Galvin tells the tale of thirty-something Paul; a closeted man who still mourning the death of his partner Alex, opts to return home to his family in Queensland, an ill-advised decision, given the Alex they knew was nothing more than a friend of their son. Unable to share his grief with his family and seemingly alone in the homophobic surfing community of his birth, his only ray of sunshine is time spent with his brothers’ children. Seaside fun, that sees him take to writing graffiti on the beach styled changing room walls, a toilet message board system that alarmingly reflects the sexual prejudices of the locals, just as it equally shows that he is not alone. Only who is the other gay in the village, that of a mysterious contact looking for friendship and perhaps something more?

C3Based on the short story of the same name by John Lonie and vividly depicted in monochrome, as intercut with colour flashbacks to happier times spent with the love of his life, here Galvin has triumphantly delivered a work that is as lovingly shot, as it is emotionally scored. Only in this instance, it arrives with a more upbeat ending than previous, even if the mournful nature of the narrative is all but ingrained into the celluloid. For this is the story of a son who has become a stranger to his family, unable to mourn the loss of his partner without giving away the true nature of his sexuality. That Paul sees in his friendship with another gay man, a means to be open with his feelings, is all but clear. Yet in knowing the age difference between the two, Galvin interestingly cuts the film short, that of a conclusion deliberately left open for you to decide what happens next.

For just how old is this flirtatious youth? How would their friendship have developed? And just how did Paul’s partner actually die? Unanswered questions that tell of a short being - well, just too short. But oh, it's so beautifully told.


Multi-award winning short film. Grieving from the death of his male partner, Paul - who is not out to his family, returns home to spend time with them but his lonliness drives him towards a teenage boy. From director Kieran Galvin (The Burning Boy)

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23 March 2012

Beginning (2010) – El Inicio

beginning

Beginning (2010)
Original title: El Inicio

Director: Luis María Mercado
Writer: Luis María Mercado
Country:Argentina
Year: 2010
Runtime: 15 min

Stars: Mario Arietto, Rubén Capodaqua and Fanny Cittadini

Two teenage friends, Gringo and Rafa, spend a day together in the field.

 

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21 March 2012

Private Romeo (2011)

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Private Romeo (2011)

Director: Alan Brown
Writers: William Shakespeare (play), Alan Brown (screenplay)
Genre: Drama
Country: USA
Year: 2011
Runtime: 98 min
Language: English


Stars: Hale Appleman, Charlie Barnett and Matt Doyle








Alan Bown je napravio adaptaciju Šekspirove tragedije Romeo i Julija na jedan "muški" način. Naime radnja se odvija privateromeo02u jednoj vojnoj bazi u kojoj se Romeo i Julia nalaze iz suparničkih škola. U cjeloj predstavi nema nijednog ženskog lika, te otuda film odiše nekim muškim nabojem koji jedino kvari doslovno preneseno žensko ime Julia. Alan Brown je zbog nepoznatih razloga u šekspirovskim dijalozima zadržao Juliu kao centralnu figuru ove Veronske priče, iako je u ovom slučaju mali i previše muškobanjasta da bi sebe mogla nazivati u ženskom rodu. Sve u svemu Šekspirovu priču znate, a kako su je prepičali ovi mladi vojnici možete vidjeti u ovom filmu. Ono što zamjeram piscu i reditelju ovog filma je što je cjelu predstavu izveo pomalo sterilno. Čak je i scena u kojoj su Romeo i Julia prespavali noć u vojničkoj sobi nekako previše naivna i mekana, sa loše prikazanim emocijama koje nisu u skladu sa stihovima koje glavni akteri izgovaraju.

private-romeo-matt-doyle-00affA nearly verbatim rendition of Romeo and Juliet set at a high school military academy, Private Romeo feels more like a side project from the producers of Glee than some kind of novel queering of Shakespeare's text. Unlike Glee, however, it is sameness that interests the film: the sameness of gender-conformant masculinity that, in simply rerouting its gaze toward an exterior version of its own self, manages to keep a safe distance from anything remotely feminine. Here Romeo (Seth Numrich) and Juliet (Matt Doyle) are both comely and beer-drinking jocks reciting the Shakespearian epic to each other in locker rooms, parking garages, and basketball courts.

prThey are surrounded by other manly jocks who sometimes interact with the couple's citational drama, but mostly stay in the background playing cards and paying little attention to the ghostly theater that surrounds them. Romeo and Juliet are interchangeable doubles reveling in the erotic, but mostly narcissistic, possibilities of the military academy, where the fantasy of air-tight homogeneity is nothing short of literal. When the lovers finally kiss, or when they cuddle under the sheets, it's hard to tell Capulets from Montagues. Perhaps that's precisely the point, but for a story about passionate love in its most delusional proportion, Private Romeo is decidedly sterile.

The non-Shakespearian dialogue is unfortunately kept to a minimum. The most interesting moments in the film are when it allows for Shakespeare to simply haunt the film as opposed to taking it over so blatantly; in scenes when the boys briefly face the camera as if it were a webcam and lip-sync in their dorm room, it's as though they're Skyping the audience. The film inherits a certain American tradition of confusing youthful naiveté with passion in its rawest form (the non-gauche white boy who smiles and reconnects with another white boy who looks just like himself) as if that youthful naiveté weren't so obviously ersatz in the first place. There's also the obnoxious piano notes that come in to blanket any scene of intimacy with a sense of non-corporeal "decency."



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17 March 2012

Richie's gay storyline

rgsRichie's gay storyline

 

The Slap - Episode 8

Directors: Tony Ayres, Robert Connolly, Jessica Hobbs, Matt Saville
Writers: Emily Ballou, Alice Bell, Brendan Cowell, Kris Mrksa, Cate Shortland
Genre: Drama
TV Series, Episode 8
Country: Australia
Year: 2011

Richie - Blake Davis
Connie - Sophie Lowe
Hector - Jonathan Lapaglia

 

Richie je Australijiski tinedžer koji ima problema sa prihvatanjem svoje homoseksualnosti. Možda se to čini kao nešto što ne bi trebalo biti teško u Australijskom liberalnom i obrazovanom društvu ali ne zaboravimo da je svako društvo skrojeno po mjeri str8 čovjeka, ma kako savremeno bilo.
Epizida "Richie's gay storyline" je dio australijske serije "The Slap" i ne bavi se samo gay ljudima. Ova epizoda je posveđena gay tinedžerima sa jasnom porukom da treba da budu iskreni prema sebi i kao takve će ih svi prihvatiti.
Pogledajte jednu priču sa sretnim krajem. Možda ovako jednoga dana bude i na balkanu.
U svakom slučaju svi zaslužujemo da budemo srećni, zar ne?

 


Richie is an Aussie teenager struggling to come to terms with his homosexuality; which is not helped any by the fact he has a huge crush on Hector, an older married man. His 'coming out' is a tortuous one at times, but eventually he finds love with a boy more his own age.

 

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15 March 2012

Not Gay

Seriously, we're not gay. Believe "Frank and Paul." http://thebsquad.com

All in the Gaze (2010)

 

Married war veteran gets a surprise visit from an old buddy who happened to also be.... his secret gay lover.

Director: Patrick Buntichai
Writer: Patrick Buntichai
Genre: Short movie
Country: USA
Year: 2010

Stars: Michael Binette, Andi Szabo, Sanet Steyn

14 March 2012

Man Is a Woman (1998)

lhommeestunefemmecomMan Is a Woman (1998)

Original tiltle: L'homme est une femme comme les autres

 

Director: Jean-Jacques Zilbermann
Writers: Gilles Taurand, Joële Van Effenterre (story)
Genre: Drama
Year: 1998
Country: France

Stars: Antoine de Caunes, Elsa Zylberstein and Gad Elmaleh

 

Man Is a Woman (French title: L'homme est une femme comme les autres) is a 1998 French film directed by Jean-Jacques Zilbermann

 

gad-elmaleh-394829 (1)Mnogi pederi koji čitaju ovaj blog se nalaze u fazi kada skoro svakodnevno čuju pitanja: "Kad ćeš da se ženiš? Dosta si bio momak vrijeme ti je da se uozbiljiš! " … 
Jeli vam poznato? Vremenom počnete izbjegavatii famiiju, ne idete na porodične zabave, ne idete na svadbe. Godine prolaze i ako sve to izrdržite imaćete sreću da postanete matori peder!
A ako ne, onda se prvo oženite, pa onda možete biti peder koliko god hoćete! Sve vam postane dozvoljeno dok to radite diskretno!
U ovom filmu Simon koji je prešao tridesetu godinu života upada u situaciju kada svi od njega očekuju da se oženi i da ima porodicu. Naravno malo ko od njih zna da Simon najviše voli da upada u krevet sa muškarcima, obožava saune, sex na brzaka, gay društvo…


homme-est-une-femme-comme-les-autres-1997-08-gNakon svadbe njegovog najboljeg druga i rođaka,  dobija ponudu od bogatog ujaka da ako se oženi dobiće 10 miliona franaka. Majka koja zna da joj je sin peder mu kaže: "Ako treba da patiš u životu , pati bogat. Oženi se, pa budi gay koliko hoćeš!"
I tako Simon odluči da se zbliži sa Rosaline, djevojkom iz konzervtivne jevrejske porodice, koja ne želi da ima seks prije braka. Odluči da se ženi.U jednom momentu mu se sve smuči i kaže joj da je on nevin. Ona oduševljana kaže kako je divno što će oboje nevini ući u brak. Na njegovu rečenicu da je nevin sa ženama, ali ne i sa muškarcima, njeno jedino pitanje je bilo: Top or botom?

 

FIlm možete pogledati na youtube OVDJE.

 

maninwiman-fi

 

l'homme est une femme comme les autres
1998
real : jean jacques zilberman
antoine de caunes
elsa zylberstein
COLLECTION CHRISTOPHELSimon (Antoine de Caunes) is thirtysomething, at ease with his homosexuality and carrying an unacceptable overdraft on top of 40 Gauloise a day. When the uncle (Michel Aumont) he doesn't like offers him a small fortune to get hitched, since he is the last of the male line, he hesitates long enough to discuss it with mama (Judith Magre), who takes the view: "If you have to suffer, suffer rich."

Having set up a gay man's nightmare, director Jean-Jacques Zilberman takes pity on all concerned and sugars the pill. Rosalie (Elsa Zylberstein), the girl in question, starts off as a naive virgin, with a string of infuriating habits, mostly to do with her health, and ends as a feisty trooper who believes that love conquers all, despite what they say in the bath houses.

The film lacks conviction, sliding between a soft approach to bisexuality and wondering where to go next. Once the feared wedding night has been crossed, made easier by her nervousness, the only running story is whether Simon is going to make it with cousin David (Gad El Maleh) before Rosalie storms off in a huff. Frankly, my dear, who gives a damn?

Trailer:

 

Watch movie HERE

 

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12 March 2012

The Virgins aka Les Puceaux (1998)

les-puseaux

Jednom je prvi put sa muškarcem, a drugi nikad nije bio sa ženom. Pa od onoga što nikad nije bio sa muškarcem možeš napraviti pedera, a od pedera nikad str8.

Kratki film François Ozona nam priča o prvom iskustvu sa muškarcem jednog momka. Pogledajte.

Director: François Ozon
Genre: Short movie
Year: 1998
Country: France

 

 

The Virgins aka Les Puceaux (1998 France) Two Experienced French Boy Virgins.

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Christopher And His Kind (2011)

imagesChristopher And His Kind (2011)

 

 

Director: Geoffrey Sax
Writers: Christopher Isherwood (based on the book by), Kevin Elyot
Country: UK
Genre: Drama
Year: 2011

Stars: Matt Smith, Imogen Poots and Lindsay Duncan

 

 

600full-christopher-and-his-kind-screenshot (3)Matt Smith, mladi glumac poznatiji po serijalu "Doctor Who", glumi mladog pisca Christophera  Isherwooda koji želi da pobjegne iz uštogljenog engleskog društva u hedonističkom ali političko nestabilnom Berlinu 30-tih god prošlog vijeka. Iako ne zna ni riječ njemačkog jezika  Isherwood otkriva dekadentnu weimarsku kabaretsku scenu Berlina i postaje opijen gay subkulturom tog grada.  "Za mene, Berlin znači - biti sa muškarcem" oduševljano kaže Christopher, koji nedugo zatim upada u seksualno-emotivnu vezu sa mladim Heinz, kojemu pomogne oko nabavke ljekova za njegovu majku.
Idila se prekida najavom ratnih dešavanja i Christopher pokušava da sa sobom povede i novog ljubav.
Ova BBC-jeva adaptacija Christopherove autobiografske novele u kojoj su glavni aktori obučeni bezprijekorna engleska odjela, prepuna je scena seksa i hedonističkog načina života Berlina.
Pa uživajte u filmu koji možete skinuti Youtube.

 

chris-fi

Inspired by Christopher Isherwood's 1976 autobiography of the same name Christopher and his Kind accomplishes it's greatest challenge in depicting the events and sights that would eventually inspire 1972's Cabaret, without actually imitating or reiterating the iconic Oscar-winner. BBC2's first-class feature-length dramatisation of Isherwood's formative years brilliantly presents the characters, proceedings, and atmosphere of 'thirties Berlin in embryonic form.

600full-christopher-and-his-kind-screenshot (2)The wonderfully witty screenplay smartly focuses on the Isherwoods' first travels to Berlin in 1931 and 1933, where both the romanticised sexual freedoms and the threat of fascism are seamlessly integrated into this snapshot of the inter-war years. Told retrospectively from an aging Isherwood, the film begins with the barely-published author taking the train to Berlin, at the urging of friend, WH Auden. Wisely, Isherwood is never portrayed as just a writer or observer, only briefly seen at the typewriter, and the film overcomes many of the obstacles in creating dramas based on writers to the extent that the publication of Isherwood's book 'Sally Bowles' remains just a passing reference, and receives little fanfare. Matt Smith is effortlessly perfect in the role of Isherwood displaying the ease with which Isherwood integrates himself into the sexual underground and 'divine decadence' of the club scene.

Christopher and His KindIf it was Smith's hope that this performance would inspire audiences to temporarily forget about his other BBC work then he has surely succeeded. Smith is perfectly accompanied by Toby Jones, as his rough-trade-loving neighbour and an impeccable Lindsey Duncan as his thoroughly British mother. Imogen Poots occupies the most difficult role as the proto-Sally Bowles, Jean Ross, all green fingernails and lousy torch-songs, a gift for any actress. Isherwood leaves Germany when it becomes clear that to stay would be fatal and unsuccessfully attempts to bring his German boyfriend back to Britain. The film closes with a brief post-war reunion between the two former lovers, and the difference between the two is made clear. Heinz, his German lover, is now married with a child and Christopher, as we know, is on the verge of being embraced by a burgeoning gay movement and meeting the man with whom he'll spend the rest of his life.


 

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09 March 2012

Close to Leo (2002) (TV)

MV5BMjAxNDE2OTgxM15BMl5BanBnXkFtZTcwODkwODUyMQ@@._V1_Close to Leo (2002) (TV)

 

 

 

Director: Christophe Honoré
Writers: Christophe Honoré (novel), Diastème
Genre: Drama

Year:2002
Country: France

Stars: Yaniss Lespert, Pierre Mignard and Marie Bunel

 

 

tumblr_kxmhdwsPUh1qb201so1_500Da li ste nekad dolazili u situaciju da osjećate da nešto nije u redu sa nekim, ali da ne znate šta?

Tako je i u ovom filmu gdje Marcel osjeća da nešto nije u redu sa njegovim starijim bratom Leom ali da ne tačno o čemu se radi. Leo krije od njega da je HIV pozitivan, ali i cjela njegova porodica.

Još jedan otužan film na temu AIDS-a, koji na krju ostaje nekako nedorečen.

Film možete pogledati online ny youtube.

This is not a film with a feel good factor, and it will leave you with a lot of unanswered questions, but the sensitive way it deals with an explosive issue and the powerful performances by the lead actors make it worth a watch.

2When 21 year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV+ family bonds are tested. The family decides that 11 year Marcel, the youngest, is too young to understand and the family agrees to keep the unsettling news from him. Marcel overhears enough to understand that something amiss with Leo and when the two travel to Paris together, Marcel confronts Leo with what he suspects.

 

 

cl-fi

07 March 2012

Amour, toujours... (1995)

Ovaj kratki film me je slatko nasmijao. Idealan je za pogledati uz jutarnju kafu prije nego Amour-toujours-fi
izađete iz kuće. Urađen u stilu nijemih filmova 30-tih godina, priča nam priču o upoznavanju dva momka u Parizu. U 6 minuta je stao cjeli dan, slučajan susret, piće u kafeu, šetnja, pogledi, želje i na kraju poljubac.
Director:Gabriel de Monteynard
Writer:Gabriel de Monteynard
Stars:Felipe Catalano and Thierry Serva
Genre: Short movie
Country: France
Pogledajte:

An accidental meeting or fate?
Amour, Toujours/Love Always (1995) Writer/Director: Gabriel de Monteynard
Stars: Felipe Catalano and Thierry Serva
amourtoujours199574694f 
www.orvel.me

06 March 2012

Where We Began (2006)

wwb

 

Where We Began (2006)

began-01Ima situacija kada se ne smijete prepustiti emocijama, ma koliko to bilo tesko! Film me je asocirao na jednog momka koji mi se predstavljao kao prijatelj, al u stvari je čovijek bez karaktera. Kada je izgubio posao pomagao sam i novcem i na svaki drugi način. Stvarno mi je bio drag. Jednom prilikom smo izasli u grad i malo po malo napili se! Kada smo se vratili doma zezali smo se uz icuii ( video chat ) , pa dok smo slali video poruke skidali smo se i nadrkavali. Dopisivali smo se sa nekim gay parom iz amerike. I na kraju smo se ne znam ni ja zašto pojebali gledajući ih kako to oni rade. Napali smo se baš kretenski. Inače se nebi nikada upustili u seks!
A napravio sam veliku grešku. Ne zbog seksa, nego zato jer mi je poslije govorio kako me voli, kao ne može bez mene i slično. Jasno sam mu stavio do znanja da mi možemo biti prijatelji kao što i jesmo , ali ništa više od toga! Pravio mi je zvrčke kad god je stigao, proganjao me i na kraju sam prekinuo svaki kontakt sa njim! A baš mi je bio drag kao prijatelj! Jedno jebanje i ode sve do đavola!

Ovaj kratki film me je oduševio iako to nisam očekivao da od režisera Marc Saltarellija koji još ni jednom nije napravio dobar film. Pogledajte
Dead Boyz Don't Scream (2006) i videćete koliko je bezličan, za razliku od ovog fenomenalnog kratkog filma!

Year: 2006
Genre: Short movie
Director: Marc Saltarelli
Duration: 14 min
Country: USA
Actors: Marshall McClean, Christian Mousel, Matt Pittenger



Very quiet but interesting short. It's about two gay men (Tim played by Marshall McClean and Christian played by Matt Pittenger) who were once lovers. Christian slowly became hooked on crystal meth. Tim couldn't handle it and Christian left...but Christian keeps hounding Tim for money and Tim doesn't know how to handle it.

began-04Quiet short but well-acted by the two men and well directed. It turns out the two actors are friends in real life and that helps the emotions between the two. It's part of a bigger screenplay which I never read. If this is an indication of the rest of the play I'd love to see it done for the big screen. Quiet and moving.

Marc Saltarelli is a writer, director and film editor living in Los Angeles. Along with writer Tom O’Leary, his short film WHERE WE BEGAN won a 2007 PlanetOut Short Movie Award and ranked #1 on season 3 of logo’s “The Click List: Best in Short Film.” His new short film “Nourishment” will premiere next season on Logo. “Wingtips”, a noir style surreal thriller was a finalist in the 2007 PlanetOut Short Movie awards. The short was created with writer/actor Alex Boling and has played in festivals worldwide. In 2006, Marc directed the horror comedy feature “Dead Boyz Don’t Scream”, currently on the TLA bestseller list.

began-03Marc co-produced, wrote, shot and edited the documentary feature FATHER G AND THE HOMEBOYS (Narrated by Martin Sheen), which profiles the lives of former East Los Angeles Latino gang members. IN THE SHADOW, his screenplay inspired by the documentary, won best latino themed short screenplay in the 2007 Latino Screenplay Competition and will begin production in 2008.

Marc has worked in post production on syndicated television programs and began his career working in the art department for Cannon Films. He has a film degree from Loyola Marymount University with additional training from USC School of Cinema.

began-02  www.Orvel.ME

05 March 2012

Just a Question of Love (2000)

Juste une question d'amour (2000) aka Just a Question of Love

jqlMislio sam da sam ovaj film ranije stavio na blog, al danas sam ga tražio i nema ga! A film je vrijedno pogledati, posebno za ove mlade pedere koji razmisljaju da li da svojima kažu sve o sebi ili ne! Nekako roditelji zadnji saznaju da im je sin peder! Mnogi i kada saznaju, prave se kao da ne znaju to, jer ne mogu da prihvate takvu činjenicu! Zaista, oni i nemaju mogućnost da izaberu hoće li da saznaju da im je sin peder ili ne, to ipak u većini slučajeva biraju sinovi!

 

Director: Christian Faure

Country: France, Belgium
Year: 2000
Genre: Drama


Actors: Cyrille Thouvenin, Stéphan Guérin-Tillié, Eva Darlan, Daniele Denie, Idwig Stephane, Caroline Veyt, Laurence César, Jean-Pierre Valere, Raphaëlle Lubansu, Jean-Baptiste Lefevre, Aurélie Godichal, Jonathan Fox, Marcel Dossogne, Bruno Georis, Diego Vanhoute 


000q0gs4Moja generacija uključujući i mene je u većini slučajeva birala da to ipak sakrije od svijeta! Lijepo se oženiš, zaposliš i živiš kako drugi oće i kako je to zapisano u knjigama "Narodni običaji" I miran si, napreduješ na poslu, poštovan si u društvu i sve funkcioniše savršeno! A da li je tako? Kako se podnosi ta silna laž koju si sam ispleo oko sebe? Kako sakriti kada se zaljubiš? Kako ukrasti trenutak i pobijeći u mrak gdje ćeš zadovoljiti svoje drugo ja! I što više pokušavaš da se snađeš, sve si prazniji. Poneko i nadje srodnu dušu i onda broji dane kada će je vidjeti, doživjeti....
Pričam vam iz ličnog iskustva. Sve moje ljubavi sam uklapao u svoj način života kako sam znao i umio, da sve izgleda normalno spolja, a da samo on i ja znamo pravu istinu! Da li je to moguće to će te morati saznati sami!

000q4b7yDanašnji klinci me plaše jer ne razmišljaju kao ja! Drugačiji su! Brzopleti, naivni, slušaju svoje srce pa srljaju u pustolovinu zvanu coming-out! Nema bezbolnog outovanja! A društvo nam se nije toliko promijenilo da sve prihvata slakoćom!
Uostalom pogledajte ovaj film! I da li je to samo pitanje ljubavi ili pitanje načina na koji će te živjeti svoju sudbinu!

Film pogledajte OVDJE


"Juste une question d'amour" (Just a Question of Love), directed and cowritten by Christian Fauré (Un amour ŕ taire) aired on French television in 2000. It is a coming-out (as gay) story that focuses as much on the parents as on the young men who are in love with each other.

000qbygyParents sometimes surprise their gay and lesbian offspring by accepting them. But sometimes the children are right to fear the reactions of their parents. Laurent (Cyrille Thouvenin, "La confusion des genres") loves his parents(Daničlle Denie) and Pierre (Idwig Stéphane), who run a mom-and-pop pharmacy in Paris and is very afraid that they will reject him if they find that he is gay. This is unlikely to happen while he is having sex with men, but not in love with anyone. Moreover, he has the cover (a "beard") of a female room-mate (it seems that rather a lot of young gay men in recent French movies are living with straight women, but I vaguely remember that so was I between my long-term lovers). Laurent's parents dote on Carole (Caroline Veyt). Visions of grandchildren dance in their heads, though Carole is growing weary of having the name (Laurent's partner) without having the game.

000q9dcrLaurent does not have to guess about what will happen, because it pretty much already has happened—to a cousin with whom he was very close. Marc's parents (Laurent's mother's sister and her husband) cut off all communication with Marc, when they learned he was gay. Laurent's parents refused to take Marc in, and when Marc's parents heard that Marc was dying, they proclaimed that AIDS was a just punishment for him (though Marc was dying of acute hepatitis picked up in Vietnam rather than AIDS).

The status quo of Laurent and Carole pretending to be a couple has been destabilized by Laurent's failures (in agricultural school) since Marc's terminal illness. Laurent is dispatched to a field station near Lille in which Cédric (Stéphan Guérin-Tillié) is experimenting on developing vegetables resistant to (((ever-increasing) pollution. Cédric is an intense, bearded hunk. He and Laurent quickly fall into each other's arms.

Just A Question Of Love[05]Cédric took over the family business (a nursery along with the field station) when his father died, which Laurent's father finds exemplary (he is displeased that Laurent has not studied to become a pharmacist) and Laurent's mother likes the Cédric lives with his mother (Emma, played by Eva Darla (Une histoire simple). Emma realized she could accept that Cédric was gay or lose him—immediately after having lost her husband.

Cédric does not want to live the lie of just being Laurent's boss and participate in the Laurent/Jeanne charade. He pushes Laurent, though Emma tells him he should not expect Laurent to move faster than Cédric himself had. She is very maternal to Laurent. Laurent wishes that his mother was like Emma,,, but knows she is not.

JusteuneQuestiondAmourThen the melodrama kicks in and most everyone is furious with everyone else (except Cédric and Carole, both of whom push Laurent to come out, and Marc's lover, who is sympathetic to everyone). I do not want to spoil what surprised me in detonating the explosions—which is to say that the trajectory is at least somewhat unpredictable even for someone who has heard and seen many coming-out stories. (I might note that neither Cédric nor Laurent has any connection to politicized gay identity: the message they articulate is "I love him and he loves me and we are going to be together.")

The cast is uniformly excellent, with Eva Darla particularly standing out. The cinematography, music, and editing are unobtrusively effective. Thouvenin and Guerin-Tillie have a palpable chemistry. They can be playful with each other, but both are passionate, not only in love, but in quarrels. (Both can also sulk, too.)

Unlike the other French coming-of-age movies I've seen in the last few years, there is no frontal male nudity (drat!), no bared female breasts, and no simulated coitus (there's kissing and post-coital bed scenes).

There are trailers for eight other French movies, but no bonus features about this one. The (widescreen) visual and audio transfers are excellent, the subtitles legible and devoid of peculiar grammmatical constructions.

 

Although not breaking new cinematic ground, I can't think of any way the story of these characters, none of whom is one-dimensional, could have been shown. What it is showing parents also seems very valuable, t, though those who most would most gain from watching it are the least likely to undertake a subtitled French tv movie with two young men in love with each other, neither of whom wants to lose his parents.

Watch this movie Here